Space > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	12

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	14	2
7d	74	10
30d	536	76

Playback	Listens	Hours
48h	259	33
7d	497	65
30d	2.1k	280

Playback	Listens	Hours
48h	5.9k	598
7d	17k	1.7k
30d	90.5k	9.1k

Playback	Listens	Hours
48h	124	9
7d	351	25
30d	1.8k	123

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	7	47m
7d	2	19m
30d	55	6

Playback	Listens	Hours
48h	128	13
7d	596	66
30d	2.5k	265

Playback	Listens	Hours
48h	429	59
7d	901	117
30d	5.8k	747

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	34	7
7d	343	58
30d	984	164

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	13	2
7d	6	55m
30d	33	4

Playback	Listens	Hours
48h	54	5
7d	349	35
30d	1.5k	146

Playback	Listens	Hours
48h	35	4
7d	200	22
30d	754	81

Playback	Listens	Hours
48h	9	37m
7d	74	4
30d	513	31

Playback	Listens	Hours
48h	10	2
7d	57	8
30d	275	39

Playback	Listens	Hours
48h	45	3
7d	54	3
30d	239	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	3	47m
7d	3	47m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	22	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	3	20m
7d	24	3
30d	72	8

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	81	17
7d	231	48
30d	1.7k	334

Playback	Listens	Hours
48h	24	5
7d	124	24
30d	498	94

Playback	Listens	Hours
48h	32	3
7d	44	4
30d	408	34

Playback	Listens	Hours
48h	51	7
7d	137	20
30d	593	90

Playback	Listens	Hours
48h	284	40
7d	798	112
30d	4.6k	620

Playback	Listens	Hours
48h	311	45
7d	1.2k	172
30d	5.3k	737

794 shows

1,052 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	4	1
30d	17	4

Playback	Listens	Hours
48h	27	3
7d	14	2
30d	109	11

Playback	Listens	Hours
48h	2.8k	457
7d	7.8k	1.3k
30d	41.9k	6.7k

Playback	Listens	Hours
48h	8	37m
7d	38	4
30d	154	15

Playback	Listens	Hours
48h	57	4
7d	162	11
30d	1.4k	90

397 shows

604 tapes

Derek Trucks Band

Playback	Listens	Hours
48h	74	10
7d	285	35
30d	2k	234

Playback	Listens	Hours
48h	748	153
7d	2.8k	597
30d	13.8k	2.9k

Playback	Listens	Hours
48h	2	15m
7d	38	4
30d	232	24

Playback	Listens	Hours
48h	202	28
7d	597	94
30d	3.4k	540

154 shows

205 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	24	6
30d	97	26

Playback	Listens	Hours
48h	130	11
7d	351	35
30d	1.8k	184

Playback	Listens	Hours
48h	26	4
7d	66	11
30d	271	43

Playback	Listens	Hours
48h	247	21
7d	507	45
30d	2.8k	245

Playback	Listens	Hours
48h	25	4
7d	113	20
30d	680	119

Playback	Listens	Hours
48h	12	60m
7d	38	5
30d	146	21

Playback	Listens	Hours
48h	123	19
7d	292	49
30d	1.9k	316

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	123	17
7d	351	50
30d	2.6k	375

829 shows

1,048 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	59	15

Playback	Listens	Hours
48h	65	4
7d	117	7
30d	714	41

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	151	21

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	6	2
7d	25	7
30d	70	16

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	9	1
7d	31	4
30d	86	11

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	2	8m
7d	2	31m
30d	4	57m

Playback	Listens	Hours
48h	15	2
7d	85	9
30d	224	26

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	302	19

Playback	Listens	Hours
48h	17	1
7d	17	1
30d	182	15

Playback	Listens	Hours
48h	6	18m
7d	70	5
30d	184	11

Playback	Listens	Hours
48h	636	100
7d	2.1k	328
30d	9.8k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

498

Playback	Listens	Hours
48h	109	9
7d	91	8
30d	498	44

Playback	Listens	Hours
48h	62	5
7d	203	24
30d	1.1k	131

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	1	4m
7d	28	4
30d	70	10

Playback	Listens	Hours
48h	23	4
7d	45	10
30d	275	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	33m
30d	6	2

Playback	Listens	Hours
48h	14	2
7d	21	4
30d	141	25

Playback	Listens	Hours
48h	20	3
7d	227	28
30d	872	103

370 shows

499 tapes

Godspeed You Black Emperor!

