Big River | 1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	100.4k	12.7k
7d	228.1k	29k
30d	1.4M	177.9k

2,080 shows

18,039 tapes

Phish

309.9k

Playback	Listens	Hours
48h	22.1k	3.5k
7d	52.1k	8.2k
30d	309.9k	49.1k

Bands

Playback	Listens	Hours
48h	123	8
7d	124	8
30d	972	62

Playback	Listens	Hours
48h	19	3
7d	11	2
30d	246	36

67 shows

104 tapes

Ace Bandage

Playback	Listens	Hours
48h	1	0m
7d	8	41m
30d	32	3

Playback	Listens	Hours
48h	8	1
7d	59	7
30d	297	42

80 shows

113 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	5	41m
30d	19	3

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	2	14m
7d	4	28m
30d	13	1

Playback	Listens	Hours
48h	4	20m
7d	17	1
30d	242	19

Playback	Listens	Hours
48h	0	0m
7d	31	3
30d	376	31

Playback	Listens	Hours
48h	11	52m
7d	52	5
30d	328	33

123 shows

134 tapes

Animal Liberation Orchestra

1.9k

Playback	Listens	Hours
48h	207	25
7d	258	33
30d	1.9k	248

Playback	Listens	Hours
48h	6	2
7d	23	4
30d	190	34

Playback	Listens	Hours
48h	165	17
7d	290	28
30d	1.6k	162

Playback	Listens	Hours
48h	25	5
7d	17	4
30d	176	39

Playback	Listens	Hours
48h	20	2
7d	113	14
30d	611	79

286 shows

421 tapes

Barefoot Manner

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	24	3

102 shows

107 tapes

Bela Fleck and the Flecktones

1.4k

Playback	Listens	Hours
48h	99	12
7d	223	30
30d	1.4k	168

487 shows

608 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	8	31m
30d	35	2

Playback	Listens	Hours
48h	6	40m
7d	20	3
30d	258	37

277 shows

380 tapes

Bernie Worrell

Playback	Listens	Hours
48h	0	0m
7d	25	4
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	98	13

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	33	4
7d	76	11
30d	560	79

Playback	Listens	Hours
48h	313	42
7d	410	53
30d	2.1k	273

Playback	Listens	Hours
48h	6.7k	661
7d	16.7k	1.7k
30d	90.5k	9.1k

Playback	Listens	Hours
48h	106	8
7d	374	25
30d	1.7k	120

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	1	7m
7d	1	11m
30d	54	6

Playback	Listens	Hours
48h	223	24
7d	461	53
30d	2.4k	257

1,223 shows

1,770 tapes

Bob Weir

Playback	Listens	Hours
48h	340	43
7d	902	117
30d	6k	758

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	146	26
7d	273	46
30d	928	154

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	9	1
7d	1	21m
30d	28	3

Playback	Listens	Hours
48h	109	11
7d	350	34
30d	1.4k	140

Playback	Listens	Hours
48h	176	19
7d	147	17
30d	705	76

Playback	Listens	Hours
48h	9	30m
7d	91	5
30d	511	31

Playback	Listens	Hours
48h	10	1
7d	64	9
30d	296	41

Playback	Listens	Hours
48h	24	2
7d	53	3
30d	237	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	3	47m
7d	0	0m
30d	1	19m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	22	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	24	3
7d	0	0m
30d	48	5

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	92	19
7d	217	44
30d	1.7k	341

