Dark Star Jam > | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	97.5k	12.5k
7d	246k	31.6k
30d	1.4M	175.2k

2,080 shows

18,052 tapes

Phish

301.2k

Playback	Listens	Hours
48h	22.2k	3.4k
7d	51.8k	8k
30d	301.2k	47.4k

Bands

Playback	Listens	Hours
48h	71	5
7d	193	12
30d	982	62

Playback	Listens	Hours
48h	8	1
7d	30	5
30d	271	41

67 shows

104 tapes

Ace Bandage

Playback	Listens	Hours
48h	3	31m
7d	4	38m
30d	36	3

Playback	Listens	Hours
48h	40	6
7d	93	8
30d	352	45

81 shows

114 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	6	47m
30d	21	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	1	3m
7d	10	1
30d	23	3

Playback	Listens	Hours
48h	5	24m
7d	31	2
30d	237	19

Playback	Listens	Hours
48h	14	1
7d	67	6
30d	393	33

Playback	Listens	Hours
48h	15	2
7d	43	5
30d	345	35

123 shows

134 tapes

Animal Liberation Orchestra

1.9k

Playback	Listens	Hours
48h	94	11
7d	250	31
30d	1.9k	236

Playback	Listens	Hours
48h	19	3
7d	12	2
30d	168	30

Playback	Listens	Hours
48h	73	6
7d	157	17
30d	1.4k	147

Playback	Listens	Hours
48h	13	2
7d	26	6
30d	173	39

Playback	Listens	Hours
48h	23	3
7d	152	19
30d	643	83

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	11	1
7d	11	1
30d	30	4

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	142	17
7d	220	26
30d	1.5k	176

488 shows

610 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	13	57m
30d	45	3

Playback	Listens	Hours
48h	25	3
7d	81	10
30d	298	41

277 shows

380 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	36	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	12

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	8	1
7d	38	5
30d	505	71

Playback	Listens	Hours
48h	136	17
7d	483	63
30d	2.3k	299

Playback	Listens	Hours
48h	6.4k	651
7d	16.3k	1.6k
30d	90.1k	9k

Playback	Listens	Hours
48h	120	10
7d	227	17
30d	1.8k	125

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	1	5m
7d	9	1
30d	58	6

Playback	Listens	Hours
48h	141	15
7d	331	40
30d	2.4k	263

1,226 shows

1,775 tapes

Bob Weir

Playback	Listens	Hours
48h	316	45
7d	1.2k	166
30d	6k	781

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	2	35m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	77	12
7d	243	42
30d	977	164

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	5	42m
7d	11	1
30d	40	5

Playback	Listens	Hours
48h	148	15
7d	184	19
30d	1.3k	127

Playback	Listens	Hours
48h	74	8
7d	183	16
30d	826	85

Playback	Listens	Hours
48h	15	1
7d	23	1
30d	476	29

Playback	Listens	Hours
48h	3	18m
7d	21	3
30d	262	36

Playback	Listens	Hours
48h	10	31m
7d	55	3
30d	279	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	30	2
7d	1	6m
30d	70	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	53	10
7d	264	56
30d	1.6k	331

