Black Peter | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	94.9k	12.2k
7d	198.1k	25.3k
30d	1.3M	168.7k

2,080 shows

18,052 tapes

Phish

292k

Playback	Listens	Hours
48h	20.1k	3.1k
7d	42.1k	6.5k
30d	292k	46.1k

Bands

Playback	Listens	Hours
48h	44	3
7d	229	14
30d	976	62

Playback	Listens	Hours
48h	16	3
7d	32	5
30d	258	38

67 shows

104 tapes

Ace Bandage

Playback	Listens	Hours
48h	3	31m
7d	2	7m
30d	33	2

Playback	Listens	Hours
48h	29	4
7d	70	6
30d	324	42

81 shows

114 tapes

Akron/Family

Playback	Listens	Hours
48h	1	7m
7d	5	41m
30d	20	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	23	3

Playback	Listens	Hours
48h	9	50m
7d	22	2
30d	252	20

Playback	Listens	Hours
48h	25	2
7d	42	3
30d	369	30

Playback	Listens	Hours
48h	26	3
7d	18	2
30d	321	32

123 shows

134 tapes

Animal Liberation Orchestra

1.9k

Playback	Listens	Hours
48h	55	6
7d	323	39
30d	1.9k	243

Playback	Listens	Hours
48h	11	2
7d	5	1
30d	167	30

Playback	Listens	Hours
48h	48	5
7d	178	20
30d	1.5k	152

Playback	Listens	Hours
48h	11	2
7d	34	7
30d	162	37

Playback	Listens	Hours
48h	46	5
7d	114	15
30d	605	79

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	11	1
7d	0	0m
30d	19	2

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	101	11
7d	183	23
30d	1.4k	167

488 shows

609 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	13	57m
30d	45	3

Playback	Listens	Hours
48h	42	5
7d	37	5
30d	265	38

277 shows

380 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	12

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	14	2
7d	32	4
30d	524	73

Playback	Listens	Hours
48h	135	19
7d	496	65
30d	2.3k	293

Playback	Listens	Hours
48h	6.4k	632
7d	12.8k	1.3k
30d	87k	8.7k

Playback	Listens	Hours
48h	81	6
7d	199	15
30d	1.7k	121

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	14m
7d	8	55m
30d	58	6

Playback	Listens	Hours
48h	178	21
7d	315	35
30d	2.2k	247

Playback	Listens	Hours
48h	414	57
7d	909	126
30d	5.8k	751

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	125	22
7d	189	32
30d	922	154

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	44	5

Playback	Listens	Hours
48h	86	9
7d	168	17
30d	1.3k	126

Playback	Listens	Hours
48h	55	6
7d	159	14
30d	794	82

Playback	Listens	Hours
48h	4	17m
7d	23	1
30d	473	29

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	264	37

Playback	Listens	Hours
48h	0	0m
7d	57	3
30d	279	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	3	47m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	2	21m
7d	0	0m
30d	15	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	70	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	114	25
7d	185	39
30d	1.6k	320