Playback	Listens	Hours
48h	24	5
7d	108	21
30d	489	92

Playback	Listens	Hours
48h	23	2
7d	39	4
30d	415	35

Playback	Listens	Hours
48h	32	5
7d	121	18
30d	572	87

Playback	Listens	Hours
48h	325	46
7d	781	111
30d	4.5k	609

Playback	Listens	Hours
48h	403	61
7d	1.2k	177
30d	5.2k	719

794 shows

1,052 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	6m
7d	4	1
30d	17	4

33 shows

48 tapes

Dawes

Playback	Listens	Hours
48h	10	1
7d	9	1
30d	99	10

Playback	Listens	Hours
48h	3k	484
7d	8k	1.3k
30d	42.2k	6.7k

Playback	Listens	Hours
48h	13	1
7d	29	3
30d	149	15

Playback	Listens	Hours
48h	87	6
7d	211	13
30d	1.4k	91

Playback	Listens	Hours
48h	110	15
7d	293	34
30d	1.9k	229

Playback	Listens	Hours
48h	1.3k	280
7d	2.7k	573
30d	13.7k	2.9k

Playback	Listens	Hours
48h	10	52m
7d	38	4
30d	233	24

Playback	Listens	Hours
48h	267	40
7d	553	88
30d	3.3k	536

154 shows

205 tapes

Domocile

Playback	Listens	Hours
48h	8	1
7d	17	5
30d	93	27

Playback	Listens	Hours
48h	182	18
7d	310	31
30d	1.9k	185

Playback	Listens	Hours
48h	33	5
7d	60	10
30d	283	47

Playback	Listens	Hours
48h	119	10
7d	549	49
30d	2.8k	249

Playback	Listens	Hours
48h	49	8
7d	98	17
30d	741	131

Playback	Listens	Hours
48h	34	4
7d	20	3
30d	129	19

Playback	Listens	Hours
48h	174	28
7d	194	32
30d	1.9k	312

149 shows

287 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	147	21
7d	396	53
30d	2.7k	382

829 shows

1,048 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	30m
30d	60	17

Playback	Listens	Hours
48h	60	4
7d	111	6
30d	686	39

Playback	Listens	Hours
48h	4	53m
7d	3	28m
30d	155	21

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	8	2
7d	23	6
30d	69	16

Playback	Listens	Hours
48h	1	4m
7d	31	4
30d	106	13

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	1	12m
7d	3	46m
30d	4	57m

Playback	Listens	Hours
48h	2	16m
7d	83	9
30d	222	26

Playback	Listens	Hours
48h	1	5m
7d	26	2
30d	331	21

Playback	Listens	Hours
48h	2	8m
7d	18	1
30d	182	15

Playback	Listens	Hours
48h	1	4m
7d	70	5
30d	201	12

Playback	Listens	Hours
48h	993	158
7d	2k	322
30d	9.7k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

476

Playback	Listens	Hours
48h	53	5
7d	54	5
30d	476	42

Playback	Listens	Hours
48h	30	4
7d	274	33
30d	1.2k	133

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	23	3
7d	22	3
30d	64	9

Playback	Listens	Hours
48h	0	0m
7d	49	11
30d	277	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	33m
30d	6	2

Playback	Listens	Hours
48h	18	3
7d	15	4
30d	135	25

Playback	Listens	Hours
48h	37	5
7d	260	31
30d	913	108

370 shows

499 tapes

Godspeed You Black Emperor!

293

Playback	Listens	Hours
48h	17	4
7d	39	10
30d	293	74

Playback	Listens	Hours
48h	14	2
7d	25	4
30d	278	38

Playback	Listens	Hours
48h	3.2k	669
7d	7.5k	1.6k
30d	37.1k	7.6k

Playback	Listens	Hours
48h	12	1
7d	29	2
30d	343	31

363 shows

589 tapes

Grahame Lesh and Friends

2.8k

Playback	Listens	Hours
48h	155	22
7d	467	66
30d	2.8k	417

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	330	40
7d	1.2k	141
30d	5.4k	617

Playback	Listens	Hours
48h	75	8
7d	179	19
30d	1.1k	119

224 shows

311 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	6m
7d	8	59m
30d	12	2

Playback	Listens	Hours
48h	10	43m
7d	106	8
30d	1.6k	116

749 shows

1,030 tapes

Hard Working Americans

217

Playback	Listens	Hours
48h	47	5
7d	22	2
30d	217	22

Playback	Listens	Hours
48h	40	8
7d	83	14
30d	400	62

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	66	7
7d	60	6
30d	174	19

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	266	26
7d	272	26
30d	1.6k	148