299

Playback	Listens	Hours
48h	38	10
7d	47	12
30d	299	75

Playback	Listens	Hours
48h	0	0m
7d	19	3
30d	278	38

Playback	Listens	Hours
48h	2.5k	505
7d	7.5k	1.6k
30d	37.2k	7.6k

Playback	Listens	Hours
48h	31	2
7d	40	3
30d	344	31

363 shows

589 tapes

Grahame Lesh and Friends

2.8k

Playback	Listens	Hours
48h	155	23
7d	416	59
30d	2.8k	409

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	304	33
7d	1k	119
30d	5.3k	611

Playback	Listens	Hours
48h	54	6
7d	187	20
30d	1.1k	114

224 shows

311 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	5	51m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	13	2

Playback	Listens	Hours
48h	61	4
7d	73	6
30d	1.6k	117

749 shows

1,030 tapes

Hard Working Americans

241

Playback	Listens	Hours
48h	25	3
7d	52	5
30d	241	25

Playback	Listens	Hours
48h	12	2
7d	76	13
30d	372	57

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	6	44m
7d	103	10
30d	212	23

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	127	12
7d	440	44
30d	1.8k	166

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	89	16

Playback	Listens	Hours
48h	372	25
7d	850	55
30d	5.6k	361

Playback	Listens	Hours
48h	9	45m
7d	49	5
30d	320	32

364 shows

491 tapes

Jazz Mandolin Project

217

Playback	Listens	Hours
48h	11	1
7d	32	5
30d	217	33

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	60	5
30d	61	6

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

Playback	Listens	Hours
48h	16	2
7d	19	2
30d	64	6

Playback	Listens	Hours
48h	45	6
7d	231	26
30d	693	84

112 shows

162 tapes

2.6k

Playback	Listens	Hours
48h	226	35
7d	525	81
30d	2.6k	425

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	313	47
7d	964	131
30d	4.7k	676

254 shows

305 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	25	3

2 shows

5 tapes

Joe Russo's Almost Dead

39.3k

Playback	Listens	Hours
48h	2.5k	474
7d	7.6k	1.4k
30d	39.3k	7.4k

Playback	Listens	Hours
48h	26	3
7d	120	13
30d	567	64

Playback	Listens	Hours
48h	165	15
7d	363	33
30d	2.1k	196

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	44m
30d	30	4

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	166	13

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	239	24

73 shows

108 tapes

Karl Denson's Tiny Universe

189

Playback	Listens	Hours
48h	34	4
7d	21	3
30d	189	25

Playback	Listens	Hours
48h	319	31
7d	759	82
30d	4.5k	454

Playback	Listens	Hours
48h	0	0m
7d	26	3
30d	207	27

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.3k

Playback	Listens	Hours
48h	1k	138
7d	3k	392
30d	15.3k	2.1k

Playback	Listens	Hours
48h	112	15
7d	252	35
30d	1.7k	245

Playback	Listens	Hours
48h	2	20m
7d	17	3
30d	120	17

Playback	Listens	Hours
48h	60	12
7d	79	15
30d	693	132

Playback	Listens	Hours
48h	86	10
7d	134	16
30d	1.1k	132

71 shows

140 tapes

Leftover Salmon

Playback	Listens	Hours
48h	146	13
7d	713	68
30d	4k	371

Playback	Listens	Hours
48h	182	28
7d	743	111
30d	3.3k	549

Playback	Listens	Hours
48h	502	49
7d	1.3k	120
30d	5.9k	544

Playback	Listens	Hours
48h	154	12
7d	293	22
30d	1.4k	107

Playback	Listens	Hours
48h	75	13
7d	180	32
30d	1.1k	196

Playback	Listens	Hours
48h	27	3
7d	9	45m
30d	121	13

Playback	Listens	Hours
48h	178	18
7d	444	41
30d	1.9k	187

Playback	Listens	Hours
48h	16	1
7d	21	3
30d	152	18

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	302	48
7d	910	153
30d	5k	816

Playback	Listens	Hours
48h	57	3
7d	48	2
30d	598	34

Playback	Listens	Hours
48h	26	2
7d	31	3
30d	105	12

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	6	11m
7d	2	3m
30d	61	2

Playback	Listens	Hours
48h	76	5
7d	197	14
30d	1.8k	128

Playback	Listens	Hours
48h	665	106
7d	1.9k	316
30d	10.6k	1.8k

1,978 shows

4,441 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	25	2
30d	91	10

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	26	2
7d	31	2
30d	61	5

Playback	Listens	Hours
48h	399	42
7d	910	91
30d	4.9k	492

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	74	7

Playback	Listens	Hours
48h	33	4
7d	96	13
30d	897	122

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	37	6

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	181	14
7d	379	30
30d	2k	168

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	114	11
7d	282	28
30d	1.4k	145

Playback	Listens	Hours
48h	43	4
7d	169	18
30d	854	90

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	0	0m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	17	3
7d	30	5
30d	85	15

Playback	Listens	Hours
48h	14	2
7d	34	5
30d	117	18

Playback	Listens	Hours
48h	76	13
7d	353	65
30d	1.6k	291

689 shows

920 tapes

Phil Lesh and Friends

17.3k

Playback	Listens	Hours
48h	819	148
7d	3.2k	572
30d	17.3k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	209	37
7d	261	42
30d	1.5k	247

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	181	25
7d	788	104
30d	4k	508

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	193	24
7d	900	118
30d	3.9k	506

1,234 shows

2,194 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	24	2

Playback	Listens	Hours
48h	21	3
7d	112	14
30d	458	62

Playback	Listens	Hours
48h	495	62
7d	1.4k	196
30d	8.3k	1.1k

Playback	Listens	Hours
48h	91	8
7d	172	15
30d	1.1k	86

Playback	Listens	Hours
48h	12	1
7d	255	26
30d	1.3k	116

379 shows

444 tapes

Ryan Adams

Playback	Listens	Hours
48h	234	19
7d	348	30
30d	2k	172

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	239	23
7d	649	63
30d	3.6k	337

Playback	Listens	Hours
48h	1	5m
7d	9	47m
30d	142	17

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

28 shows

Ted Leo and the Pharmacists

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	65	7

Playback	Listens	Hours
48h	58	5
7d	319	27
30d	1.8k	151

Playback	Listens	Hours
48h	125	19
7d	637	106
30d	2.6k	431

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	66	15
7d	266	67
30d	1k	255

Playback	Listens	Hours
48h	35	2
7d	29	2
30d	284	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	87	12

Playback	Listens	Hours
48h	82	11
7d	116	21
30d	811	129

Playback	Listens	Hours
48h	151	31
7d	315	70
30d	1.6k	353

Playback	Listens	Hours
48h	100	15
7d	512	70
30d	2.7k	364

667 shows

1,139 tapes

String Cheese Incident

16.2k

Playback	Listens	Hours
48h	1.4k	213
7d	3.4k	564
30d	16.2k	2.6k

1,278 shows

2,068 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	2	18m
7d	30	3
30d	46	5

Playback	Listens	Hours
48h	33	6
7d	54	10
30d	195	34

Playback	Listens	Hours
48h	6	1
7d	29	4
30d	194	25

Playback	Listens	Hours
48h	34	4
7d	148	14
30d	864	91

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	2	7m

Playback	Listens	Hours
48h	842	100
7d	2.3k	274
30d	14.2k	1.7k

Playback	Listens	Hours
48h	1	6m
7d	12	41m
30d	315	15

Playback	Listens	Hours
48h	114	14
7d	399	48
30d	2.1k	265

Playback	Listens	Hours
48h	29	5
7d	46	7
30d	382	61

473 shows

627 tapes

The California Honeydrops

684

Playback	Listens	Hours
48h	36	5
7d	151	19
30d	684	84

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	271	40
7d	496	71
30d	2.8k	415

Playback	Listens	Hours
48h	42	4
7d	107	9
30d	355	30

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	27	4

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	9	31m
30d	16	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	14	2

