Seastones (From shnid=105755) | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	97.8k	12.3k
7d	177.6k	23.2k
30d	1.3M	163.4k

2,080 shows

18,063 tapes

Phish

279.4k

Playback	Listens	Hours
48h	19.3k	3k
7d	40.7k	6.3k
30d	279.4k	43.8k

Bands

Playback	Listens	Hours
48h	35	2
7d	94	6
30d	949	59

Playback	Listens	Hours
48h	33	5
7d	23	4
30d	179	28

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	25	2

Playback	Listens	Hours
48h	10	1
7d	46	9
30d	370	48

81 shows

114 tapes

Akron/Family

Playback	Listens	Hours
48h	1	6m
7d	2	15m
30d	20	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	39	5

Playback	Listens	Hours
48h	32	3
7d	21	2
30d	243	20

Playback	Listens	Hours
48h	10	49m
7d	25	2
30d	262	22

Playback	Listens	Hours
48h	23	3
7d	63	7
30d	315	35

123 shows

134 tapes

Animal Liberation Orchestra

1.6k

Playback	Listens	Hours
48h	36	6
7d	168	22
30d	1.6k	206

430 shows

534 tapes

Antibalas

Playback	Listens	Hours
48h	9	2
7d	2	30m
30d	91	15

Playback	Listens	Hours
48h	41	4
7d	169	17
30d	1.2k	122

Playback	Listens	Hours
48h	4	32m
7d	41	8
30d	169	37

Playback	Listens	Hours
48h	20	3
7d	155	20
30d	630	80

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	26	2
7d	19	2
30d	51	6

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	119	14
7d	270	31
30d	1.4k	172

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	7	38m
7d	10	37m
30d	33	2

Playback	Listens	Hours
48h	0	0m
7d	46	6
30d	228	29

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	13	3
30d	49	9

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	3	17m
7d	4	1
30d	73	8

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	19	3
7d	21	3
30d	24	4

Playback	Listens	Hours
48h	103	15
7d	88	11
30d	358	48

Playback	Listens	Hours
48h	96	13
7d	371	49
30d	2.3k	296

Playback	Listens	Hours
48h	6.4k	634
7d	12.1k	1.2k
30d	86.5k	8.7k

Playback	Listens	Hours
48h	126	9
7d	154	10
30d	1.7k	120

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	5	32m
30d	43	5

Playback	Listens	Hours
48h	132	17
7d	277	30
30d	2.2k	242

Playback	Listens	Hours
48h	332	39
7d	606	77
30d	5.5k	727

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	35m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	17	3
7d	143	25
30d	1k	170

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	56	7

Playback	Listens	Hours
48h	41	4
7d	135	13
30d	1.3k	126

Playback	Listens	Hours
48h	61	7
7d	106	10
30d	955	99

Playback	Listens	Hours
48h	48	2
7d	41	3
30d	448	27

Playback	Listens	Hours
48h	19	2
7d	42	5
30d	212	30

Playback	Listens	Hours
48h	0	0m
7d	19	1
30d	275	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	17	3

