1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	94.7k	12k
7d	226.5k	28.9k
30d	1.4M	178.2k

2,080 shows

18,039 tapes

Phish

312.1k

Playback	Listens	Hours
48h	20.6k	3.3k
7d	51.4k	8.1k
30d	312.1k	49.5k

Bands

Playback	Listens	Hours
48h	131	8
7d	86	5
30d	933	60

Playback	Listens	Hours
48h	19	3
7d	17	3
30d	245	36

67 shows

104 tapes

Ace Bandage

Playback	Listens	Hours
48h	1	0m
7d	8	41m
30d	32	3

Playback	Listens	Hours
48h	8	1
7d	67	8
30d	296	42

80 shows

113 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	5	41m
30d	19	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	6	45m
30d	13	1

Playback	Listens	Hours
48h	4	20m
7d	32	2
30d	258	21

Playback	Listens	Hours
48h	0	0m
7d	37	4
30d	385	32

Playback	Listens	Hours
48h	17	1
7d	41	5
30d	331	33

123 shows

134 tapes

Animal Liberation Orchestra

1.9k

Playback	Listens	Hours
48h	214	26
7d	240	30
30d	1.9k	240

Playback	Listens	Hours
48h	5	1
7d	21	3
30d	202	36

Playback	Listens	Hours
48h	142	15
7d	237	24
30d	1.6k	159

Playback	Listens	Hours
48h	21	5
7d	7	2
30d	180	41

Playback	Listens	Hours
48h	13	2
7d	125	15
30d	663	85

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	6	48m
7d	1	14m
30d	18	2

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	107	13
7d	277	36
30d	1.4k	171

487 shows

608 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	8	31m
30d	35	2

Playback	Listens	Hours
48h	13	2
7d	16	2
30d	245	35

277 shows

380 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	25	4
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	98	13

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	39	5
7d	54	8
30d	535	76

Playback	Listens	Hours
48h	250	33
7d	311	40
30d	2.1k	272

Playback	Listens	Hours
48h	6.2k	617
7d	16.6k	1.7k
30d	90.2k	9.1k

Playback	Listens	Hours
48h	142	10
7d	414	29
30d	1.7k	118

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	1	7m
7d	3	22m
30d	55	6

Playback	Listens	Hours
48h	178	20
7d	493	56
30d	2.4k	264

1,223 shows

1,770 tapes

Bob Weir

Playback	Listens	Hours
48h	307	37
7d	997	132
30d	6k	760

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	158	28
7d	211	35
30d	931	154

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	47m
30d	35	4

Playback	Listens	Hours
48h	127	13
7d	329	32
30d	1.5k	145

Playback	Listens	Hours
48h	166	18
7d	26	3
30d	596	64

Playback	Listens	Hours
48h	7	15m
7d	114	6
30d	521	32

Playback	Listens	Hours
48h	10	1
7d	58	8
30d	289	40

Playback	Listens	Hours
48h	39	3
7d	47	3
30d	264	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	19m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	22	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	22	3
7d	0	0m
30d	48	5

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	67	15
7d	254	50
30d	1.7k	344