Playback	Listens	Hours
48h	73	12
7d	5	41m
30d	391	67

Playback	Listens	Hours
48h	5	26m
7d	29	3
30d	117	15

Playback	Listens	Hours
48h	45	3
7d	99	5
30d	600	39

Playback	Listens	Hours
48h	59	4
7d	259	19
30d	1.5k	107

Playback	Listens	Hours
48h	3	1
7d	23	6
30d	465	92

Playback	Listens	Hours
48h	33	3
7d	209	23
30d	982	98

Playback	Listens	Hours
48h	152	24
7d	449	75
30d	1.7k	259

Playback	Listens	Hours
48h	554	62
7d	1.2k	123
30d	6.8k	677

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	28	2
7d	18	1
30d	40	4

Playback	Listens	Hours
48h	130	14
7d	110	11
30d	1.1k	109

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	136	12
7d	411	41
30d	1.2k	127

219 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	51	3
7d	124	8
30d	1k	71

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	3m
7d	4	25m
30d	30	2

12 shows

Yonder Mountain String Band

Trey Anastasio

Playback	Listens	Hours
48h	453	64
7d	1.5k	224
30d	7k	1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	6	33m
7d	7	49m
30d	48	5

Playback	Listens	Hours
48h	121	17
7d	335	56
30d	1.7k	276

Playback	Listens	Hours
48h	306	48
7d	827	124
30d	5.8k	862

Playback	Listens	Hours
48h	2	13m
7d	70	6
30d	411	34

Playback	Listens	Hours
48h	65	5
7d	222	17
30d	2.3k	164

Playback	Listens	Hours
48h	887	68
7d	2.5k	224
30d	14.2k	1.2k

621 shows

1,134 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	37	3
30d	62	5

Playback	Listens	Hours
48h	9.7k	1.2k
7d	25.3k	2.9k
30d	152.7k	18k

2,527 shows

4,001 tapes

Yes

Playback	Listens	Hours
48h	69	9
7d	160	30
30d	1k	138

1,416 shows

2,242 tapes

10.3k

Playback	Listens	Hours
48h	838	76
7d	2.3k	220
30d	10.3k	965

Playback	Listens	Hours
48h	36	5
7d	88	13
30d	803	123

16 shows

22 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	77	13
7d	215	41
30d	1.5k	284

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	26	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	804	113
7d	11.2k	1.5k
30d	29.8k	4.2k

