When Push Comes To Shove | 1986-12-17 | Grateful Dead

Yonder Mountain String Band

The War on Drugs

Playback	Listens	Hours
48h	80	9
7d	72	7
30d	1k	102

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	9m
7d	3	39m
30d	9	2

Playback	Listens	Hours
48h	103	10
7d	153	23
30d	1.3k	132

Playback	Listens	Hours
48h	54	4
7d	120	8
30d	894	61

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	5	36m
30d	44	4

Playback	Listens	Hours
48h	383	53
7d	1.2k	177
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	3	15m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	116	18
7d	217	39
30d	1.7k	279

436 shows

724 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	312	47
7d	625	92
30d	5k	742

Playback	Listens	Hours
48h	11	54m
7d	33	3
30d	362	30

Playback	Listens	Hours
48h	96	7
7d	198	15
30d	1.6k	122

Playback	Listens	Hours
48h	802	70
7d	1.9k	152
30d	13.8k	1.1k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	9	43m
7d	2	8m
30d	63	5

Playback	Listens	Hours
48h	8.2k	978
7d	19.9k	2.4k
30d	135k	15.9k

Playback	Listens	Hours
48h	63	8
7d	110	15
30d	825	114

1,416 shows

2,242 tapes

11k

Playback	Listens	Hours
48h	491	47
7d	1.6k	151
30d	11k	1k

Playback	Listens	Hours
48h	103	16
7d	370	52
30d	972	144

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	111	19
7d	348	62
30d	1.6k	291

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	476	65
7d	1.2k	163
30d	29.9k	4.2k