Playback	Listens	Hours
48h	22	5
7d	102	18
30d	492	92

Playback	Listens	Hours
48h	23	2
7d	37	3
30d	414	35

Playback	Listens	Hours
48h	37	5
7d	126	19
30d	590	90

Playback	Listens	Hours
48h	294	41
7d	788	112
30d	4.5k	617

Playback	Listens	Hours
48h	402	61
7d	1.3k	180
30d	5.2k	717

794 shows

1,052 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	6m
7d	3	1
30d	16	4

Playback	Listens	Hours
48h	9	1
7d	14	2
30d	106	11

Playback	Listens	Hours
48h	2.7k	444
7d	8.3k	1.3k
30d	41.9k	6.7k

Playback	Listens	Hours
48h	13	1
7d	26	3
30d	163	16

Playback	Listens	Hours
48h	86	6
7d	193	13
30d	1.4k	91

397 shows

604 tapes

Derek Trucks Band

Playback	Listens	Hours
48h	113	15
7d	296	35
30d	2k	233

Playback	Listens	Hours
48h	1.3k	268
7d	2.4k	509
30d	13.5k	2.9k

Playback	Listens	Hours
48h	14	1
7d	28	3
30d	237	25

Playback	Listens	Hours
48h	243	37
7d	526	83
30d	3.3k	533

Playback	Listens	Hours
48h	8	1
7d	17	5
30d	108	30

Playback	Listens	Hours
48h	142	15
7d	315	31
30d	1.8k	183

Playback	Listens	Hours
48h	37	6
7d	48	8
30d	259	43

Playback	Listens	Hours
48h	105	9
7d	521	47
30d	2.8k	248

Playback	Listens	Hours
48h	49	8
7d	93	17
30d	739	130

Playback	Listens	Hours
48h	22	3
7d	12	1
30d	114	17

44 shows

56 tapes

Eggy

Playback	Listens	Hours
48h	154	25
7d	194	31
30d	2k	324

149 shows

287 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	126	17
7d	484	67
30d	2.7k	388

829 shows

1,048 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	30m
30d	60	17

Playback	Listens	Hours
48h	49	3
7d	119	7
30d	699	40

Playback	Listens	Hours
48h	4	53m
7d	2	16m
30d	163	22

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	6	2
7d	17	4
30d	64	14

Playback	Listens	Hours
48h	0	0m
7d	34	5
30d	109	14

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	2	31m
7d	1	15m
30d	2	26m

Playback	Listens	Hours
48h	17	2
7d	68	7
30d	207	24

Playback	Listens	Hours
48h	26	2
7d	1	5m
30d	305	19

Playback	Listens	Hours
48h	2	8m
7d	61	5
30d	203	17

Playback	Listens	Hours
48h	1	4m
7d	69	5
30d	200	12

Playback	Listens	Hours
48h	990	157
7d	1.8k	291
30d	9.2k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

463

Playback	Listens	Hours
48h	45	4
7d	84	7
30d	463	41

Playback	Listens	Hours
48h	38	5
7d	315	38
30d	1.2k	141

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	23	3
7d	5	1
30d	53	8

Playback	Listens	Hours
48h	0	0m
7d	57	13
30d	289	60

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	33m
30d	10	2

Playback	Listens	Hours
48h	11	2
7d	15	3
30d	131	23

Playback	Listens	Hours
48h	50	6
7d	245	30
30d	910	108

370 shows

499 tapes

Godspeed You Black Emperor!

304

Playback	Listens	Hours
48h	17	4
7d	36	10
30d	304	76

Playback	Listens	Hours
48h	16	3
7d	21	4
30d	262	35

Playback	Listens	Hours
48h	3k	634
7d	7.3k	1.5k
30d	36.7k	7.5k

Playback	Listens	Hours
48h	10	58m
7d	28	2
30d	346	31

363 shows

589 tapes

Grahame Lesh and Friends

2.9k

Playback	Listens	Hours
48h	113	16
7d	469	64
30d	2.9k	430

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	309	38
7d	1.3k	142
30d	5.4k	620

Playback	Listens	Hours
48h	71	8
7d	180	19
30d	1.2k	125

224 shows

311 tapes

GrooveSession

Playback	Listens	Hours
48h	3	32m
7d	3	33m
30d	12	1

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	18	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	6m
7d	8	59m
30d	12	2

Playback	Listens	Hours
48h	6	29m
7d	130	10
30d	1.6k	116

749 shows

1,030 tapes

Hard Working Americans

215

Playback	Listens	Hours
48h	26	2
7d	20	2
30d	215	22

Playback	Listens	Hours
48h	33	6
7d	58	9
30d	387	59

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	68	7
7d	42	4
30d	171	18

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	253	25
7d	279	26
30d	1.6k	146