Playback	Listens	Hours
48h	0	0m
7d	8	3
30d	104	12

79 shows

93 tapes

Circles Around The Sun

1.4k

Playback	Listens	Hours
48h	95	20
7d	242	53
30d	1.4k	287

Playback	Listens	Hours
48h	19	3
7d	25	4
30d	272	55

Playback	Listens	Hours
48h	57	5
7d	158	14
30d	519	45

Playback	Listens	Hours
48h	40	6
7d	118	18
30d	538	79

Playback	Listens	Hours
48h	373	52
7d	552	78
30d	3.9k	542

Playback	Listens	Hours
48h	600	80
7d	864	118
30d	5.7k	798

797 shows

1,057 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	1
7d	5	1
30d	17	5

Playback	Listens	Hours
48h	0	0m
7d	14	55m
30d	207	19

Playback	Listens	Hours
48h	2.7k	432
7d	5k	803
30d	38.6k	6.1k

Playback	Listens	Hours
48h	48	6
7d	70	8
30d	199	22

Playback	Listens	Hours
48h	47	4
7d	182	12
30d	1.4k	92

Playback	Listens	Hours
48h	92	11
7d	211	25
30d	1.7k	209

Playback	Listens	Hours
48h	1k	219
7d	1.8k	366
30d	12.7k	2.7k

Playback	Listens	Hours
48h	26	3
7d	22	3
30d	191	20

Playback	Listens	Hours
48h	215	35
7d	392	61
30d	3.1k	466

Playback	Listens	Hours
48h	4	48m
7d	51	12
30d	100	24

Playback	Listens	Hours
48h	147	15
7d	223	22
30d	1.7k	168

Playback	Listens	Hours
48h	20	3
7d	24	4
30d	257	41

Playback	Listens	Hours
48h	361	33
7d	475	42
30d	3.1k	275

Playback	Listens	Hours
48h	33	6
7d	60	9
30d	472	82

Playback	Listens	Hours
48h	7	50m
7d	24	3
30d	149	19

Playback	Listens	Hours
48h	298	49
7d	243	41
30d	1.7k	264

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	121	19
7d	204	30
30d	1.9k	264

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	29m
7d	1	1m
30d	13	5

Playback	Listens	Hours
48h	64	4
7d	80	4
30d	611	34

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	5	27m
7d	10	2
30d	59	9

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	4	48m
7d	2	4m
30d	49	11

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	22	2
7d	19	2
30d	80	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	11	1
7d	56	6
30d	285	32

Playback	Listens	Hours
48h	12	49m
7d	1	5m
30d	123	8

Playback	Listens	Hours
48h	24	2
7d	89	7
30d	221	18

Playback	Listens	Hours
48h	9	47m
7d	9	27m
30d	152	9

Playback	Listens	Hours
48h	684	109
7d	1.4k	216
30d	9.6k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

578

Playback	Listens	Hours
48h	76	7
7d	69	6
30d	578	51

Playback	Listens	Hours
48h	86	9
7d	227	28
30d	1.1k	131

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	136	18

Playback	Listens	Hours
48h	14	3
7d	33	7
30d	308	66

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	11	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	2	51m
30d	72	16

Playback	Listens	Hours
48h	97	12
7d	144	19
30d	807	97

374 shows

508 tapes

Godspeed You Black Emperor!

400

Playback	Listens	Hours
48h	37	11
7d	70	21
30d	400	109

Playback	Listens	Hours
48h	6	57m
7d	45	4
30d	190	25

Playback	Listens	Hours
48h	3k	627
7d	5.7k	1.2k
30d	35.3k	7.3k

Playback	Listens	Hours
48h	38	3
7d	57	5
30d	238	22

363 shows

589 tapes

Grahame Lesh and Friends

2.3k

Playback	Listens	Hours
48h	91	14
7d	223	31
30d	2.3k	335

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	23	3
7d	8	1
30d	32	5

Playback	Listens	Hours
48h	483	56
7d	1k	128
30d	6.1k	703

Playback	Listens	Hours
48h	61	7
7d	169	17
30d	926	99

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	31	2
7d	5	15m
30d	36	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	6	29m
7d	74	4
30d	416	28

749 shows

1,030 tapes

Hard Working Americans

179

Playback	Listens	Hours
48h	17	2
7d	13	1
30d	179	19

Playback	Listens	Hours
48h	32	6
7d	34	6
30d	402	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	1	5m
7d	10	56m
30d	25	2

Playback	Listens	Hours
48h	3	14m
7d	12	1
30d	212	22

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	46	4
7d	68	7
30d	1.6k	152

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	68	13

16 shows

18 tapes

Jack Johnson

Playback	Listens	Hours
48h	363	25
7d	703	47
30d	5k	323

Playback	Listens	Hours
48h	16	2
7d	47	6
30d	217	21

364 shows

491 tapes

Jazz Mandolin Project

122

Playback	Listens	Hours
48h	2	49m
7d	24	3
30d	122	19

221 shows

279 tapes

Jeff Austin and Chris Castino

112

Playback	Listens	Hours
48h	0	0m
7d	3	11m
30d	112	10

12 shows

14 tapes

Jeff Austin And Friends

130

Playback	Listens	Hours
48h	10	1
7d	14	1
30d	130	13

Playback	Listens	Hours
48h	99	15
7d	216	32
30d	1.1k	144

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	180	31
7d	288	53
30d	2.6k	426

