Little Red Rooster | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	6	24m
7d	0	0m
30d	76	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	17	2

Playback	Listens	Hours
48h	51	7
7d	40	6
30d	328	45

Playback	Listens	Hours
48h	85	12
7d	338	43
30d	2.3k	296

Playback	Listens	Hours
48h	6.3k	638
7d	17k	1.7k
30d	90.2k	9k

Playback	Listens	Hours
48h	40	3
7d	212	17
30d	1.7k	119

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	3m
7d	5	22m
30d	54	6

Playback	Listens	Hours
48h	252	27
7d	407	46
30d	2.3k	256

Playback	Listens	Hours
48h	241	33
7d	1.1k	151
30d	5.9k	778

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	36	6
7d	263	46
30d	980	166

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	41	5

Playback	Listens	Hours
48h	75	7
7d	276	28
30d	1.3k	127

Playback	Listens	Hours
48h	142	15
7d	236	24
30d	948	98

Playback	Listens	Hours
48h	9	28m
7d	21	1
30d	451	27

Playback	Listens	Hours
48h	23	4
7d	27	4
30d	260	35

Playback	Listens	Hours
48h	19	1
7d	53	4
30d	292	20

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	97	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	119	24
7d	252	52
30d	1.5k	311

Playback	Listens	Hours
48h	3	30m
7d	20	4
30d	355	69

Playback	Listens	Hours
48h	82	7
7d	73	7
30d	421	36

Playback	Listens	Hours
48h	30	4
7d	59	9
30d	514	76

Playback	Listens	Hours
48h	191	25
7d	786	109
30d	4.4k	599

Playback	Listens	Hours
48h	342	46
7d	1.1k	148
30d	5.5k	776

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	32	3
7d	79	6
30d	200	19

Playback	Listens	Hours
48h	3.1k	499
7d	7.3k	1.2k
30d	40.6k	6.4k

Playback	Listens	Hours
48h	31	4
7d	32	3
30d	128	13

Playback	Listens	Hours
48h	137	8
7d	265	15
30d	1.4k	91

Playback	Listens	Hours
48h	128	15
7d	301	36
30d	1.9k	229

Playback	Listens	Hours
48h	694	152
7d	2.1k	455
30d	13.5k	2.9k

Playback	Listens	Hours
48h	10	1
7d	45	5
30d	223	23

Playback	Listens	Hours
48h	226	33
7d	766	115
30d	3.5k	526

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	89	22

Playback	Listens	Hours
48h	134	15
7d	261	29
30d	1.8k	174

Playback	Listens	Hours
48h	0	0m
7d	53	8
30d	286	46

Playback	Listens	Hours
48h	135	12
7d	657	59
30d	3.1k	274

Playback	Listens	Hours
48h	39	7
7d	42	9
30d	528	94

Playback	Listens	Hours
48h	8	1
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	44	7
7d	305	51
30d	1.8k	295

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	69	8
7d	322	41
30d	2.4k	335

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	2
30d	37	12

Playback	Listens	Hours
48h	53	3
7d	63	3
30d	686	39

Playback	Listens	Hours
48h	4	48m
7d	34	5
30d	112	15

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	5m
7d	4	23m
30d	77	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	2	17m
7d	36	4
30d	257	29

Playback	Listens	Hours
48h	0	0m
7d	10	38m
30d	241	15

Playback	Listens	Hours
48h	0	0m
7d	4	20m
30d	155	12

Playback	Listens	Hours
48h	14	1
7d	25	2
30d	180	11

Playback	Listens	Hours
48h	697	107
7d	1.4k	219
30d	9.8k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

G. Love and Special Sauce

596

Playback	Listens	Hours
48h	28	3
7d	101	9
30d	596	52

Playback	Listens	Hours
48h	66	7
7d	174	21
30d	999	115

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	97	13

Playback	Listens	Hours
48h	9	2
7d	24	5
30d	323	68

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	13	4
30d	122	25

Playback	Listens	Hours
48h	95	12
7d	135	15
30d	843	98

370 shows

499 tapes

Godspeed You Black Emperor!