Playback	Listens	Hours
48h	10	2
7d	43	9
30d	452	85

Playback	Listens	Hours
48h	34	3
7d	55	5
30d	414	35

Playback	Listens	Hours
48h	14	3
7d	115	16
30d	576	86

Playback	Listens	Hours
48h	363	52
7d	582	85
30d	4.4k	606

Playback	Listens	Hours
48h	387	54
7d	1k	146
30d	5.6k	788

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	20m
7d	0	0m
30d	17	4

Playback	Listens	Hours
48h	48	4
7d	73	6
30d	169	16

Playback	Listens	Hours
48h	2.7k	429
7d	7.3k	1.1k
30d	40.8k	6.5k

Playback	Listens	Hours
48h	7	48m
7d	21	2
30d	104	10

Playback	Listens	Hours
48h	117	6
7d	177	10
30d	1.4k	89

397 shows

604 tapes

Derek Trucks Band

Playback	Listens	Hours
48h	96	11
7d	308	39
30d	2k	243

Playback	Listens	Hours
48h	979	203
7d	2.3k	484
30d	13.9k	2.9k

Playback	Listens	Hours
48h	14	1
7d	47	5
30d	231	24

Playback	Listens	Hours
48h	394	59
7d	652	92
30d	3.5k	543

155 shows

208 tapes

Domocile

Playback	Listens	Hours
48h	5	1
7d	13	3
30d	85	21

Playback	Listens	Hours
48h	100	10
7d	242	25
30d	1.7k	171

Playback	Listens	Hours
48h	9	1
7d	48	8
30d	273	44

Playback	Listens	Hours
48h	282	25
7d	736	66
30d	3.1k	272

Playback	Listens	Hours
48h	25	5
7d	57	10
30d	565	98

Playback	Listens	Hours
48h	6	46m
7d	17	2
30d	142	18

44 shows

56 tapes

Eggy

Playback	Listens	Hours
48h	134	22
7d	339	55
30d	2k	319

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	126	17
7d	317	42
30d	2.5k	353

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	54m
7d	1	1
30d	36	11

Playback	Listens	Hours
48h	21	1
7d	150	8
30d	778	44

Playback	Listens	Hours
48h	1	12m
7d	26	3
30d	155	20

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	4	51m
7d	5	1
30d	66	15

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	3m
7d	23	3
30d	75	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	6	1

Playback	Listens	Hours
48h	5	29m
7d	66	8
30d	287	33

Playback	Listens	Hours
48h	3	10m
7d	8	32m
30d	257	16

Playback	Listens	Hours
48h	3	15m
7d	23	2
30d	167	13

Playback	Listens	Hours
48h	6	24m
7d	9	30m
30d	171	11

Playback	Listens	Hours
48h	410	67
7d	1.6k	248
30d	10k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

595

Playback	Listens	Hours
48h	60	5
7d	148	12
30d	595	52

Playback	Listens	Hours
48h	51	6
7d	164	17
30d	1.2k	132

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	18	2
7d	36	4
30d	97	13

Playback	Listens	Hours
48h	11	3
7d	98	21
30d	340	72

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	11	4
7d	24	6
30d	146	29

Playback	Listens	Hours
48h	74	8
7d	96	11
30d	840	97

370 shows

499 tapes

Godspeed You Black Emperor!

351

Playback	Listens	Hours
48h	47	12
7d	107	29
30d	351	88

Playback	Listens	Hours
48h	10	32m
7d	13	2
30d	217	29

Playback	Listens	Hours
48h	2.4k	488
7d	6.1k	1.3k
30d	36.6k	7.5k

Playback	Listens	Hours
48h	2	10m
7d	40	4
30d	289	25

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	95	14
7d	350	49
30d	2.7k	392

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	11	1
30d	18	2

Playback	Listens	Hours
48h	416	46
7d	1.3k	150
30d	5.9k	672

Playback	Listens	Hours
48h	64	8
7d	151	17
30d	975	106

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	8	30m
7d	7	36m
30d	25	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	2	22m
7d	0	0m
30d	12	2

Playback	Listens	Hours
48h	39	3
7d	121	8
30d	977	72

749 shows

1,030 tapes

Hard Working Americans

267

Playback	Listens	Hours
48h	0	0m
7d	35	4
30d	267	28

Playback	Listens	Hours
48h	9	2
7d	102	17
30d	400	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	29	3
7d	17	1
30d	202	21

674 shows

846 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	101	9
7d	325	30
30d	1.9k	173

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	298	19
7d	863	56
30d	5.8k	375

Playback	Listens	Hours
48h	30	3
7d	19	2
30d	272	27

364 shows

491 tapes

Jazz Mandolin Project

176

Playback	Listens	Hours
48h	3	21m
7d	20	3
30d	176	27

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	18	2
7d	1	4m
30d	61	6

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	0	0m
7d	32	3
30d	96	9

Playback	Listens	Hours
48h	132	15
7d	246	32
30d	875	106

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	199	32
7d	600	95
30d	2.8k	459

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	274	34
7d	810	119
30d	4.7k	677

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	25	3

2 shows

5 tapes

Joe Russo's Almost Dead

40.2k

Playback	Listens	Hours
48h	2.6k	483
7d	6k	1.1k
30d	40.2k	7.6k

Playback	Listens	Hours
48h	23	2
7d	51	6
30d	504	56

Playback	Listens	Hours
48h	185	16
7d	490	44
30d	2.3k	206

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	35m
30d	36	4

Playback	Listens	Hours
48h	41	3
7d	0	0m
30d	132	10

Playback	Listens	Hours
48h	0	0m
7d	5	34m
30d	219	21

73 shows

108 tapes

Karl Denson's Tiny Universe

188

Playback	Listens	Hours
48h	27	4
7d	42	6
30d	188	25

Playback	Listens	Hours
48h	278	27
7d	765	71
30d	4.6k	454

Playback	Listens	Hours
48h	3	23m
7d	1	18m
30d	161	22

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.6k

Playback	Listens	Hours
48h	1.3k	163
7d	2.8k	371
30d	15.6k	2.1k

Playback	Listens	Hours
48h	127	16
7d	256	34
30d	1.7k	238

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	8m
7d	12	2
30d	96	14

Playback	Listens	Hours
48h	55	12
7d	225	43
30d	885	169

Playback	Listens	Hours
48h	37	4
7d	264	32
30d	1.3k	155

Playback	Listens	Hours
48h	320	28
7d	689	61
30d	3.7k	345

Playback	Listens	Hours
48h	189	34
7d	444	92
30d	3.3k	579

452 shows

705 tapes

Little Feat

Playback	Listens	Hours
48h	433	41
7d	1.1k	105
30d	6k	557

Playback	Listens	Hours
48h	48	4
7d	248	19
30d	1.5k	111

Playback	Listens	Hours
48h	68	13
7d	127	24
30d	986	180

Playback	Listens	Hours
48h	6	38m
7d	33	3
30d	100	11

210 shows

291 tapes

Marcus King Band

Playback	Listens	Hours
48h	153	19
7d	354	34
30d	2k	198

Playback	Listens	Hours
48h	14	2
7d	50	5
30d	195	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	485	67
7d	742	120
30d	4.8k	793

Playback	Listens	Hours
48h	4	14m
7d	106	6
30d	474	27

Playback	Listens	Hours
48h	4	27m
7d	55	5
30d	139	14

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	9	11m
7d	8	15m
30d	34	1

Playback	Listens	Hours
48h	126	9
7d	183	12
30d	1.5k	103

Playback	Listens	Hours
48h	481	77
7d	1.8k	289
30d	10.7k	1.8k

1,978 shows

4,441 tapes

Mogwai

Playback	Listens	Hours
48h	1	7m
7d	2	15m
30d	87	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	4	20m
7d	1	5m
30d	48	4

Playback	Listens	Hours
48h	333	35
7d	1.1k	111
30d	5.1k	516

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	10m
7d	18	2
30d	84	8

Playback	Listens	Hours
48h	72	10
7d	105	14
30d	924	125

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	7	1
7d	2	24m
30d	2	24m

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	95	8
7d	319	26
30d	2k	168

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	72	7
7d	185	18
30d	1.4k	142

Playback	Listens	Hours
48h	53	6
7d	158	17
30d	936	99

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	2	12m

Playback	Listens	Hours
48h	8	2
7d	32	6
30d	115	20

Playback	Listens	Hours
48h	16	2
7d	35	4
30d	132	19

Playback	Listens	Hours
48h	137	25
7d	296	55
30d	1.7k	304

689 shows

920 tapes

Phil Lesh and Friends

16.8k

Playback	Listens	Hours
48h	1.2k	203
7d	2.4k	408
30d	16.8k	2.9k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	87	14
7d	423	70
30d	1.7k	282

