Jam-> | 1989-07-02 | Grateful Dead

493

Playback	Listens	Hours
48h	37	5
7d	88	11
30d	493	65

5:39:09

17 tapes

12/30SBD

188

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	188	23

2:51:09

15 tapes

12/28SBD

170

Playback	Listens	Hours
48h	28	3
7d	50	6
30d	170	22

2:36:17

15 tapes

12/27SBD

213

Playback	Listens	Hours
48h	8	1
7d	36	5
30d	213	27

2:44:54

16 tapes

12/10SBD

219

Playback	Listens	Hours
48h	1	6m
7d	26	3
30d	219	27

5:11:22

16 tapes

12/09SBD

118

Playback	Listens	Hours
48h	1	7m
7d	2	16m
30d	118	15

2:32:27

11 tapes

12/08SBD

Playback	Listens	Hours
48h	14	2
7d	15	2
30d	87	10

5:21:35

12/06SBD

344

Playback	Listens	Hours
48h	18	3
7d	53	8
30d	344	49

Playback	Listens	Hours
48h	18	4
7d	62	11
30d	454	81

Playback	Listens	Hours
48h	14	2
7d	45	7
30d	167	24

Playback	Listens	Hours
48h	0	0m
7d	8	55m
30d	232	31

Playback	Listens	Hours
48h	0	0m
7d	5	39m
30d	222	29

259

Playback	Listens	Hours
48h	11	1
7d	60	9
30d	259	37

425

Playback	Listens	Hours
48h	2	21m
7d	107	12
30d	425	46

184

Playback	Listens	Hours
48h	2	12m
7d	24	4
30d	184	27

399

Playback	Listens	Hours
48h	7	1
7d	24	3
30d	399	47

164

Playback	Listens	Hours
48h	0	0m
7d	6	41m
30d	164	21

113

Playback	Listens	Hours
48h	19	2
7d	38	5
30d	113	14

121

Playback	Listens	Hours
48h	23	3
7d	23	3
30d	121	16

181

Playback	Listens	Hours
48h	19	2
7d	74	10
30d	181	25

Playback	Listens	Hours
48h	113	15
7d	119	17
30d	880	122

Playback	Listens	Hours
48h	34	4
7d	112	12
30d	323	33

5:02:28

18 tapes

10/01SBD

568

Playback	Listens	Hours
48h	43	5
7d	97	13
30d	568	74

2:36:21

8 tapes

9/30SBD

134

Playback	Listens	Hours
48h	5	42m
7d	23	3
30d	134	18

2:20:25

9/29SBD

Alpine Valley Music Theatre

372

Playback	Listens	Hours
48h	24	3
7d	86	11
30d	372	47

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	21	2

Playback	Listens	Hours
48h	43	5
7d	64	7
30d	388	44

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	56	6

Playback	Listens	Hours
48h	10	1
7d	68	10
30d	316	49

Playback	Listens	Hours
48h	9	1
7d	63	8
30d	276	38

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	36	5

Playback	Listens	Hours
48h	32	4
7d	68	10
30d	391	54

Playback	Listens	Hours
48h	17	2
7d	91	13
30d	287	40

Playback	Listens	Hours
48h	64	7
7d	117	13
30d	544	58

2:45:58

7 tapes

7/19SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	94	13
7d	283	40
30d	1.7k	235