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	1	4m
7d	6	1
30d	88	16

Playback	Listens	Hours
48h	201	12
7d	1.1k	71
30d	5.6k	359

Playback	Listens	Hours
48h	30	3
7d	43	4
30d	352	35

364 shows

491 tapes

Jazz Mandolin Project

207

Playback	Listens	Hours
48h	10	2
7d	22	3
30d	207	31

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	60	5
30d	61	6

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	5	25m
7d	14	1
30d	59	5

Playback	Listens	Hours
48h	90	10
7d	177	21
30d	672	82

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	168	24
7d	413	68
30d	2.5k	419

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	367	46
7d	891	127
30d	4.7k	684

254 shows

305 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	25	3

2 shows

5 tapes

Joe Russo's Almost Dead

38.4k

Playback	Listens	Hours
48h	2.9k	536
7d	8.4k	1.6k
30d	38.4k	7.2k

Playback	Listens	Hours
48h	32	3
7d	103	12
30d	593	66

Playback	Listens	Hours
48h	175	17
7d	297	26
30d	2.1k	196

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	10m
7d	8	33m
30d	29	4

Playback	Listens	Hours
48h	2	11m
7d	47	4
30d	167	13

Playback	Listens	Hours
48h	16	2
7d	11	50m
30d	233	24

73 shows

108 tapes

Karl Denson's Tiny Universe

194

Playback	Listens	Hours
48h	14	2
7d	24	3
30d	194	27

Playback	Listens	Hours
48h	249	27
7d	785	84
30d	4.4k	436

Playback	Listens	Hours
48h	12	1
7d	18	2
30d	195	25

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.1k

Playback	Listens	Hours
48h	1.3k	180
7d	2.3k	301
30d	15.1k	2k

Playback	Listens	Hours
48h	89	12
7d	268	38
30d	1.7k	248

Playback	Listens	Hours
48h	15	2
7d	6	54m
30d	107	15

Playback	Listens	Hours
48h	18	4
7d	122	21
30d	735	139

Playback	Listens	Hours
48h	51	6
7d	110	13
30d	1.1k	130

Playback	Listens	Hours
48h	432	41
7d	561	53
30d	3.8k	361

Playback	Listens	Hours
48h	255	37
7d	686	106
30d	3.1k	530

Playback	Listens	Hours
48h	413	39
7d	1.2k	114
30d	5.8k	531

Playback	Listens	Hours
48h	79	6
7d	319	22
30d	1.3k	99

Playback	Listens	Hours
48h	111	20
7d	91	16
30d	1.1k	193

Playback	Listens	Hours
48h	7	35m
7d	9	1
30d	140	15

Playback	Listens	Hours
48h	168	15
7d	497	47
30d	1.9k	184

Playback	Listens	Hours
48h	13	2
7d	38	5
30d	146	17

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	381	64
7d	766	124
30d	5.1k	828

Playback	Listens	Hours
48h	31	1
7d	82	5
30d	583	34

239 shows

272 tapes

Mermen

Playback	Listens	Hours
48h	31	3
7d	33	3
30d	80	9

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	2	3m
30d	64	2

Playback	Listens	Hours
48h	60	4
7d	280	19
30d	2.1k	141

Playback	Listens	Hours
48h	672	115
7d	2k	334
30d	10.7k	1.8k

Playback	Listens	Hours
48h	4	17m
7d	27	3
30d	107	12

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	7	39m
7d	13	1
30d	34	3

Playback	Listens	Hours
48h	447	45
7d	811	80
30d	4.9k	486

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	2	14m
30d	95	9

Playback	Listens	Hours
48h	32	5
7d	114	16
30d	938	128

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	7

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	143	12
7d	313	26
30d	2k	164

410 shows

596 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	189	18
7d	152	15
30d	1.3k	132

Playback	Listens	Hours
48h	78	8
7d	143	15
30d	797	84

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	10	2
7d	29	5
30d	75	13

Playback	Listens	Hours
48h	13	2
7d	22	4
30d	107	16

Playback	Listens	Hours
48h	128	25
7d	252	45
30d	1.6k	282

689 shows

920 tapes

Phil Lesh and Friends

17.1k

Playback	Listens	Hours
48h	1.2k	220
7d	3.2k	560
30d	17.1k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	94	16
7d	206	33
30d	1.5k	244