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	89	16

Playback	Listens	Hours
48h	353	23
7d	729	46
30d	5.5k	352

Playback	Listens	Hours
48h	31	3
7d	65	6
30d	335	33

364 shows

491 tapes

Jazz Mandolin Project

211

Playback	Listens	Hours
48h	10	2
7d	26	4
30d	211	32

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	60	5
30d	61	6

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	9	55m
7d	14	1
30d	59	5

Playback	Listens	Hours
48h	95	11
7d	193	22
30d	688	83

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	199	29
7d	454	74
30d	2.6k	422

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.8k

Playback	Listens	Hours
48h	338	41
7d	1k	140
30d	4.8k	688

254 shows

305 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	25	3

2 shows

5 tapes

Joe Russo's Almost Dead

38.7k

Playback	Listens	Hours
48h	3.1k	579
7d	7.9k	1.5k
30d	38.7k	7.2k

Playback	Listens	Hours
48h	35	4
7d	96	11
30d	590	66

Playback	Listens	Hours
48h	201	18
7d	287	27
30d	2.1k	193

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	44m
30d	30	4

Playback	Listens	Hours
48h	2	11m
7d	3	15m
30d	169	13

Playback	Listens	Hours
48h	16	2
7d	9	45m
30d	229	23

73 shows

108 tapes

Karl Denson's Tiny Universe

187

Playback	Listens	Hours
48h	17	2
7d	22	3
30d	187	24

Playback	Listens	Hours
48h	272	29
7d	712	76
30d	4.4k	445

Playback	Listens	Hours
48h	12	1
7d	29	4
30d	206	27

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	1.5k	205
7d	2.5k	329
30d	15k	2k

Playback	Listens	Hours
48h	98	13
7d	279	39
30d	1.7k	249

Playback	Listens	Hours
48h	15	2
7d	17	3
30d	121	18

Playback	Listens	Hours
48h	18	4
7d	112	20
30d	725	137

Playback	Listens	Hours
48h	61	7
7d	102	12
30d	1.1k	131

Playback	Listens	Hours
48h	396	38
7d	582	55
30d	3.9k	370

Playback	Listens	Hours
48h	297	42
7d	719	110
30d	3.2k	534

Playback	Listens	Hours
48h	477	44
7d	1.3k	120
30d	5.8k	540

Playback	Listens	Hours
48h	150	12
7d	296	22
30d	1.3k	102

Playback	Listens	Hours
48h	103	18
7d	106	19
30d	1.1k	195

Playback	Listens	Hours
48h	7	35m
7d	6	58m
30d	131	14

Playback	Listens	Hours
48h	163	14
7d	414	39
30d	1.9k	187

Playback	Listens	Hours
48h	12	2
7d	27	4
30d	149	18

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	401	67
7d	735	124
30d	5k	823

Playback	Listens	Hours
48h	21	1
7d	81	4
30d	600	34

239 shows

272 tapes

Mermen

Playback	Listens	Hours
48h	31	3
7d	17	2
30d	85	9

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	2	3m
30d	64	2

Playback	Listens	Hours
48h	59	4
7d	240	16
30d	1.9k	134

Playback	Listens	Hours
48h	651	109
7d	2k	325
30d	10.7k	1.8k

Playback	Listens	Hours
48h	0	0m
7d	31	3
30d	102	11

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	27	2
7d	13	1
30d	34	3

Playback	Listens	Hours
48h	374	37
7d	821	82
30d	4.9k	489

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	2	14m
30d	93	9

Playback	Listens	Hours
48h	32	4
7d	95	13
30d	935	128

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	7

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	160	13
7d	378	30
30d	2k	165

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	202	20
7d	222	22
30d	1.4k	141

Playback	Listens	Hours
48h	80	8
7d	165	17
30d	853	89

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	12	2
7d	18	3
30d	75	13

Playback	Listens	Hours
48h	13	2
7d	32	5
30d	117	18

Playback	Listens	Hours
48h	158	30
7d	284	53
30d	1.6k	288

689 shows

920 tapes

Phil Lesh and Friends

17.1k

Playback	Listens	Hours
48h	1.3k	229
7d	3.2k	568
30d	17.1k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	121	20
7d	234	38
30d	1.5k	243