Playback	Listens	Hours
48h	402	53
7d	598	83
30d	3.9k	501

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	285	35
7d	656	86
30d	3.8k	500

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	27	2

Playback	Listens	Hours
48h	21	2
7d	52	8
30d	471	64

Playback	Listens	Hours
48h	435	58
7d	1.1k	148
30d	7.4k	960

Playback	Listens	Hours
48h	193	12
7d	247	20
30d	1.1k	91

Playback	Listens	Hours
48h	158	14
7d	161	14
30d	1.3k	116

Playback	Listens	Hours
48h	133	12
7d	626	55
30d	2.4k	209

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	297	27
7d	728	67
30d	3.7k	351

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	116	14

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	17	2

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	45	6

Playback	Listens	Hours
48h	90	7
7d	213	18
30d	1.7k	142

Playback	Listens	Hours
48h	168	27
7d	409	63
30d	2.7k	432

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	94	22
7d	187	42
30d	1k	259

Playback	Listens	Hours
48h	21	1
7d	66	4
30d	311	19

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	24	4
7d	139	20
30d	830	129

Playback	Listens	Hours
48h	168	34
7d	366	79
30d	1.7k	369

Playback	Listens	Hours
48h	63	9
7d	222	32
30d	2.5k	337

667 shows

1,139 tapes

String Cheese Incident

17.6k

Playback	Listens	Hours
48h	1.4k	222
7d	3.6k	589
30d	17.6k	2.9k

1,281 shows

2,072 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	46	5

Playback	Listens	Hours
48h	10	2
7d	55	10
30d	201	36

Playback	Listens	Hours
48h	10	1
7d	15	2
30d	176	23

Playback	Listens	Hours
48h	90	10
7d	110	12
30d	755	79

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	878	107
7d	2.3k	284
30d	13.8k	1.7k

Playback	Listens	Hours
48h	15	51m
7d	20	1
30d	302	14

Playback	Listens	Hours
48h	141	17
7d	397	49
30d	2.2k	265

Playback	Listens	Hours
48h	51	8
7d	67	12
30d	369	59

473 shows

627 tapes

The California Honeydrops

646

Playback	Listens	Hours
48h	21	2
7d	101	12
30d	646	80

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	184	26
7d	447	65
30d	2.7k	398

Playback	Listens	Hours
48h	16	1
7d	96	8
30d	394	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	3m
7d	2	19m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	38	7
7d	98	17
30d	389	67

Playback	Listens	Hours
48h	33	4
7d	7	36m
30d	103	13

Playback	Listens	Hours
48h	163	9
7d	228	12
30d	771	48

Playback	Listens	Hours
48h	53	4
7d	97	7
30d	1.4k	101

Playback	Listens	Hours
48h	13	3
7d	10	3
30d	332	66

Playback	Listens	Hours
48h	88	8
7d	148	17
30d	964	99

Playback	Listens	Hours
48h	159	22
7d	369	55
30d	1.8k	281

Playback	Listens	Hours
48h	489	48
7d	1.2k	129
30d	6.9k	695

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	28	2
30d	67	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	48	4
7d	186	19
30d	1k	107

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	3	39m
30d	16	3

Playback	Listens	Hours
48h	61	12
7d	291	26
30d	1.3k	131

Playback	Listens	Hours
48h	60	4
7d	185	12
30d	976	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	44	4

Playback	Listens	Hours
48h	510	79
7d	1.7k	243
30d	7.6k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	16	2
7d	8	44m
30d	52	5