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.2k

Playback	Listens	Hours
48h	165	22
7d	308	43
30d	4.2k	601

256 shows

307 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	10m
7d	1	10m
30d	6	55m

2 shows

5 tapes

Joe Russo's Almost Dead

43.6k

Playback	Listens	Hours
48h	3.8k	757
7d	6.2k	1.2k
30d	43.6k	8.3k

Playback	Listens	Hours
48h	81	10
7d	67	9
30d	425	50

Playback	Listens	Hours
48h	184	15
7d	435	36
30d	2.5k	222

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	3	40m
7d	6	26m
30d	40	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	160	12

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	9	38m
7d	6	22m
30d	74	7

73 shows

108 tapes

Karl Denson's Tiny Universe

173

Playback	Listens	Hours
48h	23	3
7d	19	3
30d	173	24

Playback	Listens	Hours
48h	348	33
7d	745	66
30d	4.5k	436

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	0	0m
7d	25	4
30d	90	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.8k

Playback	Listens	Hours
48h	1.3k	172
7d	1.9k	253
30d	14.8k	2k

Playback	Listens	Hours
48h	113	15
7d	298	42
30d	1.5k	216

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	64	9

Playback	Listens	Hours
48h	16	3
7d	87	16
30d	704	135

Playback	Listens	Hours
48h	41	5
7d	151	17
30d	867	102

71 shows

140 tapes

Leftover Salmon

Playback	Listens	Hours
48h	362	34
7d	616	54
30d	4k	356

Playback	Listens	Hours
48h	176	30
7d	475	90
30d	3.1k	531

Playback	Listens	Hours
48h	631	57
7d	602	53
30d	5.6k	525

Playback	Listens	Hours
48h	80	7
7d	138	11
30d	1.4k	110

Playback	Listens	Hours
48h	149	29
7d	314	56
30d	989	179

436 shows

621 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	2	22m
30d	68	7

Playback	Listens	Hours
48h	133	11
7d	275	24
30d	2.1k	202

Playback	Listens	Hours
48h	10	1
7d	48	5
30d	243	27

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	237	39
7d	417	68
30d	4.4k	690

Playback	Listens	Hours
48h	49	5
7d	62	4
30d	429	24

Playback	Listens	Hours
48h	17	1
7d	1	10m
30d	139	14

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	19	42m
7d	28	44m
30d	71	2

Playback	Listens	Hours
48h	56	4
7d	153	11
30d	1.2k	79

Playback	Listens	Hours
48h	823	129
7d	1.6k	247
30d	9.8k	1.6k

1,981 shows

4,477 tapes

Mogwai

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	58	6

Playback	Listens	Hours
48h	12	1
7d	33	3
30d	108	9

Playback	Listens	Hours
48h	232	25
7d	585	63
30d	4.8k	485

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	3	15m
7d	22	2
30d	97	9

Playback	Listens	Hours
48h	32	4
7d	43	7
30d	598	83

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	16	3
30d	24	4

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	167	14
7d	198	15
30d	1.8k	151

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	110	11
7d	98	9
30d	1.3k	124

Playback	Listens	Hours
48h	46	4
7d	133	14
30d	772	82

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	3	15m

Playback	Listens	Hours
48h	10	1
7d	5	57m
30d	112	21

Playback	Listens	Hours
48h	4	38m
7d	4	36m
30d	117	17

Playback	Listens	Hours
48h	74	14
7d	206	44
30d	1.5k	279

689 shows

920 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	1k	182
7d	1.9k	341
30d	15.4k	2.7k

788 shows

2,860 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	179	24
7d	281	42
30d	1.7k	273