5:33:06

17 tapes

7/18SBD

Alpine Valley Music Theatre

East Troy, WI, USA

987

Playback	Listens	Hours
48h	83	10
7d	124	15
30d	987	114

5:08:53

14 tapes

7/17SBD

Alpine Valley Music Theatre

East Troy, WI, USA

2.5k

Playback	Listens	Hours
48h	242	28
7d	429	49
30d	2.5k	292

2:49:35

16 tapes

7/15SBD

Deer Creek Music Center

Noblesville, IN, USA

400

Playback	Listens	Hours
48h	22	2
7d	47	6
30d	400	56

Playback	Listens	Hours
48h	5	42m
7d	35	5
30d	388	58

Playback	Listens	Hours
48h	21	3
7d	51	7
30d	371	47

326

Playback	Listens	Hours
48h	40	5
7d	45	6
30d	326	43

627

Playback	Listens	Hours
48h	39	5
7d	99	14
30d	627	88

2:50:34

18 tapes

7/07SBD

John F Kennedy Stadium

1.9k

Playback	Listens	Hours
48h	224	32
7d	825	121
30d	1.9k	273

Playback	Listens	Hours
48h	77	9
7d	437	51
30d	1.7k	202

Playback	Listens	Hours
48h	92	11
7d	164	21
30d	1.1k	132

2:44:28

21 tapes

6/21SBD

662

Playback	Listens	Hours
48h	38	6
7d	131	16
30d	662	87

3:16:36

13 tapes

6/19SBD

341

Playback	Listens	Hours
48h	40	5
7d	196	25
30d	341	43

3:03:42

9 tapes

6/18SBD

366

Playback	Listens	Hours
48h	53	7
7d	54	7
30d	366	50

3:04:24

Oakland-Alameda County Stadium

5/27SBD

10.8k

Playback	Listens	Hours
48h	89	11
7d	508	62
30d	10.8k	1.3k

Playback	Listens	Hours
48h	18	2
7d	97	11
30d	604	73

Playback	Listens	Hours
48h	79	8
7d	298	31
30d	1.2k	126

Playback	Listens	Hours
48h	17	2
7d	26	2
30d	126	15

Playback	Listens	Hours
48h	1	6m
7d	90	11
30d	533	66

Playback	Listens	Hours
48h	23	3
7d	45	5
30d	424	49

2:40:47

Metropolitan Sports Center

4/17SBD

Minneapolis, MN, USA

303

Playback	Listens	Hours
48h	3	17m
7d	65	8
30d	303	35

Playback	Listens	Hours
48h	19	2
7d	79	10
30d	343	42

Playback	Listens	Hours
48h	32	4
7d	52	6
30d	284	32

Playback	Listens	Hours
48h	7	49m
7d	24	3
30d	250	29

Playback	Listens	Hours
48h	14	2
7d	55	6
30d	222	25

Playback	Listens	Hours
48h	14	2
7d	45	6
30d	428	58

Playback	Listens	Hours
48h	86	11
7d	320	40
30d	818	101

Playback	Listens	Hours
48h	11	1
7d	114	13
30d	413	47

Playback	Listens	Hours
48h	108	13
7d	225	27
30d	676	83

Playback	Listens	Hours
48h	151	21
7d	433	56
30d	800	105

Playback	Listens	Hours
48h	28	3
7d	100	10
30d	295	31

Playback	Listens	Hours
48h	51	5
7d	103	11
30d	814	85

Playback	Listens	Hours
48h	157	17
7d	74	9
30d	383	45

Playback	Listens	Hours
48h	99	13
7d	23	3
30d	314	41

Playback	Listens	Hours
48h	19	2
7d	133	16
30d	511	65

Playback	Listens	Hours
48h	10	1
7d	116	15
30d	642	83

2:33:19

Club Front - Grateful Dead Studio

3/01SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	5	11m
30d	21	44m

1:26:05

1 tape

2/12SBD

526

Playback	Listens	Hours
48h	23	2
7d	25	3
30d	526	62

2:41:03

13 tapes

2/11SBD

358

Playback	Listens	Hours
48h	22	3
7d	73	9
30d	358	44

2:44:52

2/10SBD

Henry J. Kaiser Convention Center

401

Playback	Listens	Hours
48h	54	7
7d	63	9
30d	401	55

2:40:26

12 tapes

2/07SBD

Henry J. Kaiser Convention Center

318

Playback	Listens	Hours
48h	43	5
7d	112	13
30d	318	38

2:39:25

7 tapes

2/06SBD

Henry J. Kaiser Convention Center

481

Playback	Listens	Hours
48h	16	2
7d	76	8
30d	481	53

2:28:06

8 tapes

2/05SBD

Ante Up - Built to Last interview

1.4k

Playback	Listens	Hours
48h	65	7
7d	244	29
30d	1.4k	162

2:31:14

17 tapes

1/01

Various, Various

Playback	Listens	Hours
48h	0	0m
7d	15	28m
30d	60	2

23:08

1 tape

Sources

Transferrer: Charlie Miller

gd1989-07-02.138306.mtx.miller.flac16

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1989-07-02.138287.sbd.miller.flac24

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138287 24 bit -> 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

View NotesNotes:
-- Two sets of master were used to make this show complete

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:39:53

SBD

Transferrer:

gd1989-07-02.150431.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1989-07-02.fob.nak300.andrewf.99912.flac16

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

gd1989-07-02.fob.nak300.andrewf.99911.flac24

View NotesNotes: 
- Patch from ID-8243 in Drums 03:12 > 03.17. 
- 2nd Set disc break is seamless.