Playback	Listens	Hours
48h	8	2
7d	53	11
30d	458	86

Playback	Listens	Hours
48h	11	1
7d	62	5
30d	426	36

Playback	Listens	Hours
48h	23	4
7d	116	16
30d	564	84

Playback	Listens	Hours
48h	268	40
7d	481	67
30d	4.4k	594

Playback	Listens	Hours
48h	473	66
7d	821	119
30d	5.3k	744

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	4

Playback	Listens	Hours
48h	46	4
7d	37	4
30d	127	13

Playback	Listens	Hours
48h	2.6k	393
7d	6.1k	977
30d	39.4k	6.3k

Playback	Listens	Hours
48h	1	8m
7d	29	3
30d	123	12

Playback	Listens	Hours
48h	64	3
7d	125	8
30d	1.4k	89

Playback	Listens	Hours
48h	132	16
7d	247	33
30d	1.9k	234

Playback	Listens	Hours
48h	932	195
7d	2k	419
30d	13.4k	2.8k

Playback	Listens	Hours
48h	34	4
7d	13	1
30d	219	22

Playback	Listens	Hours
48h	341	49
7d	447	63
30d	3.3k	508

154 shows

205 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	21	4
30d	85	21

Playback	Listens	Hours
48h	74	8
7d	262	26
30d	1.8k	173

Playback	Listens	Hours
48h	2	19m
7d	53	8
30d	274	44

Playback	Listens	Hours
48h	330	30
7d	449	39
30d	2.8k	249

Playback	Listens	Hours
48h	25	5
7d	55	9
30d	582	101

Playback	Listens	Hours
48h	0	0m
7d	29	3
30d	135	17

Playback	Listens	Hours
48h	127	23
7d	333	52
30d	1.9k	303

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	125	16
7d	267	38
30d	2.4k	348

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	1
7d	0	0m
30d	35	9

Playback	Listens	Hours
48h	42	2
7d	159	9
30d	751	43

Playback	Listens	Hours
48h	26	3
7d	3	40m
30d	129	17

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	1	17m
7d	6	2
30d	66	15

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	2	20m
7d	21	3
30d	86	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	6	1

Playback	Listens	Hours
48h	14	2
7d	53	6
30d	272	31

Playback	Listens	Hours
48h	8	32m
7d	0	0m
30d	278	18

Playback	Listens	Hours
48h	3	15m
7d	19	1
30d	167	13

Playback	Listens	Hours
48h	3	12m
7d	6	18m
30d	174	11

Playback	Listens	Hours
48h	585	95
7d	1.4k	214
30d	9.6k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

569

Playback	Listens	Hours
48h	43	4
7d	142	12
30d	569	50

Playback	Listens	Hours
48h	64	7
7d	118	12
30d	1.1k	125

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	18	2
7d	24	3
30d	84	12

Playback	Listens	Hours
48h	11	2
7d	87	19
30d	343	72

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	5	28m
7d	0	0m
30d	5	2

Playback	Listens	Hours
48h	13	4
7d	18	3
30d	133	25

Playback	Listens	Hours
48h	47	6
7d	59	7
30d	804	93

370 shows

499 tapes

Godspeed You Black Emperor!

328

Playback	Listens	Hours
48h	29	8
7d	90	24
30d	328	81

Playback	Listens	Hours
48h	13	2
7d	0	0m
30d	208	28

Playback	Listens	Hours
48h	2.1k	433
7d	5.4k	1.1k
30d	35.5k	7.3k

Playback	Listens	Hours
48h	5	32m
7d	47	4
30d	301	26

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	132	16
7d	260	39
30d	2.7k	389

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	11	1
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	489	59
7d	928	106
30d	5.5k	629

Playback	Listens	Hours
48h	83	10
7d	120	13
30d	959	103

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	2	11m
7d	5	25m
30d	23	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	12	2

Playback	Listens	Hours
48h	40	3
7d	87	6
30d	1.3k	94

749 shows

1,030 tapes

Hard Working Americans

253

Playback	Listens	Hours
48h	18	3
7d	47	5
30d	253	26

Playback	Listens	Hours
48h	22	3
7d	81	14
30d	399	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	24	2

Playback	Listens	Hours
48h	3	22m
7d	58	6
30d	216	23

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	119	11
7d	396	38
30d	1.8k	162

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	75	14

Playback	Listens	Hours
48h	335	22
7d	767	50
30d	5.6k	360

Playback	Listens	Hours
48h	6	45m
7d	17	2
30d	272	27

364 shows

491 tapes

Jazz Mandolin Project

187

Playback	Listens	Hours
48h	3	35m
7d	23	3
30d	187	28

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	60	5

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	15	2
7d	22	2
30d	81	7

Playback	Listens	Hours
48h	139	18
7d	162	20
30d	749	89

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	283	45
7d	439	68
30d	2.6k	428