Playback	Listens	Hours
48h	374	47
7d	613	79
30d	3.7k	486

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	312	41
7d	643	84
30d	4k	515

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	53	7
7d	58	7
30d	355	43

Playback	Listens	Hours
48h	561	73
7d	964	129
30d	6.6k	876

Playback	Listens	Hours
48h	133	11
7d	113	9
30d	1.1k	92

Playback	Listens	Hours
48h	37	3
7d	331	25
30d	1.5k	132

Playback	Listens	Hours
48h	135	13
7d	323	28
30d	2.3k	201

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	2	29m
30d	4	58m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

Playback	Listens	Hours
48h	310	30
7d	546	52
30d	3.8k	357

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	74	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	54	7

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	20	2
7d	50	6
30d	89	11

Playback	Listens	Hours
48h	66	5
7d	199	17
30d	1.5k	128

Playback	Listens	Hours
48h	159	28
7d	395	60
30d	2.6k	410

Playback	Listens	Hours
48h	147	36
7d	249	57
30d	1.2k	286

Playback	Listens	Hours
48h	57	3
7d	11	35m
30d	275	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	1	21m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	37	5
7d	116	24
30d	743	120

Playback	Listens	Hours
48h	176	41
7d	232	53
30d	1.7k	383

Playback	Listens	Hours
48h	167	23
7d	247	34
30d	1.9k	255

667 shows

1,139 tapes

String Cheese Incident

18.5k

Playback	Listens	Hours
48h	1.3k	201
7d	2.8k	454
30d	18.5k	3k

1,281 shows

2,075 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	2	11m
7d	24	3
30d	68	8

Playback	Listens	Hours
48h	42	8
7d	43	8
30d	240	43

Playback	Listens	Hours
48h	11	1
7d	10	2
30d	163	22

Playback	Listens	Hours
48h	28	3
7d	123	14
30d	806	86

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	847	102
7d	1.5k	179
30d	12.4k	1.5k

Playback	Listens	Hours
48h	7	19m
7d	7	20m
30d	199	9

Playback	Listens	Hours
48h	113	15
7d	75	10
30d	1.8k	217

Playback	Listens	Hours
48h	39	6
7d	28	4
30d	343	54

473 shows

627 tapes

The California Honeydrops

495

Playback	Listens	Hours
48h	13	1
7d	15	2
30d	495	63

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	36m

Playback	Listens	Hours
48h	105	15
7d	276	41
30d	2.6k	372

Playback	Listens	Hours
48h	5	22m
7d	16	2
30d	391	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	20	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	2	7m
30d	19	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	3	14m

Playback	Listens	Hours
48h	19	3
7d	5	1
30d	409	69

Playback	Listens	Hours
48h	11	1
7d	11	2
30d	104	12

Playback	Listens	Hours
48h	243	13
7d	782	44
30d	1.7k	96

Playback	Listens	Hours
48h	61	4
7d	62	5
30d	1.1k	80

Playback	Listens	Hours
48h	8	1
7d	26	7
30d	264	57

Playback	Listens	Hours
48h	42	5
7d	196	21
30d	946	98

Playback	Listens	Hours
48h	165	22
7d	122	18
30d	1.6k	240

Playback	Listens	Hours
48h	414	42
7d	758	74
30d	6.1k	612

1,452 shows

1,651 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	5

Playback	Listens	Hours
48h	45	5
7d	116	10
30d	871	88

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

Playback	Listens	Hours
48h	69	7
7d	211	21
30d	1.4k	142

Playback	Listens	Hours
48h	94	6
7d	138	10
30d	797	53

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	4

Playback	Listens	Hours
48h	545	67
7d	893	127
30d	7.1k	1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	40	4