Playback	Listens	Hours
48h	107	19
7d	328	51
30d	1.8k	288

Playback	Listens	Hours
48h	247	35
7d	890	131
30d	5.4k	809

Playback	Listens	Hours
48h	12	1
7d	47	4
30d	423	35

Playback	Listens	Hours
48h	123	10
7d	318	26
30d	1.9k	138

Playback	Listens	Hours
48h	882	67
7d	2.4k	196
30d	14.4k	1.2k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	61	5

Playback	Listens	Hours
48h	9.8k	1.2k
7d	23.9k	2.9k
30d	146k	17.2k

Playback	Listens	Hours
48h	72	10
7d	140	19
30d	983	134

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	916	87
7d	2.1k	191
30d	11k	1k

Playback	Listens	Hours
48h	177	25
7d	262	37
30d	890	133

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	169	31
7d	262	46
30d	1.6k	284

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	554	74
7d	1.7k	235
30d	30.1k	4.2k

Playback	Listens	Hours
48h	1.5k	187
7d	3.6k	457
30d	10.6k	1.5k

Playback	Listens	Hours
48h	3.1k	425
7d	8.4k	1.1k
30d	41.4k	5.4k

Playback	Listens	Hours
48h	2.4k	317
7d	5.9k	756
30d	38.5k	5.1k

Playback	Listens	Hours
48h	5k	622
7d	13.7k	1.9k
30d	36.3k	5k

Playback	Listens	Hours
48h	7.5k	935
7d	17.8k	2.2k
30d	47.4k	6.1k

Playback	Listens	Hours
48h	3k	366
7d	7k	875
30d	48.3k	6k

Playback	Listens	Hours
48h	1.1k	132
7d	3.3k	385
30d	21.2k	2.4k

Playback	Listens	Hours
48h	2.6k	300
7d	5.4k	604
30d	34.3k	3.7k

Playback	Listens	Hours
48h	994	113
7d	2.2k	244
30d	12.1k	1.4k

Playback	Listens	Hours
48h	1.8k	215
7d	4.4k	514
30d	22.5k	2.6k

Playback	Listens	Hours
48h	4.3k	508
7d	7.1k	857
30d	20.5k	2.6k

Playback	Listens	Hours
48h	1.4k	181
7d	3.5k	469
30d	29.7k	3.9k

Playback	Listens	Hours
48h	1.2k	150
7d	3.8k	473
30d	42.2k	5.2k

Playback	Listens	Hours
48h	2.4k	307
7d	5.3k	673
30d	44.6k	5.6k

Playback	Listens	Hours
48h	2.4k	276
7d	13.3k	1.5k
30d	70.7k	8.2k

Playback	Listens	Hours
48h	1.5k	212
7d	3.7k	527
30d	22.2k	3.1k

Playback	Listens	Hours
48h	1.9k	266
7d	5.2k	704
30d	51k	7k

Playback	Listens	Hours
48h	10.4k	1.4k
7d	47.4k	6.5k
30d	292.7k	40.4k

Playback	Listens	Hours
48h	20.1k	2.6k
7d	17.3k	2.4k
30d	61.3k	8.4k

Playback	Listens	Hours
48h	236	25
7d	1.6k	153
30d	6.5k	662

Playback	Listens	Hours
48h	3.8k	505
7d	14.4k	1.9k
30d	100.5k	12.8k

Playback	Listens	Hours
48h	10.3k	1.4k
7d	17.5k	2.3k
30d	87.2k	11.1k

Playback	Listens	Hours
48h	2k	257
7d	7.1k	888
30d	67.2k	8.2k

Playback	Listens	Hours
48h	1.7k	189
7d	4.7k	527
30d	34.1k	3.9k

Playback	Listens	Hours
48h	1.6k	191
7d	12.9k	1.3k
30d	46.3k	4.9k

Playback	Listens	Hours
48h	1.3k	172
7d	4.9k	785
30d	27.2k	4.1k

Playback	Listens	Hours
48h	562	71
7d	1.7k	222
30d	7.5k	943

Playback	Listens	Hours
48h	83	12
7d	289	41
30d	1.6k	218

Playback	Listens	Hours
48h	494	32
7d	779	49
30d	8.1k	539

Playback	Listens	Hours
48h	52	4
7d	136	8
30d	632	37

1974

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	17	2

San Francisco, CA, USA

984

Playback	Listens	Hours
48h	115	13
7d	251	31
30d	984	122

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	42	5
7d	212	25
30d	1.6k	179