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	259	36
7d	624	79
30d	4k	501

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	371	50
7d	668	88
30d	3.8k	491

1,234 shows

2,194 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	2	10m
30d	24	2

Playback	Listens	Hours
48h	49	6
7d	68	8
30d	438	61

Playback	Listens	Hours
48h	639	87
7d	1.3k	172
30d	8.3k	1.1k

Playback	Listens	Hours
48h	62	5
7d	167	14
30d	1.1k	89

Playback	Listens	Hours
48h	138	15
7d	183	16
30d	1.2k	103

Playback	Listens	Hours
48h	156	14
7d	372	32
30d	1.9k	164

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	244	24
7d	635	60
30d	3.6k	339

Playback	Listens	Hours
48h	0	0m
7d	44	5
30d	146	18

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	66	8

Playback	Listens	Hours
48h	130	12
7d	277	23
30d	1.8k	147

Playback	Listens	Hours
48h	312	51
7d	454	75
30d	2.6k	427

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	106	27
7d	202	51
30d	1k	252

Playback	Listens	Hours
48h	4	10m
7d	50	3
30d	301	19

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	88	12

Playback	Listens	Hours
48h	53	10
7d	166	21
30d	799	129

Playback	Listens	Hours
48h	117	29
7d	304	65
30d	1.6k	351

Playback	Listens	Hours
48h	242	34
7d	454	61
30d	2.7k	361

667 shows

1,139 tapes

String Cheese Incident

15.9k

Playback	Listens	Hours
48h	1.4k	225
7d	3.1k	524
30d	15.9k	2.6k

1,278 shows

2,068 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	2	13m
7d	26	3
30d	56	5

Playback	Listens	Hours
48h	3	41m
7d	55	10
30d	214	37

Playback	Listens	Hours
48h	13	2
7d	16	2
30d	189	24

Playback	Listens	Hours
48h	26	3
7d	152	14
30d	850	89

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	5	20m

Playback	Listens	Hours
48h	829	98
7d	2.4k	280
30d	14.8k	1.8k

Playback	Listens	Hours
48h	7	23m
7d	9	34m
30d	326	15

Playback	Listens	Hours
48h	118	13
7d	377	45
30d	2.1k	263

Playback	Listens	Hours
48h	31	5
7d	54	8
30d	371	59

473 shows

627 tapes

The California Honeydrops

699

Playback	Listens	Hours
48h	38	4
7d	166	22
30d	699	86

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	164	23
7d	551	80
30d	2.8k	405

Playback	Listens	Hours
48h	19	1
7d	142	12
30d	380	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	35	5

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	3	18m
7d	6	13m
30d	13	1

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	3m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	0	0m
7d	58	11
30d	395	67