Playback	Listens	Hours
48h	169	26
7d	234	37
30d	1.7k	273

Playback	Listens	Hours
48h	338	48
7d	865	132
30d	4.7k	708

Playback	Listens	Hours
48h	9	1
7d	49	4
30d	341	29

Playback	Listens	Hours
48h	83	7
7d	235	16
30d	1.6k	118

Playback	Listens	Hours
48h	1.2k	99
7d	1.6k	130
30d	12.9k	1.1k

623 shows

1,138 tapes

White Denim

Playback	Listens	Hours
48h	1	3m
7d	3	15m
30d	78	6

Playback	Listens	Hours
48h	11.1k	1.3k
7d	20.5k	2.4k
30d	133k	15.7k

Playback	Listens	Hours
48h	36	6
7d	132	16
30d	857	117

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	833	86
7d	1.6k	162
30d	11k	1k

Playback	Listens	Hours
48h	105	17
7d	186	29
30d	1.1k	158

20 shows

27 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	2	7m

Playback	Listens	Hours
48h	73	12
7d	365	64
30d	1.7k	313

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	4	30m
7d	0	0m
30d	17	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	214
7d	2.8k	358
30d	27.3k	3.7k

Playback	Listens	Hours
48h	1.5k	236
7d	3.2k	441
30d	14.1k	2k

Playback	Listens	Hours
48h	1.9k	239
7d	5.3k	688
30d	37.9k	5k

Playback	Listens	Hours
48h	2.2k	280
7d	5.5k	689
30d	42.4k	5.5k

Playback	Listens	Hours
48h	4.4k	570
7d	8.8k	1.1k
30d	48k	6.4k

Playback	Listens	Hours
48h	2.6k	339
7d	13.8k	2k
30d	56.2k	7.4k

Playback	Listens	Hours
48h	5.9k	736
7d	6.7k	860
30d	49k	6.1k

Playback	Listens	Hours
48h	5k	577
7d	3.5k	413
30d	20.1k	2.3k

Playback	Listens	Hours
48h	6.7k	746
7d	4k	474
30d	41.5k	4.7k

Playback	Listens	Hours
48h	1.3k	144
7d	1.5k	174
30d	12.1k	1.4k

Playback	Listens	Hours
48h	1.9k	219
7d	13k	1.5k
30d	33.8k	3.9k

Playback	Listens	Hours
48h	1.2k	155
7d	2.4k	311
30d	26.5k	3.3k

Playback	Listens	Hours
48h	3.9k	515
7d	5.4k	735
30d	22.7k	3k

Playback	Listens	Hours
48h	1.5k	186
7d	2.5k	304
30d	32k	4k

Playback	Listens	Hours
48h	1.8k	225
7d	3.4k	438
30d	27.6k	3.5k

Playback	Listens	Hours
48h	9.3k	1.1k
7d	4.7k	551
30d	69.5k	8.1k

Playback	Listens	Hours
48h	1.4k	201
7d	2.9k	404
30d	20.3k	2.8k

Playback	Listens	Hours
48h	2.3k	314
7d	3.8k	519
30d	36.4k	4.9k

Playback	Listens	Hours
48h	8.7k	1.2k
7d	14.3k	2k
30d	208k	28.8k

Playback	Listens	Hours
48h	10.4k	1.4k
7d	24.3k	3.4k
30d	112.1k	15.2k

Playback	Listens	Hours
48h	479	49
7d	1.9k	209
30d	7.6k	781

Playback	Listens	Hours
48h	9k	1.1k
7d	17.9k	2.5k
30d	79.3k	10.2k

Playback	Listens	Hours
48h	4.5k	589
7d	7.4k	983
30d	74.6k	9.8k

Playback	Listens	Hours
48h	2.5k	309
7d	7.1k	893
30d	56.6k	6.9k

Playback	Listens	Hours
48h	2k	221
7d	3.9k	424
30d	32.3k	3.7k

Playback	Listens	Hours
48h	1.4k	161
7d	2.8k	323
30d	38.2k	4.1k

Playback	Listens	Hours
48h	1.3k	176
7d	2.2k	332
30d	27.8k	4.2k

Playback	Listens	Hours
48h	435	55
7d	983	130
30d	7.2k	919

Playback	Listens	Hours
48h	177	21
7d	480	65
30d	1.9k	263

Playback	Listens	Hours
48h	201	15
7d	816	53
30d	5.3k	355

Playback	Listens	Hours
48h	47	3
7d	61	3
30d	594	35

1974

Playback	Listens	Hours
48h	2	13m
7d	0	0m
30d	17	2

San Francisco, CA, USA

Playback	Listens	Hours
48h	52	7
7d	225	29
30d	1k	127

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	84	10
7d	251	30
30d	1.5k	182