Playback	Listens	Hours
48h	538	76
7d	1.6k	233
30d	8.5k	1.2k

Playback	Listens	Hours
48h	4.6k	616
7d	5.2k	707
30d	34.9k	4.6k

Playback	Listens	Hours
48h	2.8k	348
7d	3.8k	496
30d	33.5k	4.5k

Playback	Listens	Hours
48h	7.6k	1k
7d	9k	1.2k
30d	36.9k	5k

Playback	Listens	Hours
48h	2.7k	350
7d	6.5k	855
30d	35.3k	4.6k

Playback	Listens	Hours
48h	2.8k	350
7d	8.2k	1k
30d	47.4k	5.9k

Playback	Listens	Hours
48h	1.2k	141
7d	4.3k	463
30d	21.6k	2.5k

Playback	Listens	Hours
48h	2.2k	248
7d	10.1k	974
30d	40k	4.4k

Playback	Listens	Hours
48h	826	91
7d	2.2k	242
30d	15.1k	1.7k

Playback	Listens	Hours
48h	1.8k	208
7d	4.5k	529
30d	21.2k	2.5k

Playback	Listens	Hours
48h	1.1k	144
7d	3.4k	433
30d	17k	2.2k

Playback	Listens	Hours
48h	1.3k	175
7d	4.1k	541
30d	33.3k	4.4k

Playback	Listens	Hours
48h	1.7k	213
7d	4.2k	520
30d	41.4k	5.1k

Playback	Listens	Hours
48h	2.2k	290
7d	5.4k	696
30d	55.8k	7k

Playback	Listens	Hours
48h	5.2k	573
7d	10.9k	1.3k
30d	70.3k	8.2k

Playback	Listens	Hours
48h	1.1k	164
7d	3.6k	490
30d	27.5k	3.9k

Playback	Listens	Hours
48h	2.3k	311
7d	12.5k	1.6k
30d	59.6k	8.2k

Playback	Listens	Hours
48h	14.2k	2k
7d	34.4k	4.7k
30d	322.3k	44.7k

Playback	Listens	Hours
48h	3.7k	512
7d	26.7k	3.7k
30d	47.7k	6.5k

Playback	Listens	Hours
48h	715	65
7d	1.4k	139
30d	5.7k	595

Playback	Listens	Hours
48h	4.2k	534
7d	12.4k	1.6k
30d	97.6k	12.3k

Playback	Listens	Hours
48h	4.6k	598
7d	11.7k	1.5k
30d	79.3k	10.1k

Playback	Listens	Hours
48h	3.4k	423
7d	8.2k	1k
30d	76.4k	9.2k

Playback	Listens	Hours
48h	2k	221
7d	6.2k	692
30d	33.9k	3.9k

Playback	Listens	Hours
48h	9.2k	952
7d	9.8k	989
30d	37.3k	4k

Playback	Listens	Hours
48h	2.3k	388
7d	6.7k	1k
30d	25.4k	3.7k

Playback	Listens	Hours
48h	398	47
7d	1.4k	177
30d	6.8k	848

Playback	Listens	Hours
48h	103	15
7d	371	52
30d	1.5k	207

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	275	20
7d	1.4k	83
30d	8k	531