Playback	Listens	Hours
48h	10	31m
7d	25	3
30d	107	14

Playback	Listens	Hours
48h	83	4
7d	69	4
30d	607	40

Playback	Listens	Hours
48h	98	8
7d	265	20
30d	1.4k	104

Playback	Listens	Hours
48h	10	3
7d	24	5
30d	558	106

Playback	Listens	Hours
48h	57	5
7d	174	20
30d	1.1k	110

Playback	Listens	Hours
48h	140	24
7d	374	62
30d	1.7k	252

Playback	Listens	Hours
48h	471	47
7d	1k	106
30d	6.6k	661

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	40	4

Playback	Listens	Hours
48h	26	3
7d	132	14
30d	1.1k	115

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	3	28m
30d	15	2

Playback	Listens	Hours
48h	95	8
7d	388	41
30d	1.2k	133

Playback	Listens	Hours
48h	78	5
7d	91	6
30d	1.1k	72

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	3m
7d	3	22m
30d	32	3

Playback	Listens	Hours
48h	612	93
7d	1.5k	210
30d	6.9k	986

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	5	37m
30d	48	5

Playback	Listens	Hours
48h	116	19
7d	348	57
30d	1.8k	290

Playback	Listens	Hours
48h	419	62
7d	725	112
30d	5.9k	869

Playback	Listens	Hours
48h	35	3
7d	78	7
30d	473	38

Playback	Listens	Hours
48h	85	5
7d	244	20
30d	2.5k	180

Playback	Listens	Hours
48h	1k	86
7d	2.6k	230
30d	14.1k	1.2k

622 shows

1,135 tapes

White Denim

Playback	Listens	Hours
48h	26	2
7d	12	1
30d	44	4

Playback	Listens	Hours
48h	9.9k	1.2k
7d	24.1k	2.8k
30d	152.2k	17.9k

Playback	Listens	Hours
48h	39	6
7d	169	30
30d	998	136

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.1k

Playback	Listens	Hours
48h	962	89
7d	2.2k	204
30d	10.1k	938

Playback	Listens	Hours
48h	54	8
7d	64	9
30d	787	120

16 shows

22 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	101	19
7d	262	48
30d	1.5k	283

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	1m
7d	5	57m
30d	25	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	3.2k	439
7d	9.3k	1.3k
30d	27.4k	3.8k

Playback	Listens	Hours
48h	691	97
7d	1.4k	211
30d	8.4k	1.2k

Playback	Listens	Hours
48h	3.2k	435
7d	2.4k	322
30d	31.9k	4.2k

Playback	Listens	Hours
48h	1k	131
7d	11.9k	1.5k
30d	32.9k	4.4k

Playback	Listens	Hours
48h	1.7k	229
7d	8.8k	1.2k
30d	36.4k	5k

Playback	Listens	Hours
48h	2.5k	331
7d	6.3k	839
30d	35.9k	4.7k

Playback	Listens	Hours
48h	3.8k	486
7d	7.2k	902
30d	49.7k	6.2k

Playback	Listens	Hours
48h	1.2k	136
7d	5k	540
30d	21.8k	2.5k

Playback	Listens	Hours
48h	2.7k	286
7d	9.7k	944
30d	39.1k	4.3k

Playback	Listens	Hours
48h	951	105
7d	2.2k	256
30d	14.8k	1.7k

Playback	Listens	Hours
48h	1.8k	217
7d	4.3k	503
30d	20.7k	2.4k

Playback	Listens	Hours
48h	1.5k	193
7d	2.9k	372
30d	23.1k	2.9k

Playback	Listens	Hours
48h	1.5k	191
7d	4.1k	544
30d	33k	4.4k

Playback	Listens	Hours
48h	1.7k	212
7d	4.2k	526
30d	40.8k	5.1k

Playback	Listens	Hours
48h	2k	257
7d	5.4k	690
30d	58.3k	7.4k

Playback	Listens	Hours
48h	4.6k	533
7d	19.8k	2.4k
30d	70.9k	8.3k

Playback	Listens	Hours
48h	1.4k	189
7d	3.7k	521
30d	29.2k	4.1k

Playback	Listens	Hours
48h	8.3k	1k
7d	6.9k	925
30d	56.3k	7.8k

Playback	Listens	Hours
48h	15.5k	2k
7d	32.7k	4.6k
30d	344k	48.1k

Playback	Listens	Hours
48h	11.1k	1.5k
7d	18.7k	2.6k
30d	38.7k	5.2k

Playback	Listens	Hours
48h	738	67
7d	898	97
30d	5.3k	567

Playback	Listens	Hours
48h	4.2k	522
7d	12.7k	1.6k
30d	95.8k	12.1k

Playback	Listens	Hours
48h	4k	525
7d	12.2k	1.6k
30d	78.2k	9.9k

Playback	Listens	Hours
48h	2.9k	354
7d	8.6k	1k
30d	77.5k	9.4k

Playback	Listens	Hours
48h	2.2k	251
7d	8.8k	1k
30d	33.5k	3.8k

Playback	Listens	Hours
48h	6.1k	595
7d	4.5k	487
30d	33.2k	3.7k

Playback	Listens	Hours
48h	3k	479
7d	8.8k	1.2k
30d	23.7k	3.4k

Playback	Listens	Hours
48h	546	68
7d	1.2k	151
30d	6.6k	817

Playback	Listens	Hours
48h	158	22
7d	348	47
30d	1.6k	215

Playback	Listens	Hours
48h	453	35
7d	1.2k	74
30d	7.7k	508

Playback	Listens	Hours
48h	34	2
7d	146	8
30d	571	34

1974

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	7	45m

San Francisco, CA, USA

743

Playback	Listens	Hours
48h	86	10
7d	88	12
30d	743	95

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	205	24
7d	393	47
30d	1.4k	157