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	255	35
7d	702	92
30d	4k	512

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	405	54
7d	770	101
30d	3.8k	496

1,234 shows

2,194 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	24	2

Playback	Listens	Hours
48h	53	7
7d	87	11
30d	435	60

Playback	Listens	Hours
48h	612	81
7d	1.4k	196
30d	8.5k	1.1k

Playback	Listens	Hours
48h	83	7
7d	181	15
30d	1.1k	86

Playback	Listens	Hours
48h	147	15
7d	274	25
30d	1.3k	112

Playback	Listens	Hours
48h	181	16
7d	398	34
30d	1.9k	166

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	251	25
7d	689	67
30d	3.6k	342

Playback	Listens	Hours
48h	1	5m
7d	22	2
30d	143	17

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	65	7

Playback	Listens	Hours
48h	140	12
7d	292	25
30d	1.8k	150

Playback	Listens	Hours
48h	330	54
7d	570	94
30d	2.6k	432

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	109	28
7d	232	58
30d	1k	258

Playback	Listens	Hours
48h	4	10m
7d	32	2
30d	293	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	87	12

Playback	Listens	Hours
48h	37	7
7d	129	19
30d	810	131

Playback	Listens	Hours
48h	151	33
7d	324	69
30d	1.6k	356

Playback	Listens	Hours
48h	226	33
7d	490	67
30d	2.7k	361

667 shows

1,139 tapes

String Cheese Incident

16.2k

Playback	Listens	Hours
48h	1.5k	244
7d	3.2k	538
30d	16.2k	2.6k

1,278 shows

2,068 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	4	31m
7d	28	3
30d	44	4

Playback	Listens	Hours
48h	3	41m
7d	55	10
30d	210	37

Playback	Listens	Hours
48h	8	1
7d	24	3
30d	191	25

Playback	Listens	Hours
48h	37	4
7d	133	12
30d	852	90

727 shows

1,114 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	5	20m

Playback	Listens	Hours
48h	861	101
7d	2.3k	275
30d	14.4k	1.7k

Playback	Listens	Hours
48h	5	20m
7d	13	46m
30d	331	16

Playback	Listens	Hours
48h	142	16
7d	386	45
30d	2.1k	266

Playback	Listens	Hours
48h	30	4
7d	57	8
30d	396	63

473 shows

627 tapes

The California Honeydrops

681

Playback	Listens	Hours
48h	41	5
7d	141	18
30d	681	84

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	199	29
7d	490	70
30d	2.8k	403

Playback	Listens	Hours
48h	24	2
7d	151	12
30d	347	29

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	27	4

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	3	18m
7d	7	24m
30d	14	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	3m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	17	3
7d	28	5
30d	395	67

Playback	Listens	Hours
48h	8	26m
7d	28	3
30d	112	15

Playback	Listens	Hours
48h	100	5
7d	29	2
30d	580	38

Playback	Listens	Hours
48h	100	8
7d	214	16
30d	1.4k	105

Playback	Listens	Hours
48h	11	3
7d	18	4
30d	490	94

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	55	5
7d	174	19
30d	1k	101

Playback	Listens	Hours
48h	157	27
7d	457	76
30d	1.7k	257

Playback	Listens	Hours
48h	525	53
7d	1.1k	107
30d	6.6k	658

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	40	4

Playback	Listens	Hours
48h	70	7
7d	128	13
30d	1.1k	111

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	92	7
7d	432	43
30d	1.3k	133