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.6k

Playback	Listens	Hours
48h	280	41
7d	653	94
30d	4.6k	658

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	13m
7d	1	10m
30d	24	3

2 shows

5 tapes

Joe Russo's Almost Dead

38.9k

Playback	Listens	Hours
48h	2.4k	433
7d	5.1k	969
30d	38.9k	7.3k

Playback	Listens	Hours
48h	34	3
7d	40	4
30d	494	56

Playback	Listens	Hours
48h	184	16
7d	413	37
30d	2.1k	192

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	35m
30d	36	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	132	10

Playback	Listens	Hours
48h	4	28m
7d	17	2
30d	216	21

73 shows

108 tapes

Karl Denson's Tiny Universe

176

Playback	Listens	Hours
48h	14	2
7d	39	5
30d	176	23

Playback	Listens	Hours
48h	256	26
7d	656	62
30d	4.5k	449

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	175	23

43 shows

54 tapes

King Gizzard & the Lizard Wizard

14.7k

Playback	Listens	Hours
48h	1.2k	164
7d	2.3k	319
30d	14.7k	2k

Playback	Listens	Hours
48h	71	9
7d	204	27
30d	1.6k	233

Playback	Listens	Hours
48h	10	1
7d	2	20m
30d	100	15

Playback	Listens	Hours
48h	46	9
7d	169	32
30d	825	157

Playback	Listens	Hours
48h	76	10
7d	222	27
30d	1.2k	148

Playback	Listens	Hours
48h	213	17
7d	663	62
30d	3.6k	340

Playback	Listens	Hours
48h	174	42
7d	416	70
30d	3.2k	546

Playback	Listens	Hours
48h	372	36
7d	958	92
30d	5.8k	535

Playback	Listens	Hours
48h	54	4
7d	262	21
30d	1.4k	110

Playback	Listens	Hours
48h	27	5
7d	190	35
30d	991	181

Playback	Listens	Hours
48h	0	0m
7d	40	4
30d	100	11

210 shows

291 tapes

Marcus King Band

Playback	Listens	Hours
48h	76	7
7d	370	34
30d	2k	192

Playback	Listens	Hours
48h	16	2
7d	43	4
30d	179	19

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	282	43
7d	728	121
30d	4.8k	786

Playback	Listens	Hours
48h	43	3
7d	66	4
30d	484	29

Playback	Listens	Hours
48h	29	3
7d	46	4
30d	111	12

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	2	5m
7d	6	11m
30d	32	56m

Playback	Listens	Hours
48h	42	3
7d	130	9
30d	1.5k	103

Playback	Listens	Hours
48h	498	83
7d	1.6k	258
30d	10.5k	1.7k

1,978 shows

4,441 tapes

Mogwai

Playback	Listens	Hours
48h	1	7m
7d	1	8m
30d	86	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	1	5m
7d	27	2
30d	49	4

Playback	Listens	Hours
48h	384	41
7d	874	90
30d	4.9k	487

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	18	2
7d	0	0m
30d	66	6

Playback	Listens	Hours
48h	50	7
7d	62	8
30d	925	124

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	2	24m
7d	0	0m
30d	0	0m

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	92	8
7d	293	24
30d	2k	165

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	72	7
7d	197	20
30d	1.4k	140

Playback	Listens	Hours
48h	46	5
7d	134	14
30d	893	94

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	2	12m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	25	4
7d	19	3
30d	90	16

Playback	Listens	Hours
48h	15	2
7d	22	3
30d	125	18

Playback	Listens	Hours
48h	136	26
7d	238	43
30d	1.6k	287

689 shows

920 tapes

Phil Lesh and Friends

16.6k

Playback	Listens	Hours
48h	964	168
7d	2k	355
30d	16.6k	2.9k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	124	19
7d	365	62
30d	1.7k	274