Playback	Listens	Hours
48h	2.3k	381
7d	3k	394
30d	10.5k	1.5k

Playback	Listens	Hours
48h	2.4k	311
7d	6k	786
30d	36.8k	4.9k

Playback	Listens	Hours
48h	2.4k	323
7d	6.5k	850
30d	42.6k	5.6k

Playback	Listens	Hours
48h	2.8k	372
7d	10k	1.3k
30d	40.6k	5.5k

Playback	Listens	Hours
48h	2.9k	382
7d	13.7k	1.7k
30d	46.9k	6k

Playback	Listens	Hours
48h	2.8k	354
7d	5.7k	705
30d	47.5k	5.9k

Playback	Listens	Hours
48h	1.4k	163
7d	2.4k	282
30d	19.6k	2.3k

Playback	Listens	Hours
48h	7.6k	957
7d	6.8k	763
30d	35.7k	3.9k

Playback	Listens	Hours
48h	971	110
7d	1.9k	214
30d	11.9k	1.3k

Playback	Listens	Hours
48h	2.8k	325
7d	3.6k	419
30d	22.4k	2.6k

Playback	Listens	Hours
48h	4.8k	562
7d	9.3k	1.1k
30d	22.5k	2.8k

Playback	Listens	Hours
48h	1.3k	161
7d	2.7k	354
30d	20.5k	2.7k

Playback	Listens	Hours
48h	1.5k	186
7d	2.6k	315
30d	41.6k	5.2k

Playback	Listens	Hours
48h	1.8k	229
7d	4k	501
30d	34.9k	4.4k

Playback	Listens	Hours
48h	8.4k	985
7d	8.1k	947
30d	63.9k	7.4k

Playback	Listens	Hours
48h	1.4k	199
7d	3.3k	463
30d	20.9k	2.9k

Playback	Listens	Hours
48h	1.8k	248
7d	3.9k	536
30d	41.2k	5.5k

Playback	Listens	Hours
48h	9.8k	1.4k
7d	27.3k	3.7k
30d	272.4k	37.6k

Playback	Listens	Hours
48h	10.9k	1.5k
7d	34.3k	4.6k
30d	80.8k	10.9k

Playback	Listens	Hours
48h	475	48
7d	619	66
30d	6.2k	630

Playback	Listens	Hours
48h	3.7k	467
7d	8.1k	1.1k
30d	90.9k	11.5k

Playback	Listens	Hours
48h	4.9k	650
7d	17.5k	2.4k
30d	87.1k	11.2k

Playback	Listens	Hours
48h	3k	375
7d	4.7k	601
30d	61.9k	7.5k

Playback	Listens	Hours
48h	1.6k	176
7d	3.5k	390
30d	32.7k	3.8k

Playback	Listens	Hours
48h	1.7k	210
7d	3.4k	388
30d	38.4k	4.1k

Playback	Listens	Hours
48h	1.7k	268
7d	2.6k	366
30d	26.9k	4k

Playback	Listens	Hours
48h	832	102
7d	1.2k	157
30d	7.4k	928

Playback	Listens	Hours
48h	121	18
7d	253	34
30d	1.6k	220

Playback	Listens	Hours
48h	220	17
7d	861	56
30d	7.9k	528

Playback	Listens	Hours
48h	35	2
7d	88	6
30d	608	36

2 shows

2 tapes

1986

12/31SBD

202

Playback	Listens	Hours
48h	6	46m
7d	35	4
30d	202	23

3:08:48

13 tapes

12/30SBD

163

Playback	Listens	Hours
48h	21	3
7d	32	3
30d	163	18

2:59:23

12/28SBD

Playback	Listens	Hours
48h	25	3
7d	4	28m
30d	99	12

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

318

Playback	Listens	Hours
48h	66	6
7d	115	11
30d	318	30

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	17	2
7d	53	7
30d	95	11

2:59:59

25 tapes

12/16SBD

184

Playback	Listens	Hours
48h	35	4
7d	52	6
30d	184	21

2:56:06

Oakland-Alameda County Coliseum

12/15SBD

Alpine Valley Music Theatre

613

Playback	Listens	Hours
48h	37	4
7d	102	12
30d	613	70

Playback	Listens	Hours
48h	2	11m
7d	65	5
30d	78	6

Playback	Listens	Hours
48h	2	13m
7d	58	7
30d	147	17

Playback	Listens	Hours
48h	31	3
7d	35	4
30d	197	23

Playback	Listens	Hours
48h	41	4
7d	18	2
30d	359	36

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

202

Playback	Listens	Hours
48h	5	32m
7d	13	1
30d	202	21

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

133

Playback	Listens	Hours
48h	11	1
7d	17	2
30d	133	15

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

301

Playback	Listens	Hours
48h	17	2
7d	46	5
30d	301	32

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

475

Playback	Listens	Hours
48h	0	0m
7d	56	6
30d	475	52

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	88	10

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	282	31

Playback	Listens	Hours
48h	12	1
7d	10	1
30d	254	28

Playback	Listens	Hours
48h	39	5
7d	1	9m
30d	191	21

Playback	Listens	Hours
48h	44	5
7d	71	7
30d	433	47

Playback	Listens	Hours
48h	39	5
7d	111	14
30d	544	71

Playback	Listens	Hours
48h	9	57m
7d	39	4
30d	215	22

Playback	Listens	Hours
48h	14	2
7d	37	4
30d	406	48

2:13:36

8 tapes

4/22SBD

185

Playback	Listens	Hours
48h	24	3
7d	40	5
30d	185	23

2:27:50

6 tapes

4/21SBD

181

Playback	Listens	Hours
48h	1	4m
7d	29	4
30d	181	22

2:25:24

6 tapes

4/19SBD

293

Playback	Listens	Hours
48h	28	3
7d	17	2
30d	293	37

2:06:15

7 tapes

4/18SBD

212

Playback	Listens	Hours
48h	23	2
7d	0	0m
30d	212	24

Playback	Listens	Hours
48h	20	3
7d	0	0m
30d	78	10

Playback	Listens	Hours
48h	27	3
7d	30	4
30d	93	11

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

187

Playback	Listens	Hours
48h	40	4
7d	35	4
30d	187	19

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

269

Playback	Listens	Hours
48h	27	3
7d	98	12
30d	269	31

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

125

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	125	17

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

220

Playback	Listens	Hours
48h	29	3
7d	108	13
30d	220	26

2:08:56

Cumberland County Civic Center

3/30SBD

Providence Civic Center

Providence, RI, USA

205

Playback	Listens	Hours
48h	31	3
7d	1	4m
30d	205	23

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

214

Playback	Listens	Hours
48h	40	4
7d	40	4
30d	214	22

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

220

Playback	Listens	Hours
48h	11	1
7d	28	3
30d	220	26

Philadelphia, PA, USA

363

Playback	Listens	Hours
48h	4	32m
7d	40	5
30d	363	42

Philadelphia, PA, USA

358

Playback	Listens	Hours
48h	10	1
7d	42	5
30d	358	37

Philadelphia, PA, USA

401

Playback	Listens	Hours
48h	2	13m
7d	77	9
30d	401	48

Playback	Listens	Hours
48h	80	10
7d	47	6
30d	223	28

Playback	Listens	Hours
48h	33	4
7d	9	1
30d	254	31

Playback	Listens	Hours
48h	5	28m
7d	43	4
30d	285	30

2:30:35

25 tapes

2/14SBD

327

Playback	Listens	Hours
48h	30	3
7d	47	5
30d	327	38

4:31:43

12 tapes

2/12SBD

297

Playback	Listens	Hours
48h	1	10m
7d	26	3
30d	297	37

2:54:33

10 tapes

2/11SBD

327

Playback	Listens	Hours
48h	1	8m
7d	44	5
30d	327	38

2:17:07

14 tapes

2/09SBD

182

Playback	Listens	Hours
48h	3	22m
7d	23	3
30d	182	19

2:01:34

9 tapes

2/08SBD

446

Playback	Listens	Hours
48h	28	3
7d	64	7
30d	446	46

2:27:10

7 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

gd1986-12-17.141745.mtx.tobin.flac2496

Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin

gd1986-12-17.139919.UltraMatrix.cm.miller.flac16

View NotesSBD + AUD Matrix 2 Source Mix 

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 21-APR-2018 - Trader Little Helper
- Tagged 21-APR-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139917.sbd.cm.miller.flac1644

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete
-- This fileset is 16 bits

Transferrer: Charlie Miller

SBD > Cassette Master (Tascam Deck/TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139728.sbd.ultra.miller.flac2496

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete
-- This fileset is 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B)

Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.139727.sbd.miller.flac2496

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete

Transferrer: Charlie Miller

SBD > Cassette Master (Tascam Deck/TDK SA-X90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1986-12-17.134893.sur5-1.tobin.flac1648

View NotesNotes:
-- Drums with Babatunde Olatunji
-- Two sets of masters were used to make this show complete

Transferrer: Kevin Tobin

flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin

gd1986-12-17.134892.dts.tobin.flac16

View NotesSurround Sound Mix 5.1 LPCM (48k)

All recording, transfers, and mastering by Greg Holtz
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------

Brokedown House Production

Transferrer: Kevin Tobin

DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin

gd1986-12-17.134891.mtx.tobin.flac16

View NotesDTS-Audio-CD 5.1 Mix

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -1db SBD
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin

Joani Walker and Paul Scotton

View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD 0

SET TWO

Stereo Matrix
SBD -1
AUD 0
---------------------------------------------------------

Brokedown House Production

Taper: Joani Walker and Paul Scotton

Transferrer:

Charlie Miller

gd1986-12-17.sbd.walker-scotton.miller.99048.sbeok.flac16

SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B)

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16

gd1986-12-17.sbd.miller.77410.flac16

View NotesPatch Info:
Nakamichi 300/CP4 -> Cassette Master -> FLAC (shnid=80996) supplies:
Desolation Row (5:10 - 5:24) (9:10 - 10:00)
When Push Comes To Shove (4:07 - end of track)
The Music Never Stopped (0:00 - 0:46) (1:19 - 2:21)
He's Gone (10:12 - 10:27)
Throwing Stones (8:02 - 8:12)

Notes:
-- Drums with Babatunde Olatunji
-- Thanks to Joani Walker and Paul Scotton for the Cassettes
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

Transferrer: Charlie Miller

SBD -> Cassette Master (Sony D5/TDK MX-XG90) D

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->

View NotesNotes:
-- Seamless transition between Discs 2 and 3
-- Thanks to Paul Scotton and Joani Walker for the Cassettes
-- Drums with Babatunde Olatunji
-- Tape flip in He's Gone and Throwing Stones

The 'skips' that you hear are on the master cassette and are not digital flaws. This is the 2nd night of them attempting ultramatrix recordings and they are switching between the sbd and the mics trying to find a good balance. I tried to fix this, but it was too much trouble to do.

Taper: Matrix by Kevin Tobin

2:53:33

SBD

Taper:

Matrix by Kevin Tobin

gd1986-12-17.145501.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

Scott Clugston and Charlie Miller

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 21-APR-2018 - Trader Little Helper
- Tagged 21-APR-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Chris Hecht

gd1986-12-17.148871.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "He's Gone", as well as most of "Drums" (10:13 total)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Taper: Chris Hecht

gd1986-12-17.148870.neumann.km84i.hecht.miller.clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "He's Gone", as well as most of "Drums" (10:13 total)
- Pitch corrected

Mastered by Scott Clugston
November 2019

Taper: Michael Hessberg

gd1986-12-17.141036.Senn.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Charlie Miller, Jim Wise, Scott Clugston

View NotesNotes:
- cross fades applied to tape pauses
- A jam ensues from Drums with the entire ensemble cast before Space.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
* w/ Sikiru Adepoju - Talking Drum
* w/ Jose Lorenzo - Berimbau, Hand Percussion

Patch Info:
- Source #80996 (T. Suraci & D. Beckham) supplies
- s1t07; 08:24 - end
- s1t08; start - 00:01 & 10:22 - end
- s1t09; start - 00:02
- s2t12; 05:18 - 05:26
- s2t13; 00:00 - 01:02

Taper: Oade Brothers

gd1986-12-17.140295.fob.schoeps.cmc4.mk41.oade.wise.miller.clugston.flac1644

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to the Oade brothers and crew for their master recording(s), as well as a proper transfer to hard disk, and my apologies for not properly acknowledging their efforts sooner.
- Thanks to Jim Wise for the hard disk drive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the folks responsible for the shnid14452 Nakamichi CM300 source which supplies a 0:02 patch in "The Music Never Stopped" from 0:41 thru 0:43
- "Drums" with Babatunde Olatunji
- Other One space included in "The Other One"

Mastered by Scott Clugston
December 16, 2017

Taper: Michael Hessberg

gd1986-12-17.139364.Senn.Hessberg.Miller.Noel.t-flac24

Sennheiser ME80 > Cassette Master (Sony TC-D5M)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered in Audacity by Joe Noel: Flac 24/96

gd1986-12-17.168571.superscopeEC-7.v2.ont.flac1644

View NotesNotes:
- cross fades applied to tape pauses
- A jam ensues from Drums with the entire ensemble cast before Space.
* w/ Sikiru Adepoju - Talking Drum
* w/ Jose Lorenzo - Berimbau, Hand Percussion

Taper: OldNeumanntapr

OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]

Cassette Masters Transferred Via Denon DR-M12HR >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify, Track Splits, Down Sample To 16bit/44.1kHz, Minor Edits & Fades) >FLAC (Level 8) + Tags Via xACT 2.53

gd1986-12-17.168571.superscopeEC7.ont.flac1644

View NotesThis is "v2" which differs from "v1" on tracks d1t02, d1t03
OldNeumanntapr Notes;
This was my 5th Dead show, and the 2nd that I recorded. It was also my first time being in the Oakland Coliseum. I had recently purchased a pair of Marantz Superscope EC-7 cardioid microphones and a Sony TC-153SD cassette recorder and this was the 1st show that I recorded with that combo. I thought that the cardioids reproduced the vocals well, but they did allow a lot more room noise so they could sound boomy in large rooms like the Coliseum. I guess it's a trade off, because years later when I started using CM-300 shotguns I felt that though they did a good job of limiting the reverberant room noise, they also had lower vocal response. I almost didn't make it to this show, because I was having mechanical problems with my old '67 VW bus. It had a couple of interesting problems. One was that the accelerator pedal would stick wide open if you pushed it to the floor. I had to stop the bus on an off ramp in San Jose because it stuck, and the only way to get it unstuck was to throw it into neutral, shut the engine off, coast to a stop and pull the counterweights down on the carburetor. Because I had stopped on a banked off ramp, the bus was leaning to the right, and gas was leaking out of the gas tank because the gas cap had a bad seal. The other problem that the bus had was that the electrical system would build up resistance once the motor got hot and the starter wouldn't work unless you took a screw driver and shorted across the terminals on the starter motor. Well, the bus wouldn't start and there was gas leaking out of the tank, so I was worried that a spark would cause an explosion. I told my ex wife to get way back out of the way and I crawled under, held my breath, and shorted the starter, which broke the resistance. Luckily the bus didn't catch fire and we were able to make it to the show OK. I forgot to bring in my new AA batteries for the microphones and I couldn't figure out why I wasn't getting a signal when I hooked my recording equipment together! I ran up the aisle in the taper section with a $5 bill and bought two batteries from another taper. To whomever that was that night, a big THANK YOU!!! The taper section was on the risers for that series of shows and I remember the mic stands all swaying when the crowd got going. I don't remember the risers ever being used again at the Oakland Coliseum for the tapers. In later years Bill Graham had his pre-show volleyball games there, right behind the board. I was really happy at that show because, 1. I made it there alive, and 2., Jerry was playing again! These were the first shows after his diabetic coma. We had driven down to the Ventura Fairgrounds earlier in the summer only to find that those shows had been cancelled because Jerry had gone into the hospital. We stayed over after the Oakland show that night in the bus in the parking lot of the Coliseum, (remember when they let you do that?) and drove home the following morning. This was a good show for me, because it was the 1st time that I had seen an 'Alabama Getaway' opener, and I wouldn't see another one until the June 1995 shows at Shoreline. I always enjoyed hearing Bobby do 'Desolation Row', and the 'Music' 1st set closer was really nice too. In retrospect I wish I had not paused the tape between songs in the first set, but I was still learning and didn't really know what I was doing. At least this recording sounded better with the addition of a decent recorder like the 153, as compared to my old Sharp boom box with auto levels, which is what I recorded the May 11 1986 Frost show with. Sadly the end of the Brokedown Palace encore is cut because I ran out of tape. For some reason I would start the second set at the end of the first set tape when I first started taping, which was dumb because it would give me one extra tape flip to deal with. Again, I was green but I got better.

This was the first 'Not Fade Away' since Jerry's coma, and the 'Not Fade Away Fadeaway' went on FOREVER! I think the whole track was over 11 minutes long! You could really feel the love in the crowd for Jerry's return because, at least for me, there was a time when I wasn't sure that he was Coming back.

Taper: OldNeumanntapr

OTS (Risers); Superscope EC-7 Cardioids (Near Coincident) >Sony TC-153SD [XLIIS]