219 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	85	5
7d	77	5
30d	1k	71

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	3m
7d	3	22m
30d	32	3

Playback	Listens	Hours
48h	660	105
7d	1.5k	224
30d	6.9k	997

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	6	33m
7d	5	37m
30d	46	5

Playback	Listens	Hours
48h	93	17
7d	352	58
30d	1.8k	288

Playback	Listens	Hours
48h	408	61
7d	858	128
30d	5.9k	873

Playback	Listens	Hours
48h	37	4
7d	102	9
30d	461	37

Playback	Listens	Hours
48h	91	6
7d	267	21
30d	2.3k	170

Playback	Listens	Hours
48h	1k	84
7d	2.7k	235
30d	14.2k	1.2k

622 shows

1,135 tapes

White Denim

Playback	Listens	Hours
48h	25	2
7d	30	3
30d	62	5

Playback	Listens	Hours
48h	11.3k	1.3k
7d	24.2k	2.8k
30d	152.4k	17.9k

2,527 shows

4,001 tapes

Yes

Playback	Listens	Hours
48h	37	5
7d	169	31
30d	1k	140

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.2k

Playback	Listens	Hours
48h	921	85
7d	2.3k	214
30d	10.2k	955

Playback	Listens	Hours
48h	63	9
7d	101	15
30d	813	124

16 shows

22 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	89	17
7d	202	38
30d	1.6k	285

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	1m
7d	5	57m
30d	25	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2.9k	396
7d	10.8k	1.5k
30d	29.2k	4.1k

Playback	Listens	Hours
48h	713	100
7d	1.5k	214
30d	8.4k	1.2k

Playback	Listens	Hours
48h	4.2k	569
7d	2.5k	329
30d	32.1k	4.2k

Playback	Listens	Hours
48h	1k	134
7d	8.6k	1.1k
30d	33.2k	4.4k

Playback	Listens	Hours
48h	1.9k	260
7d	8.8k	1.2k
30d	36.6k	5k

Playback	Listens	Hours
48h	2.9k	377
7d	6.4k	838
30d	35.1k	4.6k

Playback	Listens	Hours
48h	4.1k	516
7d	7.7k	972
30d	47.2k	5.9k

Playback	Listens	Hours
48h	1.3k	151
7d	4.8k	523
30d	21.7k	2.5k

Playback	Listens	Hours
48h	2.8k	302
7d	9.8k	955
30d	39.6k	4.3k

Playback	Listens	Hours
48h	963	107
7d	2.3k	262
30d	15k	1.7k

Playback	Listens	Hours
48h	2k	240
7d	4.4k	514
30d	20.9k	2.5k

Playback	Listens	Hours
48h	1.6k	202
7d	2.9k	374
30d	21k	2.6k

Playback	Listens	Hours
48h	1.6k	203
7d	4.1k	539
30d	33.1k	4.4k

Playback	Listens	Hours
48h	1.9k	233
7d	4k	501
30d	40.7k	5k

Playback	Listens	Hours
48h	2.2k	287
7d	5.4k	685
30d	57.7k	7.3k

Playback	Listens	Hours
48h	5.9k	679
7d	13.6k	1.6k
30d	68.8k	8.1k

Playback	Listens	Hours
48h	1.4k	192
7d	3.6k	501
30d	28.5k	4k

Playback	Listens	Hours
48h	8.5k	1.1k
7d	11.5k	1.5k
30d	58.9k	8.1k

Playback	Listens	Hours
48h	16.6k	2.2k
7d	34.3k	4.7k
30d	338.5k	47.2k

Playback	Listens	Hours
48h	9.5k	1.3k
7d	24.7k	3.4k
30d	45.3k	6.1k

Playback	Listens	Hours
48h	921	78
7d	980	107
30d	5.4k	574

Playback	Listens	Hours
48h	4.5k	561
7d	12.2k	1.5k
30d	96.4k	12.2k

Playback	Listens	Hours
48h	4.4k	581
7d	11.8k	1.5k
30d	78.7k	10k

Playback	Listens	Hours
48h	3.1k	381
7d	8.1k	992
30d	76.3k	9.2k

Playback	Listens	Hours
48h	2.2k	249
7d	6.5k	724
30d	33.8k	3.9k

Playback	Listens	Hours
48h	7.3k	705
7d	6.2k	638
30d	33.8k	3.7k

Playback	Listens	Hours
48h	3.4k	558
7d	7.5k	1k
30d	23.4k	3.4k

Playback	Listens	Hours
48h	537	67
7d	1.3k	158
30d	6.6k	824

Playback	Listens	Hours
48h	158	23
7d	351	47
30d	1.5k	206

Playback	Listens	Hours
48h	520	39
7d	1.3k	82
30d	7.9k	519

Playback	Listens	Hours
48h	43	2
7d	127	7
30d	572	34

1974

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	45m

San Francisco, CA, USA

784

Playback	Listens	Hours
48h	109	12
7d	127	16
30d	784	100

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	214	24
7d	404	49
30d	1.4k	159