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	75	11
7d	255	40
30d	1.4k	224

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	64	7
7d	213	24
30d	1.1k	121

San Francisco, CA, USA

543

Playback	Listens	Hours
48h	29	5
7d	105	18
30d	543	93

Playback	Listens	Hours
48h	3	35m
7d	17	3
30d	250	35

Playback	Listens	Hours
48h	29	4
7d	37	5
30d	469	64

Playback	Listens	Hours
48h	47	6
7d	93	13
30d	706	96

Playback	Listens	Hours
48h	1	8m
7d	4	31m
30d	239	33

Playback	Listens	Hours
48h	81	19
7d	161	33
30d	1.2k	230

Playback	Listens	Hours
48h	41	6
7d	20	4
30d	266	46

Playback	Listens	Hours
48h	13	1
7d	18	2
30d	119	15

Playback	Listens	Hours
48h	91	12
7d	231	30
30d	1.2k	160

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

493

Playback	Listens	Hours
48h	46	6
7d	140	19
30d	493	63

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

462

Playback	Listens	Hours
48h	88	13
7d	184	26
30d	462	68

Playback	Listens	Hours
48h	29	3
7d	183	23
30d	1.2k	142

Playback	Listens	Hours
48h	52	7
7d	177	23
30d	568	73

Playback	Listens	Hours
48h	38	5
7d	138	17
30d	709	88

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

653

Playback	Listens	Hours
48h	58	7
7d	92	10
30d	653	73

Playback	Listens	Hours
48h	9	1
7d	64	8
30d	316	40

Playback	Listens	Hours
48h	43	6
7d	134	19
30d	772	113

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

544

Playback	Listens	Hours
48h	82	12
7d	158	26
30d	544	81

Playback	Listens	Hours
48h	122	17
7d	251	37
30d	1.4k	221

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.5k

Playback	Listens	Hours
48h	63	9
7d	182	26
30d	1.5k	209

Playback	Listens	Hours
48h	94	10
7d	205	24
30d	1.7k	196

Playback	Listens	Hours
48h	116	11
7d	251	29
30d	1.1k	124

Playback	Listens	Hours
48h	21	3
7d	79	9
30d	369	44

Playback	Listens	Hours
48h	191	30
7d	297	45
30d	1.8k	264

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

925

Playback	Listens	Hours
48h	91	14
7d	173	23
30d	925	136

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

5.9k

Playback	Listens	Hours
48h	278	39
7d	4.8k	647
30d	5.9k	791

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

7.3k

Playback	Listens	Hours
48h	94	11
7d	394	42
30d	7.3k	755

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

10.7k

Playback	Listens	Hours
48h	171	29
7d	493	77
30d	10.7k	1.7k

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

25k

Playback	Listens	Hours
48h	501	55
7d	1.7k	190
30d	25k	2.8k

Vancouver, British Columbia, Canada

Playback	Listens	Hours
48h	167	20
7d	218	24
30d	6k	671

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

12.8k

Playback	Listens	Hours
48h	171	23
7d	669	87
30d	12.8k	1.7k

Playback	Listens	Hours
48h	72	8
7d	282	33
30d	1.5k	175

Playback	Listens	Hours
48h	127	14
7d	249	26
30d	1.6k	181

Playback	Listens	Hours
48h	1	4m
7d	22	2
30d	158	13

San Francisco, CA, USA

2.1k

Playback	Listens	Hours
48h	147	20
7d	637	91
30d	2.1k	286

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	196	25
7d	270	33
30d	1.5k	176

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	146	17
7d	299	33
30d	1.6k	169

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)