gd1986-12-17.134890.upg-aud.tobin.flac16

View NotesThis is version 1

OldNeumanntapr Notes;
This was my 5th Dead show, and the 2nd that I recorded. It was also my first time being in the Oakland Coliseum. I had recently purchased a pair of Marantz Superscope EC-7 cardioid microphones and a Sony TC-153SD cassette recorder and this was the 1st show that I recorded with that combo. I thought that the cardioids reproduced the vocals well, but they did allow a lot more room noise so they could sound boomy in large rooms like the Coliseum. I guess it's a trade off, because years later when I started using CM-300 shotguns I felt that though they did a good job of limiting the reverberant room noise, they also had lower vocal response. I almost didn't make it to this show, because I was having mechanical problems with my old '67 VW bus. It had a couple of interesting problems. One was that the accelerator pedal would stick wide open if you pushed it to the floor. I had to stop the bus on an off ramp in San Jose because it stuck, and the only way to get it unstuck was to throw it into neutral, shut the engine off, coast to a stop and pull the counterweights down on the carburetor. Because I had stopped on a banked off ramp, the bus was leaning to the right, and gas was leaking out of the gas tank because the gas cap had a bad seal. The other problem that the bus had was that the electrical system would build up resistance once the motor got hot and the starter wouldn't work unless you took a screw driver and shorted across the terminals on the starter motor. Well, the bus wouldn't start and there was gas leaking out of the tank, so I was worried that a spark would cause an explosion. I told my ex wife to get way back out of the way and I crawled under, held my breath, and shorted the starter, which broke the resistance. Luckily the bus didn't catch fire and we were able to make it to the show OK. I forgot to bring in my new AA batteries for the microphones and I couldn't figure out why I wasn't getting a signal when I hooked my recording equipment together! I ran up the aisle in the taper section with a $5 bill and bought two batteries from another taper. To whomever that was that night, a big THANK YOU!!! The taper section was on the risers for that series of shows and I remember the mic stands all swaying when the crowd got going. I don't remember the risers ever being used again at the Oakland Coliseum for the tapers. In later years Bill Graham had his pre-show volleyball games there, right behind the board. I was really happy at that show because, 1. I made it there alive, and 2., Jerry was playing again! These were the first shows after his diabetic coma. We had driven down to the Ventura Fairgrounds earlier in the summer only to find that those shows had been cancelled because Jerry had gone into the hospital. We stayed over after the Oakland show that night in the bus in the parking lot of the Coliseum, (remember when they let you do that?) and drove home the following morning. This was a good show for me, because it was the 1st time that I had seen an 'Alabama Getaway' opener, and I wouldn't see another one until the June 1995 shows at Shoreline. I always enjoyed hearing Bobby do 'Desolation Row', and the 'Music' 1st set closer was really nice too. In retrospect I wish I had not paused the tape between songs in the first set, but I was still learning and didn't really know what I was doing. At least this recording sounded better with the addition of a decent recorder like the 153, as compared to my old Sharp boom box with auto levels, which is what I recorded the May 11 1986 Frost show with. Sadly the end of the Brokedown Palace encore is cut because I ran out of tape. For some reason I would start the second set at the end of the first set tape when I first started taping, which was dumb because it would give me one extra tape flip to deal with. Again, I was green but I got better.

Transferrer: Kevin Tobin

(original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin

gd1986-12-17.nak300.andrewf.131309.flac1644

View NotesPatched and pitch corrected Audience

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 29-DEC-2015 - Trader Little Helper
- Tagged 29-DEC-2015 - Tag&Rename
---------------------------------------------------------
Only minor patching - 1st set had some additional dead air before Desolation Row to match soundboard tracks. 2nd set had 41 seconds added during the end of He's Gone and 10 seconds at the end of Black Peter.  Speedwise the audience was a bit slow compared to other recordings - about .5 seconds per minute.

Brokedown House Production

Taper: Andrew F.

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014

gd1986-12-17.nak300.andrewf.131308.flac2448

View NotesNotes: Drums > Jam with Babatunde Olatunji. MAC from the lead 
deck provides patches as follows: four seconds at the end of 
He's Gone, four seconds at end of Throwing Stones, and approx 
two minutes of the crowd chant. With thanks to Ted Gidley for 
loaning his tapes for this project.

Taper: Andrew F

OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby.

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014

gd1986-12-17.aud.Holtz.Nak-Senn.114701.flac16

View NotesNotes: Drums > Jam with Babatunde Olatunji. MAC from the lead 
deck provides patches as follows: four seconds at the end of 
He's Gone, four seconds at end of Throwing Stones, and approx 
two minutes of the crowd chant. With thanks to Ted Gidley for 
loaning his tapes for this project.

Taper: Greg Holtz

Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz

gd1986-12-17.nak300.damico.88926.flac16

View NotesNotes:

Special Thanks:
-Doug K. for use of the Sennheiser 421's
-to Indydarkstar for use of the UA-5.  
-to Martha W., Doug and Nancy K., and Brian and LeeAnn O. for making this run of shows a very special and memorable time.

Taper: Joe D'Amico

nak 300 mics w/cp4 shotguns > sony d-5 > mac

Taper: Don Beckham and Tony Suraci

Don Beckham and Tony Suraci

Transferrer:

Tony Suraci

gd1986-12-17.nakcm304.beckham.suraci.sbeok.80996.flac16

Nak CM304>Sony D5

Nak CR5A>Lunatec V3>SD722

gd86-12-17.aud.eD.14452.sbeok.shnf

View Notes* Thanks to Don for running my rig.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Source 25 of 25

AUD>DAT>CDR