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	54	9
7d	357	54
30d	1.5k	229

San Francisco, CA, USA

939

Playback	Listens	Hours
48h	45	4
7d	145	16
30d	939	101

San Francisco, CA, USA

490

Playback	Listens	Hours
48h	15	2
7d	145	26
30d	490	83

Playback	Listens	Hours
48h	53	7
7d	70	9
30d	222	30

Playback	Listens	Hours
48h	6	54m
7d	54	7
30d	452	62

Playback	Listens	Hours
48h	97	13
7d	97	13
30d	597	82

Playback	Listens	Hours
48h	10	2
7d	46	6
30d	331	46

Playback	Listens	Hours
48h	44	8
7d	234	44
30d	1.3k	234

Playback	Listens	Hours
48h	24	4
7d	28	6
30d	259	45

Playback	Listens	Hours
48h	2	18m
7d	1	4m
30d	123	15

Playback	Listens	Hours
48h	96	12
7d	123	16
30d	1.3k	173

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

404

Playback	Listens	Hours
48h	42	5
7d	98	11
30d	404	51

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

318

Playback	Listens	Hours
48h	35	5
7d	55	8
30d	318	47

Playback	Listens	Hours
48h	108	13
7d	236	30
30d	1.1k	136

Playback	Listens	Hours
48h	19	2
7d	67	8
30d	527	66

Playback	Listens	Hours
48h	57	7
7d	160	20
30d	820	102

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

661

Playback	Listens	Hours
48h	18	2
7d	92	11
30d	661	73

Playback	Listens	Hours
48h	43	5
7d	60	7
30d	327	42

Playback	Listens	Hours
48h	20	3
7d	126	17
30d	731	109

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

435

Playback	Listens	Hours
48h	20	3
7d	141	21
30d	435	63

Playback	Listens	Hours
48h	97	13
7d	182	30
30d	1.4k	221

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

1.4k

Playback	Listens	Hours
48h	74	12
7d	236	34
30d	1.4k	203

Playback	Listens	Hours
48h	79	10
7d	225	27
30d	1.7k	190

Playback	Listens	Hours
48h	123	11
7d	120	15
30d	846	104

Playback	Listens	Hours
48h	64	8
7d	114	13
30d	314	37

Playback	Listens	Hours
48h	155	23
7d	333	49
30d	1.7k	247

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

830

Playback	Listens	Hours
48h	92	15
7d	228	34
30d	830	125

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

1.1k

Playback	Listens	Hours
48h	158	21
7d	351	47
30d	1.1k	152

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

Playback	Listens	Hours
48h	179	18
7d	704	77
30d	7k	726

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

10.3k

Playback	Listens	Hours
48h	184	29
7d	868	131
30d	10.3k	1.7k

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

23.9k

Playback	Listens	Hours
48h	975	110
7d	3.1k	346
30d	23.9k	2.6k

Vancouver, British Columbia, Canada

5.9k

Playback	Listens	Hours
48h	141	16
7d	478	56
30d	5.9k	664

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

12.8k

Playback	Listens	Hours
48h	335	43
7d	1.1k	138
30d	12.8k	1.7k

Playback	Listens	Hours
48h	73	9
7d	155	19
30d	6.1k	720

Playback	Listens	Hours
48h	121	13
7d	267	32
30d	1.7k	191

Playback	Listens	Hours
48h	21	2
7d	14	1
30d	145	12

San Francisco, CA, USA

1.6k

Playback	Listens	Hours
48h	155	21
7d	320	44
30d	1.6k	220

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	100	12
7d	219	25
30d	1.4k	164

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	167	18
7d	298	31
30d	1.4k	147

4:11:15

10 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches ([email protected]) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner ([email protected]) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by [email protected]
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner