Space -> | 1986-03-30 | Grateful Dead

231

Playback	Listens	Hours
48h	22	2
7d	33	3
30d	231	26

3:08:48

13 tapes

12/30SBD

248

Playback	Listens	Hours
48h	3	21m
7d	25	3
30d	248	27

2:59:23

19 tapes

12/28SBD

140

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	140	17

2:19:49

20 tapes

12/27SBD

Oakland-Alameda County Coliseum

302

Playback	Listens	Hours
48h	9	50m
7d	65	6
30d	302	29

2:14:54

18 tapes

12/17SBD

Oakland-Alameda County Coliseum

Playback	Listens	Hours
48h	3	11m
7d	2	15m
30d	96	11

2:59:59

25 tapes

12/16SBD

Oakland-Alameda County Coliseum

197

Playback	Listens	Hours
48h	1	7m
7d	46	5
30d	197	23

2:56:06

19 tapes

12/15SBD

Alpine Valley Music Theatre

621

Playback	Listens	Hours
48h	14	1
7d	101	12
30d	621	70

Playback	Listens	Hours
48h	4	19m
7d	0	0m
30d	11	56m

Playback	Listens	Hours
48h	16	2
7d	4	29m
30d	80	10

Playback	Listens	Hours
48h	5	32m
7d	54	6
30d	135	15

Playback	Listens	Hours
48h	50	5
7d	84	9
30d	321	32

1:53:56

14 tapes

7/02SBD

Rubber Bowl, U. of Akron

Akron, OH, USA

220

Playback	Listens	Hours
48h	41	4
7d	28	3
30d	220	22

2:12:05

16 tapes

6/30SBD

River Bend Music Center

Cincinnati, OH, USA

104

Playback	Listens	Hours
48h	24	3
7d	24	3
30d	104	12

2:15:00

13 tapes

6/29SBD

East Troy, WI, USA

285

Playback	Listens	Hours
48h	0	0m
7d	54	6
30d	285	30

2:11:07

10 tapes

6/28SBD

Alpine Valley Music Theatre

East Troy, WI, USA

345

Playback	Listens	Hours
48h	50	6
7d	137	15
30d	345	38

2:05:06

13 tapes

6/26SBD

Hubert H. Humphrey Metrodome

Minneapolis, MN, USA

Playback	Listens	Hours
48h	11	1
7d	26	3
30d	87	9

Playback	Listens	Hours
48h	14	2
7d	32	4
30d	231	25

Playback	Listens	Hours
48h	98	11
7d	5	29m
30d	165	18

Playback	Listens	Hours
48h	16	1
7d	36	4
30d	218	24

Playback	Listens	Hours
48h	10	1
7d	25	3
30d	2.5k	269

Playback	Listens	Hours
48h	11	2
7d	58	8
30d	1.9k	254

Playback	Listens	Hours
48h	4	26m
7d	46	5
30d	221	23

Playback	Listens	Hours
48h	43	5
7d	39	4
30d	399	46

2:13:36

8 tapes

4/22SBD

244

Playback	Listens	Hours
48h	4	32m
7d	32	4
30d	244	31

2:27:50

6 tapes

4/21SBD

219

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	219	26

2:25:24

6 tapes

4/19SBD

362

Playback	Listens	Hours
48h	12	2
7d	38	5
30d	362	45

2:06:15

7 tapes

4/18SBD

Cumberland County Civic Center

262

Playback	Listens	Hours
48h	6	54m
7d	0	0m
30d	262	29

Playback	Listens	Hours
48h	4	36m
7d	5	34m
30d	85	10

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	61	7

2:22:35

6 tapes

4/04

Hartford Civic Center

Hartford, CT, USA

173

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	173	17

2:19:57

16 tapes

4/03SBD

Hartford Civic Center

Hartford, CT, USA

295

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	295	34

2:26:13

20 tapes

4/01SBD

Providence Civic Center

Providence, RI, USA

143

Playback	Listens	Hours
48h	0	0m
7d	4	33m
30d	143	19

2:23:08

18 tapes

3/31SBD

Providence Civic Center

Providence, RI, USA

129

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	129	15

2:07:33

18 tapes

3/30SBD

Providence Civic Center

Providence, RI, USA

202

Playback	Listens	Hours
48h	22	2
7d	45	5
30d	202	23

2:37:13

15 tapes

3/28SBD

Portland, ME, USA

174

Playback	Listens	Hours
48h	0	0m
7d	50	5
30d	174	18

2:11:55

21 tapes

3/27SBD

Cumberland County Civic Center

Portland, ME, USA

210

Playback	Listens	Hours
48h	23	3
7d	71	8
30d	210	24

Philadelphia, PA, USA

287

Playback	Listens	Hours
48h	46	5
7d	39	5
30d	287	33

Philadelphia, PA, USA

304

Playback	Listens	Hours
48h	55	6
7d	65	7
30d	304	32

Philadelphia, PA, USA

268

Playback	Listens	Hours
48h	52	6
7d	73	8
30d	268	32

Playback	Listens	Hours
48h	31	4
7d	17	2
30d	194	26

Playback	Listens	Hours
48h	40	5
7d	41	5
30d	225	27

Playback	Listens	Hours
48h	8	1
7d	38	4
30d	246	27

2:30:35

25 tapes

2/14SBD

342

Playback	Listens	Hours
48h	15	2
7d	60	7
30d	342	40

4:31:43

12 tapes

2/12SBD

315

Playback	Listens	Hours
48h	2	12m
7d	32	4
30d	315	41

2:54:33

10 tapes

2/11SBD

319

Playback	Listens	Hours
48h	4	27m
7d	23	3
30d	319	37

2:17:07

14 tapes

2/09SBD

152

Playback	Listens	Hours
48h	30	3
7d	20	2
30d	152	16

2:01:34

9 tapes

2/08SBD

gd1986-03-30.142406.sbd.miller.flac1648

380

Playback	Listens	Hours
48h	58	6
7d	54	6
30d	380	40

2:27:10

7 tapes

Sources

Transferrer: Charlie Miller

SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k)

Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/

Paul Scotton and Joani Walker

View NotesNotes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to the Oade Brothers for the patch source
-- There were a lot of level changes I had to deal with

Taper: Paul Scotton and Joani Walker

Charlie Miller

gd1986-03-30.sbd.walker-scotton.miller.106110.flac16

SBD -> ? -> 2nd Gen Cassette

Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16

Scott Clugston, Charlie Miller

View NotesNotes:
-- Disc change is seamless
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Doug Lamarre

gd1986-03-30.176409.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Doug Lamarre

gd1986-03-30.176408.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Doug Lamarre for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:13 patch in "Space", as well as a 0:07 patch in the "Not Fade Away Chant"
- Pitch corrected

Mastered by Scott Clugston
July 2024

Taper: Michael Hessberg

gd1986-03-30.141050.FOB.SennME80.Hessberg.Miller.Noel.t-flac1644

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Patch Info:
- source #25526 (Schoeps) supplies
- s1t07; 7:26 - 7:44
- s2t07; 4:55 - 5:22
- s2t12; 0:49 - 1:30
- s2t13; 0:00 - 0:20

Taper: Robert Bryant (patched out of Oade Brothers) via Rich Gastwirt

2:37:13

Taper:

Charlie Miller and SIRMick

gd1986-03-30.139523.FOB.Schoeps-cmc4-mk41.oade.bryant.miller.sirmick.flac16

Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017

Charlie Miller and Joe Noel

View Notes- There were a number of small dropouts, most of which occured in Set I. These were probably caused by water damage. They have been been patched with (FOB) Schoeps > PCM > Dat shnid 25526.

Taper: Michael Hessberg

gd1986-03-30.139470.FOB.SennME80.Hessberg.Miller.Noel.t-flac24

Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT

gd86-03-30.fob-schoeps.miller.25526.sbeok.shnf

View NotesNotes:
- Tape pauses & flips; cross faded.
- There's an apropos Gimme Some Lovin' tease before WDWDIITR.
- It's Easter Sunday so, "Why Don't We Do It In The Road" (seventh & final).
- The fun meter ran in the red all night.

Source 8 of 15

Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesRecording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> 
Samplitude v7.02 Professional -> SHN via Charlie Miller

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156187.akgc422.davis-murtha-holbrook.flac2448

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha

2:27:18

Taper:

Kyle Holbrook

gd1986-03-30.156186.akgc422.davis-murtha-holbrook.flac1644

Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC

gd1986-03-30.127545.chasingwilma.flac24

View NotesComments
Final Grateful Dead version of "Why Don't We Do It In The Road"
++ Major microphone pre-amp/battery distortion most of song
** missed start due to poor tape flip
// tape flips
There is a grinding sound from the PA, thought to be Weir's rig distorting, throughout this entire spring tour. It is present only when they are playing, not during breaks.
I listened to several FOB audience sources from this tour and they all have this "noise".

This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP

Taper: chasingwilma

source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1986-03-30.nak300.morris.crazyfingers.106566.flac16

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Jon Pasternak

Jon Pasternak and Dave Mallick

gd1986-03-30.nak300.pasternak.mallick.103229.flac16

Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m),

Master Cassette > Nak DR-2>Tascam CDRW2000>CD >xACT 1.69 (cdparanoia)>WAV>FLAC

gd1986-03-30.nak300.damico.87741.flac16

View NotesNotes:
- Encore placed at the end of disc 1.

Taper: Joe D'Amico

nak 300 mics w/ cp4 shotguns > sony d-5

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

gd86-03-30.nak300.braverman.10076.sbeok.shnf

View Notes2nd set was running long so i switched back to 1st set tape . there is a slight cut in the crowd clapping and singing not fade away . the band was off the stage and it was just the crowd having at it . so no music is cut at all .if you know this show the band went off for the encore and the crowd keep on going with the not fade away then when the band came back on they started the encore with the ending of not fade away and then right into mighty quinn . i started the 3rd disc where i flipped the tape ....so that all for the info on this one lol.

Source 15 of 15

Nak 300/Sony D5> Nakamichi BX-300> CD