Playback	Listens	Hours
48h	44	3
7d	106	6
30d	560	34

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

300

Playback	Listens	Hours
48h	32	4
7d	38	5
30d	300	34

4:59:06

19 tapes

12/30SBD

203

Playback	Listens	Hours
48h	40	4
7d	17	2
30d	203	22

4:28:26

17 tapes

11/22SBD

119

Playback	Listens	Hours
48h	3	31m
7d	14	2
30d	119	16

2:15:35

11 tapes

11/21SBD

184

Playback	Listens	Hours
48h	33	4
7d	11	1
30d	184	21

2:15:55

11/20SBD

Community War Memorial Auditorium

424

Playback	Listens	Hours
48h	21	2
7d	82	10
30d	424	49

Playback	Listens	Hours
48h	0	0m
7d	51	6
30d	113	13

Playback	Listens	Hours
48h	0	0m
7d	31	4
30d	102	12

East Rutherford, NJ, USA

286

Playback	Listens	Hours
48h	25	3
7d	70	8
30d	286	34

East Rutherford, NJ, USA

184

Playback	Listens	Hours
48h	6	37m
7d	50	6
30d	184	22

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

235

Playback	Listens	Hours
48h	13	2
7d	93	10
30d	235	26

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

Playback	Listens	Hours
48h	5	18m
7d	23	2
30d	76	8

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	284	33

Playback	Listens	Hours
48h	8	55m
7d	41	4
30d	475	52

Playback	Listens	Hours
48h	0	0m
7d	43	5
30d	201	26

Playback	Listens	Hours
48h	6	42m
7d	43	5
30d	382	43

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

261

Playback	Listens	Hours
48h	20	2
7d	76	7
30d	261	24

Playback	Listens	Hours
48h	14	1
7d	72	9
30d	304	37

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	196	24

Playback	Listens	Hours
48h	48	5
7d	81	8
30d	353	35

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	2	22m
7d	11	1
30d	80	11

2:21:11

Devore Field, Southwestern College

9/15SBD

Chula Vista, CA, USA

309

Playback	Listens	Hours
48h	33	4
7d	75	9
30d	309	35

2:21:39

9/12SBD

111

Playback	Listens	Hours
48h	1	12m
7d	34	4
30d	111	14

2:30:28

9/11SBD

Playback	Listens	Hours
48h	5	31m
7d	9	1
30d	83	9

2:22:15

9/10SBD

105

Playback	Listens	Hours
48h	1	10m
7d	2	13m
30d	105	11

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

389

Playback	Listens	Hours
48h	13	2
7d	38	4
30d	389	43

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	47	6

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

182

Playback	Listens	Hours
48h	2	21m
7d	28	3
30d	182	24

Playback	Listens	Hours
48h	9	55m
7d	63	6
30d	297	30

Oklahoma City, OK, USA

169

Playback	Listens	Hours
48h	13	2
7d	32	3
30d	169	19

Playback	Listens	Hours
48h	7	2
7d	36	4
30d	153	19

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

Playback	Listens	Hours
48h	23	3
7d	0	0m
30d	98	12

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

115

Playback	Listens	Hours
48h	4	17m
7d	25	3
30d	115	13

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

393

Playback	Listens	Hours
48h	24	3
7d	103	12
30d	393	44

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

385

Playback	Listens	Hours
48h	31	4
7d	59	8
30d	385	53

Playback	Listens	Hours
48h	11	1
7d	44	6
30d	174	22

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

357

Playback	Listens	Hours
48h	53	8
7d	59	8
30d	357	49

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.5k

Playback	Listens	Hours
48h	112	14
7d	309	40
30d	1.5k	187

Playback	Listens	Hours
48h	153	19
7d	196	24
30d	749	91

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

586

Playback	Listens	Hours
48h	54	5
7d	108	11
30d	586	59

Cuyahoga Falls, OH, USA

467

Playback	Listens	Hours
48h	45	5
7d	83	9
30d	467	49

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

459

Playback	Listens	Hours
48h	37	4
7d	125	15
30d	459	52

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

264

Playback	Listens	Hours
48h	19	2
7d	30	4
30d	264	30

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

187

Playback	Listens	Hours
48h	20	2
7d	42	5
30d	187	22

Playback	Listens	Hours
48h	55	7
7d	138	17
30d	515	66

Playback	Listens	Hours
48h	35	4
7d	116	13
30d	421	47

Playback	Listens	Hours
48h	34	4
7d	105	12
30d	534	64

Playback	Listens	Hours
48h	96	11
7d	186	22
30d	713	82

Playback	Listens	Hours
48h	18	3
7d	187	21
30d	826	98

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	2	9m
7d	0	0m
30d	11	54m

Playback	Listens	Hours
48h	54	6
7d	40	4
30d	176	19

Playback	Listens	Hours
48h	70	9
7d	103	13
30d	617	77

Philadelphia, PA, USA

310

Playback	Listens	Hours
48h	7	56m
7d	54	5
30d	310	32

Philadelphia, PA, USA

187

Playback	Listens	Hours
48h	16	2
7d	16	2
30d	187	24

Philadelphia, PA, USA

266

Playback	Listens	Hours
48h	8	1
7d	54	7
30d	266	33

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

297

Playback	Listens	Hours
48h	32	3
7d	90	10
30d	297	32

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

174

Playback	Listens	Hours
48h	23	3
7d	21	3
30d	174	25

2:51:34

26 tapes

4/01

Portland, ME, USA

165

Playback	Listens	Hours
48h	25	3
7d	26	3
30d	165	19

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

262

Playback	Listens	Hours
48h	49	6
7d	64	7
30d	262	32

Playback	Listens	Hours
48h	11	1
7d	41	5
30d	216	25

Playback	Listens	Hours
48h	36	4
7d	106	13
30d	332	41

Playback	Listens	Hours
48h	17	2
7d	75	9
30d	187	23

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

371

Playback	Listens	Hours
48h	46	6
7d	131	17
30d	371	50

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

170

Playback	Listens	Hours
48h	1	9m
7d	45	5
30d	170	20

Playback	Listens	Hours
48h	23	3
7d	66	9
30d	197	25

Playback	Listens	Hours
48h	58	6
7d	37	4
30d	210	22

2:21:56

17 tapes

3/13SBD

354

Playback	Listens	Hours
48h	11	2
7d	90	11
30d	354	46

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	14	2
7d	18	2
30d	72	9

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	96	14

2:18:50

3/09SBD

370

Playback	Listens	Hours
48h	64	8
7d	51	7
30d	370	49

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	3	3m
7d	30	49m
30d	54	1

13:28

1 tape

2/20SBD

327

Playback	Listens	Hours
48h	0	0m
7d	33	3
30d	327	40

2:16:03

2/19SBD

285

Playback	Listens	Hours
48h	23	3
7d	79	9
30d	285	32

1:58:18

5 tapes

2/18SBD

207

Playback	Listens	Hours
48h	13	1
7d	83	10
30d	207	24

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.