383

Playback	Listens	Hours
48h	25	7
7d	91	26
30d	383	98

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	223	29

Playback	Listens	Hours
48h	2.2k	452
7d	6.1k	1.2k
30d	36.2k	7.4k

Playback	Listens	Hours
48h	25	2
7d	19	2
30d	247	22

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	157	24
7d	388	53
30d	2.7k	384

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	12	2
30d	19	3

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	373	42
7d	1.2k	138
30d	6k	680

Playback	Listens	Hours
48h	97	9
7d	138	16
30d	861	94

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	10	40m
30d	31	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	20	1
7d	61	4
30d	382	27

749 shows

1,030 tapes

Hard Working Americans

200

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	200	21

Playback	Listens	Hours
48h	33	5
7d	62	10
30d	417	68

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	22	2
7d	0	0m
30d	10	48m

Playback	Listens	Hours
48h	27	2
7d	43	5
30d	210	23

674 shows

846 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	101	9
7d	274	25
30d	1.9k	177

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	451	29
7d	763	50
30d	5.7k	366

Playback	Listens	Hours
48h	15	1
7d	43	4
30d	287	28

364 shows

491 tapes

Jazz Mandolin Project

139

Playback	Listens	Hours
48h	2	1
7d	6	56m
30d	139	21

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	23	2
7d	26	2
30d	86	8

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

Playback	Listens	Hours
48h	54	6
7d	17	2
30d	90	8

Playback	Listens	Hours
48h	67	9
7d	301	38
30d	981	120

112 shows

162 tapes

2.9k

Playback	Listens	Hours
48h	175	30
7d	601	100
30d	2.9k	473

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	281	38
7d	734	101
30d	4.7k	676

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	25	3

2 shows

5 tapes

Joe Russo's Almost Dead

42.4k

Playback	Listens	Hours
48h	3.7k	707
7d	8.2k	1.5k
30d	42.4k	8k

Playback	Listens	Hours
48h	53	5
7d	86	9
30d	477	55

Playback	Listens	Hours
48h	224	20
7d	521	47
30d	2.4k	214

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	6	26m
7d	1	5m
30d	36	4

Playback	Listens	Hours
48h	42	3
7d	51	4
30d	168	13

Playback	Listens	Hours
48h	15	1
7d	19	2
30d	198	19

73 shows

108 tapes

Karl Denson's Tiny Universe

169

Playback	Listens	Hours
48h	0	0m
7d	31	5
30d	169	23

Playback	Listens	Hours
48h	435	40
7d	806	74
30d	4.6k	447

Playback	Listens	Hours
48h	1	22m
7d	3	23m
30d	112	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.1k	135
7d	3.3k	433
30d	15.7k	2.1k

Playback	Listens	Hours
48h	110	14
7d	351	46
30d	1.7k	232

Playback	Listens	Hours
48h	13	2
7d	23	3
30d	104	15

Playback	Listens	Hours
48h	19	3
7d	126	27
30d	858	165

Playback	Listens	Hours
48h	20	2
7d	109	14
30d	986	118

Playback	Listens	Hours
48h	208	18
7d	663	56
30d	3.7k	340

Playback	Listens	Hours
48h	194	37
7d	500	93
30d	3.2k	567

452 shows

705 tapes

Little Feat

Playback	Listens	Hours
48h	338	30
7d	1.1k	102
30d	6k	563

Playback	Listens	Hours
48h	156	12
7d	280	21
30d	1.5k	114

Playback	Listens	Hours
48h	85	12
7d	164	28
30d	996	180

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	6	38m
30d	98	11

Playback	Listens	Hours
48h	180	17
7d	358	38
30d	2.1k	206

Playback	Listens	Hours
48h	26	3
7d	71	8
30d	209	24

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	311	44
7d	901	129
30d	4.9k	790

Playback	Listens	Hours
48h	40	2
7d	101	6
30d	403	23

Playback	Listens	Hours
48h	7	34m
7d	40	4
30d	150	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	4	6m
7d	11	16m
30d	43	1

Playback	Listens	Hours
48h	33	2
7d	271	18
30d	1.4k	98

Playback	Listens	Hours
48h	527	83
7d	1.4k	228
30d	10.3k	1.7k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	83	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	25	2
7d	29	2
30d	74	6