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	106	13
7d	167	24
30d	1.4k	211

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	18	2
7d	237	29
30d	1.1k	118

San Francisco, CA, USA

521

Playback	Listens	Hours
48h	23	5
7d	88	15
30d	521	89

Playback	Listens	Hours
48h	1	17m
7d	37	6
30d	228	33

Playback	Listens	Hours
48h	16	2
7d	18	3
30d	451	62

Playback	Listens	Hours
48h	82	11
7d	17	3
30d	571	78

Playback	Listens	Hours
48h	3	17m
7d	11	2
30d	159	22

Playback	Listens	Hours
48h	75	15
7d	70	17
30d	1.1k	203

Playback	Listens	Hours
48h	22	4
7d	77	13
30d	267	45

Playback	Listens	Hours
48h	14	1
7d	1	6m
30d	77	9

Playback	Listens	Hours
48h	50	7
7d	97	13
30d	975	130

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

598

Playback	Listens	Hours
48h	24	3
7d	91	12
30d	598	76

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

500

Playback	Listens	Hours
48h	77	10
7d	68	9
30d	500	72

Playback	Listens	Hours
48h	65	9
7d	62	8
30d	1k	124

Playback	Listens	Hours
48h	17	2
7d	19	3
30d	430	55

Playback	Listens	Hours
48h	56	6
7d	53	7
30d	669	84

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

693

Playback	Listens	Hours
48h	45	5
7d	158	18
30d	693	80

Playback	Listens	Hours
48h	14	2
7d	35	4
30d	332	42

Playback	Listens	Hours
48h	28	5
7d	116	17
30d	724	103

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

703

Playback	Listens	Hours
48h	35	5
7d	36	6
30d	703	105

Playback	Listens	Hours
48h	117	15
7d	81	13
30d	1.3k	194

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.3k

Playback	Listens	Hours
48h	119	17
7d	250	33
30d	1.3k	188

Playback	Listens	Hours
48h	71	9
7d	200	24
30d	1.4k	165

Playback	Listens	Hours
48h	135	13
7d	256	33
30d	1.1k	127

Playback	Listens	Hours
48h	4.1k	459
7d	140	15
30d	562	65

Playback	Listens	Hours
48h	1.7k	253
7d	5k	697
30d	6.8k	956

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

Playback	Listens	Hours
48h	260	40
7d	7.2k	1.1k
30d	8k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

6.1k

Playback	Listens	Hours
48h	47	7
7d	166	22
30d	6.1k	829

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

7.3k

Playback	Listens	Hours
48h	151	16
7d	126	13
30d	7.3k	755

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

4.1k

Playback	Listens	Hours
48h	80	15
7d	205	26
30d	4.1k	653

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

13.6k

Playback	Listens	Hours
48h	536	59
7d	1.1k	119
30d	13.6k	1.5k

Vancouver, British Columbia, Canada

1.3k

Playback	Listens	Hours
48h	60	7
7d	51	5
30d	1.3k	149

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

3.8k

Playback	Listens	Hours
48h	123	17
7d	375	49
30d	3.8k	496

Playback	Listens	Hours
48h	62	7
7d	103	13
30d	909	108

Playback	Listens	Hours
48h	207	23
7d	253	29
30d	1.6k	173

Playback	Listens	Hours
48h	10	51m
7d	11	1
30d	103	8

San Francisco, CA, USA

Playback	Listens	Hours
48h	275	37
7d	227	34
30d	2k	278

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	32	4
7d	147	18
30d	1.5k	179

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	31	4
7d	106	12
30d	1.6k	171

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)