Playback	Listens	Hours
48h	212	30
7d	514	69
30d	3.8k	493

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	314	42
7d	513	67
30d	3.6k	473

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	27	2

Playback	Listens	Hours
48h	25	4
7d	61	9
30d	459	62

Playback	Listens	Hours
48h	398	52
7d	1k	135
30d	7.3k	959

Playback	Listens	Hours
48h	152	12
7d	147	13
30d	984	81

Playback	Listens	Hours
48h	94	9
7d	108	10
30d	1.2k	109

Playback	Listens	Hours
48h	175	17
7d	560	48
30d	2.3k	197

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	2	43m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	404	36
7d	427	40
30d	3.4k	317

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	126	15

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	17	2

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	1	11m
7d	1	13m
30d	48	6

Playback	Listens	Hours
48h	98	7
7d	173	16
30d	1.6k	139

Playback	Listens	Hours
48h	148	26
7d	403	60
30d	2.6k	419

Playback	Listens	Hours
48h	86	20
7d	151	35
30d	998	249

Playback	Listens	Hours
48h	28	1
7d	38	2
30d	298	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	3	27m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	34	6
7d	125	19
30d	807	126

Playback	Listens	Hours
48h	141	31
7d	280	61
30d	1.6k	344

Playback	Listens	Hours
48h	69	10
7d	244	36
30d	2.5k	340

667 shows

1,139 tapes

String Cheese Incident

16.7k

Playback	Listens	Hours
48h	1.5k	240
7d	2.8k	454
30d	16.7k	2.7k

1,280 shows

2,070 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	2	18m
30d	46	5

Playback	Listens	Hours
48h	9	1
7d	49	9
30d	209	37

Playback	Listens	Hours
48h	6	44m
7d	13	2
30d	182	24

Playback	Listens	Hours
48h	73	8
7d	63	7
30d	748	78

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	840	107
7d	1.9k	232
30d	13.5k	1.6k

Playback	Listens	Hours
48h	15	48m
7d	5	12m
30d	288	13

Playback	Listens	Hours
48h	108	14
7d	379	46
30d	2.1k	254

Playback	Listens	Hours
48h	20	3
7d	46	8
30d	365	58

473 shows

627 tapes

The California Honeydrops

642

Playback	Listens	Hours
48h	37	4
7d	86	11
30d	642	80

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	128	18
7d	427	63
30d	2.7k	396

Playback	Listens	Hours
48h	14	1
7d	93	8
30d	385	32

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	4

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	26m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	14	2

Playback	Listens	Hours
48h	9	2
7d	94	16
30d	380	65

Playback	Listens	Hours
48h	2	10m
7d	10	49m
30d	103	13

Playback	Listens	Hours
48h	109	6
7d	205	10
30d	678	43

Playback	Listens	Hours
48h	20	2
7d	148	11
30d	1.4k	102

Playback	Listens	Hours
48h	8	2
7d	12	4
30d	358	73

Playback	Listens	Hours
48h	57	8
7d	118	12
30d	913	92

Playback	Listens	Hours
48h	183	25
7d	227	36
30d	1.7k	264

Playback	Listens	Hours
48h	291	29
7d	1.3k	133
30d	6.7k	680

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	28	2
30d	68	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	11	1
7d	199	21
30d	1k	107

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	3	39m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	78	8
7d	223	19
30d	1.3k	130

Playback	Listens	Hours
48h	44	3
7d	200	13
30d	965	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	5	36m
7d	10	57m
30d	39	3

Playback	Listens	Hours
48h	702	105
7d	1.2k	174
30d	7.1k	1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	10	55m
30d	52	5