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.

Source 6 of 21

2:42:24

gd1989-07-02.153412.MTX.photoLeon.t-flac16

A photoLeon Matrix

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View NotesMatrix Created in Adobe Audition by Joe Noel
July 2, 2021

Notes:
- Los Lobos opened
- last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200]
- last 1st-set "Crazy Fingers": 04-04-86 [225]
- first 24 seconds of s2t01 is source #1 only
- Source #2 was pitch corrected
- EotW (00:13 - 00:49) is missing vocals

Thanks to:
- Ted Mattes for the stellar FOB recording
- John Ammons for the top shelf transfer
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique
- Sabrina & her Mom

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:39:51

Transferrer:

gd1989-07-02.150433.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1989-07-02.149202.Dak.boedicker.flac1644

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Dave Boedicker

Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette

Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down")

2)Tape Flip During Drums

Taper: Ted Mattes

John Ammons and Joe Noel

gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16

Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons

from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

gd1989-07-02.134395.MOTB.droncit.flac16

View Notespatch info:
*  s1t01: all
** s1t02: 0:20 - 0:23 & 1:05 - 1:09

* (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend)

** (133781) AKG 414-BTL FOB, DAT

notes:
- Los Lobos opened
- Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel.
- This was a quintessential New England summer day.  I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm.  It was a nice vantage point to hear Los Lobos.  Mind you, I was sore I was missing them.  Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket.  Her mom said "She insisted you have it."  I will never forget it.  Not because I got miracle'd but because of the smile on this young girls face.  It's forever etched into my memory.  While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped.  She thought it was beautiful & like that, Mom was off in Sabrina's tow.  I saw them later on during The Wheel & Sabrina came & danced with us.  When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along.  When Hey Jude broke, she erupted again.  But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it.  She picked up on the theme immediately & danced like a soldier would march.  She was our pied piper there & it was a simple & pure moment. - Joe.

Grateful to:
- Ted Mattes for this stellar recording
- John Ammons for sharing his Archives with us
- Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts
- Droncit for his efforts on the Thompson pull
- Sabrina & her Mom

Transferrer: Remaster by droncit

Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;

FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

gd1989-07-02.133781.akg414btl-fob-dantepper.flac16

View NotesDroncit Notes:
This was a request for an interesting show in need of an upgrade/restoration.  This is my attempt.  The original has vocals dominating and the music sounds like it's more in the background.  I've tried to bring it up front.  
I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser.  I also concatenated the tracks and re-cut them.  All work with DC8.5 Forensics and Traders Little Helper.
9/28/15

Taper: Dan Tepper

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: John Bleich

gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

gd1989-07-02.nak300.morris.crazyfingers.106586.flac16

View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns)
  1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243)


Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Danny Thomson

Derek McCabe , mastered by Chris Ladner

gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24

FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.

Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.

Derek McCabe , mastered by Chris Ladner

View NotesMastering Notes:
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- First notes of FOTD/start of second set missing.  On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.

Taper: Danny Thomson

gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16

Audience FOB Recording

gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24

View NotesNotes: 
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- first notes of FOTD/start of second set missing.  on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

gd1989-07-02.fob.senn421s.alexander.77444.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)

Transferred and seeded by Bill Tetzeli ([email protected])

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now.  IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

gd1989-07-02.schoepsmk2.30364.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :13
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Source 18 of 21

<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

gd1989-07-02.akg414.30363.flac16

View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

Taper: Unknown

AKG c414>?>DAT>CD(1gen)>EAC>FLAC

gd89-07-02.nak.8243.sbefail.shnf

View Notesnotes:  this source is just as good as the other 
aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB.
Well, I think the schoeps source is marginaly better, but 
that is on a refference system w/a critical ear and a matter 
of taste.
I tried to extract my schoeps dics, but was having too much trouble
with one of them so i moved on to this one.
~enjoy
(~):}

Taper: Jill and Rob R

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

gd1989-07-02.aud.gastwirt.1110.sbefail.shnf

View NotesDigital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

Taper: Rich Gastwirt

Schoeps CMC42s spaced omnis > Sony SL-2000PCM