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	76	13
7d	348	52
30d	1.4k	221

San Francisco, CA, USA

961

Playback	Listens	Hours
48h	36	4
7d	156	18
30d	961	103

San Francisco, CA, USA

469

Playback	Listens	Hours
48h	28	5
7d	131	23
30d	469	80

Playback	Listens	Hours
48h	55	7
7d	54	7
30d	211	29

Playback	Listens	Hours
48h	6	54m
7d	54	8
30d	453	62

Playback	Listens	Hours
48h	96	13
7d	79	11
30d	591	81

Playback	Listens	Hours
48h	10	2
7d	41	6
30d	341	47

Playback	Listens	Hours
48h	44	10
7d	261	46
30d	1.3k	236

Playback	Listens	Hours
48h	24	4
7d	42	7
30d	268	46

Playback	Listens	Hours
48h	2	18m
7d	1	4m
30d	129	16

Playback	Listens	Hours
48h	96	12
7d	99	14
30d	1.3k	177

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

398

Playback	Listens	Hours
48h	19	2
7d	107	12
30d	398	50

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

297

Playback	Listens	Hours
48h	31	5
7d	39	5
30d	297	45

Playback	Listens	Hours
48h	73	8
7d	297	38
30d	1.1k	137

Playback	Listens	Hours
48h	24	3
7d	60	8
30d	522	66

Playback	Listens	Hours
48h	58	7
7d	118	15
30d	776	98

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

691

Playback	Listens	Hours
48h	25	3
7d	125	14
30d	691	77

Playback	Listens	Hours
48h	17	2
7d	57	7
30d	313	40

Playback	Listens	Hours
48h	20	3
7d	179	25
30d	740	110

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

460

Playback	Listens	Hours
48h	8	50m
7d	161	24
30d	460	66

Playback	Listens	Hours
48h	66	9
7d	138	24
30d	1.4k	218

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	64	11
7d	283	40
30d	1.4k	205

Playback	Listens	Hours
48h	59	8
7d	310	35
30d	1.7k	195

Playback	Listens	Hours
48h	114	9
7d	125	16
30d	863	106

Playback	Listens	Hours
48h	69	8
7d	68	7
30d	261	31

Playback	Listens	Hours
48h	185	27
7d	335	49
30d	1.7k	244

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

783

Playback	Listens	Hours
48h	90	14
7d	259	37
30d	783	117

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	138	19
7d	355	47
30d	1k	145

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

6.9k

Playback	Listens	Hours
48h	207	22
7d	658	72
30d	6.9k	713

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

10.2k

Playback	Listens	Hours
48h	217	34
7d	888	131
30d	10.2k	1.6k

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

23.7k

Playback	Listens	Hours
48h	911	104
7d	3.4k	375
30d	23.7k	2.6k

Vancouver, British Columbia, Canada

5.9k

Playback	Listens	Hours
48h	132	15
7d	498	58
30d	5.9k	659

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

12.7k

Playback	Listens	Hours
48h	312	39
7d	1.1k	146
30d	12.7k	1.7k

Playback	Listens	Hours
48h	51	6
7d	148	18
30d	6.1k	724

Playback	Listens	Hours
48h	101	11
7d	351	41
30d	1.8k	204

Playback	Listens	Hours
48h	23	2
7d	15	1
30d	143	12

San Francisco, CA, USA

1.7k

Playback	Listens	Hours
48h	161	21
7d	339	45
30d	1.7k	231

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	74	9
7d	265	32
30d	1.4k	163

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	143	15
7d	234	25
30d	1.3k	141

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)