Playback	Listens	Hours
48h	117	20
7d	255	39
30d	1.7k	276

Playback	Listens	Hours
48h	324	49
7d	687	102
30d	5.3k	795

Playback	Listens	Hours
48h	19	2
7d	33	3
30d	411	34

Playback	Listens	Hours
48h	86	7
7d	276	21
30d	1.8k	132

Playback	Listens	Hours
48h	856	74
7d	2k	158
30d	14k	1.1k

621 shows

1,134 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	7	27m
30d	61	5

Playback	Listens	Hours
48h	9.3k	1.1k
7d	20k	2.4k
30d	143.6k	16.9k

Playback	Listens	Hours
48h	52	7
7d	98	13
30d	972	132

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.5k

Playback	Listens	Hours
48h	661	65
7d	1.8k	164
30d	10.5k	975

Playback	Listens	Hours
48h	150	20
7d	125	19
30d	765	117

17 shows

23 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	129	23
7d	192	33
30d	1.5k	272

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	571	77
7d	2.1k	285
30d	29.8k	4.2k

Playback	Listens	Hours
48h	2k	252
7d	1.8k	240
30d	8.7k	1.2k

Playback	Listens	Hours
48h	2.4k	299
7d	9k	1.2k
30d	39.3k	5.2k

Playback	Listens	Hours
48h	1.5k	197
7d	4.8k	614
30d	37k	4.9k

Playback	Listens	Hours
48h	2.9k	419
7d	11.7k	1.6k
30d	35k	4.8k

Playback	Listens	Hours
48h	9.4k	1.1k
7d	9.3k	1.2k
30d	38.5k	5k

Playback	Listens	Hours
48h	2.5k	304
7d	6.5k	807
30d	47k	5.9k

Playback	Listens	Hours
48h	1.1k	133
7d	2.7k	310
30d	21k	2.4k

Playback	Listens	Hours
48h	2k	225
7d	4.7k	520
30d	33.3k	3.6k

Playback	Listens	Hours
48h	766	87
7d	1.8k	197
30d	11.7k	1.3k

Playback	Listens	Hours
48h	1.7k	191
7d	3.7k	437
30d	21.3k	2.5k

Playback	Listens	Hours
48h	5.4k	626
7d	2.6k	335
30d	15.3k	2k

Playback	Listens	Hours
48h	1.2k	158
7d	3k	402
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.2k	143
7d	3.8k	466
30d	41.6k	5.2k

Playback	Listens	Hours
48h	1.8k	232
7d	4.5k	573
30d	45.9k	5.8k

Playback	Listens	Hours
48h	2.7k	303
7d	14.6k	1.6k
30d	69.5k	8.1k

Playback	Listens	Hours
48h	1.4k	206
7d	2.9k	413
30d	22.9k	3.2k

Playback	Listens	Hours
48h	1.9k	251
7d	5.7k	756
30d	51.7k	7.1k

Playback	Listens	Hours
48h	17.1k	2.3k
7d	36.3k	5.1k
30d	285.6k	39.4k

Playback	Listens	Hours
48h	11.5k	1.6k
7d	8.9k	1.2k
30d	50.3k	6.8k

Playback	Listens	Hours
48h	340	36
7d	1.8k	162
30d	6.3k	644

Playback	Listens	Hours
48h	4.2k	553
7d	12.3k	1.6k
30d	98.8k	12.5k

Playback	Listens	Hours
48h	10.4k	1.4k
7d	8.9k	1.2k
30d	79.3k	10.1k

Playback	Listens	Hours
48h	2.1k	272
7d	6.8k	827
30d	68.1k	8.3k

Playback	Listens	Hours
48h	1.7k	196
7d	4.1k	452
30d	33.5k	3.8k

Playback	Listens	Hours
48h	1.8k	197
7d	15.5k	1.6k
30d	45k	4.8k

Playback	Listens	Hours
48h	1.1k	167
7d	6.2k	1k
30d	26.5k	4k

Playback	Listens	Hours
48h	723	90
7d	1.3k	168
30d	6.9k	870

Playback	Listens	Hours
48h	98	15
7d	277	40
30d	1.5k	206

Playback	Listens	Hours
48h	418	26
7d	553	40
30d	7.8k	523

Playback	Listens	Hours
48h	65	4
7d	88	5
30d	576	33

1974

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	17	2

San Francisco, CA, USA

901

Playback	Listens	Hours
48h	105	12
7d	190	23
30d	901	114

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	57	7
7d	320	36
30d	1.6k	181

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	127	17
7d	136	25
30d	1.4k	216

San Francisco, CA, USA

Playback	Listens	Hours
48h	100	11
7d	129	14
30d	1k	111

San Francisco, CA, USA

495

Playback	Listens	Hours
48h	50	8
7d	60	11
30d	495	86

Playback	Listens	Hours
48h	6	1
7d	45	7
30d	244	34

Playback	Listens	Hours
48h	25	4
7d	17	3
30d	444	60

Playback	Listens	Hours
48h	67	9
7d	96	13
30d	646	88

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	264	37

Playback	Listens	Hours
48h	67	16
7d	119	22
30d	1.2k	220

Playback	Listens	Hours
48h	5	52m
7d	34	6
30d	262	46

Playback	Listens	Hours
48h	3	30m
7d	17	2
30d	117	14

Playback	Listens	Hours
48h	43	7
7d	250	32
30d	1.3k	164

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

451

Playback	Listens	Hours
48h	45	5
7d	112	15
30d	451	58

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

364

Playback	Listens	Hours
48h	130	19
7d	78	11
30d	364	54

Playback	Listens	Hours
48h	32	4
7d	228	27
30d	1.2k	143

Playback	Listens	Hours
48h	64	8
7d	121	16
30d	556	71

Playback	Listens	Hours
48h	75	9
7d	58	8
30d	690	86

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

658

Playback	Listens	Hours
48h	23	3
7d	76	8
30d	658	73

Playback	Listens	Hours
48h	18	2
7d	66	8
30d	304	39

Playback	Listens	Hours
48h	34	5
7d	110	15
30d	747	110

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

467

Playback	Listens	Hours
48h	85	13
7d	91	15
30d	467	69

Playback	Listens	Hours
48h	129	19
7d	154	23
30d	1.3k	214

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	74	10
7d	157	24
30d	1.4k	200

Playback	Listens	Hours
48h	45	5
7d	191	23
30d	1.7k	191

Playback	Listens	Hours
48h	155	17
7d	206	21
30d	923	110

Playback	Listens	Hours
48h	46	5
7d	37	5
30d	328	40

Playback	Listens	Hours
48h	160	24
7d	233	35
30d	1.7k	244

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

857

Playback	Listens	Hours
48h	78	10
7d	129	20
30d	857	129

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

4.8k

Playback	Listens	Hours
48h	854	121
7d	3.8k	505
30d	4.8k	645

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

7.2k

Playback	Listens	Hours
48h	163	18
7d	302	31
30d	7.2k	743

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

10.6k

Playback	Listens	Hours
48h	124	22
7d	438	63
30d	10.6k	1.7k

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

24.6k

Playback	Listens	Hours
48h	442	49
7d	1.8k	198
30d	24.6k	2.7k

Vancouver, British Columbia, Canada

5.9k

Playback	Listens	Hours
48h	120	14
7d	183	20
30d	5.9k	658

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

13.2k

Playback	Listens	Hours
48h	171	24
7d	700	87
30d	13.2k	1.8k

Playback	Listens	Hours
48h	73	8
7d	238	28
30d	2.3k	283

Playback	Listens	Hours
48h	45	5
7d	293	31
30d	1.7k	191

Playback	Listens	Hours
48h	10	49m
7d	31	3
30d	148	12

San Francisco, CA, USA

Playback	Listens	Hours
48h	138	19
7d	627	90
30d	2k	277

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	108	13
7d	204	25
30d	1.4k	167

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	114	13
7d	266	29
30d	1.5k	158

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
[email protected]
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   [email protected]


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: [email protected]
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - [email protected]
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)