95 shows

121 tapes

My Morning Jacket

Playback	Listens	Hours
48h	456	45
7d	983	101
30d	5k	505

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	1
7d	18	2
30d	77	7

Playback	Listens	Hours
48h	12	3
7d	137	19
30d	785	106

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.9k

Playback	Listens	Hours
48h	97	8
7d	316	27
30d	1.9k	161

410 shows

596 tapes

North Mississippi Allstars

1.5k

Playback	Listens	Hours
48h	104	11
7d	312	31
30d	1.5k	147

Playback	Listens	Hours
48h	31	4
7d	101	12
30d	812	88

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	18	4
7d	30	5
30d	107	19

Playback	Listens	Hours
48h	4	30m
7d	24	4
30d	139	20

Playback	Listens	Hours
48h	58	13
7d	314	60
30d	1.7k	307

689 shows

920 tapes

Phil Lesh and Friends

16.8k

Playback	Listens	Hours
48h	1k	179
7d	2.9k	507
30d	16.8k	2.9k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.8k

Playback	Listens	Hours
48h	222	31
7d	388	58
30d	1.8k	283

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	349	46
7d	771	105
30d	4k	515

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	240	31
7d	730	94
30d	3.8k	493

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	22	2
7d	70	8
30d	419	55

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	481	68
7d	1.1k	146
30d	7k	921

Playback	Listens	Hours
48h	37	3
7d	405	31
30d	1.3k	103

Playback	Listens	Hours
48h	137	12
7d	382	33
30d	1.5k	131

Playback	Listens	Hours
48h	105	9
7d	305	29
30d	2.3k	205

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	316	29
7d	805	74
30d	3.8k	352

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	10	1
7d	37	4
30d	54	7

28 shows

Ted Leo and the Pharmacists

Sigur Rós

Playback	Listens	Hours
48h	4	21m
7d	5	31m
30d	48	6

Playback	Listens	Hours
48h	65	5
7d	296	22
30d	1.7k	140

Playback	Listens	Hours
48h	198	28
7d	438	72
30d	2.7k	435

Playback	Listens	Hours
48h	99	24
7d	260	59
30d	1.1k	266

Playback	Listens	Hours
48h	53	3
7d	48	2
30d	279	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	13	4
7d	95	17
30d	794	123

Playback	Listens	Hours
48h	90	23
7d	320	69
30d	1.7k	378

Playback	Listens	Hours
48h	75	10
7d	174	24
30d	2.3k	304

667 shows

1,139 tapes

String Cheese Incident

18.5k

Playback	Listens	Hours
48h	1.4k	228
7d	3.9k	637
30d	18.5k	3k

1,281 shows

2,073 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	17	3
7d	23	4
30d	208	37

Playback	Listens	Hours
48h	14	2
7d	60	7
30d	196	26

Playback	Listens	Hours
48h	39	4
7d	177	20
30d	806	85

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	889	107
7d	2.3k	283
30d	13.6k	1.6k

Playback	Listens	Hours
48h	12	36m
7d	30	2
30d	196	9

Playback	Listens	Hours
48h	105	13
7d	329	40
30d	2.2k	261

Playback	Listens	Hours
48h	29	3
7d	115	17
30d	401	63

473 shows

627 tapes

The California Honeydrops

634

Playback	Listens	Hours
48h	32	4
7d	70	9
30d	634	79

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	125	19
7d	447	63
30d	2.7k	390

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	402	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	21	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	10m
7d	4	5m
30d	22	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	90	14
7d	83	15
30d	419	71

Playback	Listens	Hours
48h	1	1m
7d	38	4
30d	134	16

273 shows

358 tapes

The Mountain Goats

Playback	Listens	Hours
48h	67	5
7d	366	21
30d	1k	56

Playback	Listens	Hours
48h	37	2
7d	107	7
30d	1.3k	99

Playback	Listens	Hours
48h	15	3
7d	31	8
30d	338	68

Playback	Listens	Hours
48h	46	4
7d	167	18
30d	974	100

Playback	Listens	Hours
48h	85	12
7d	336	47
30d	1.8k	270

Playback	Listens	Hours
48h	500	48
7d	1.1k	106
30d	6.6k	660

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

Playback	Listens	Hours
48h	69	7
7d	123	13
30d	1.1k	108

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	9m
7d	3	39m
30d	9	2

Playback	Listens	Hours
48h	114	11
7d	191	27
30d	1.3k	136

Playback	Listens	Hours
48h	54	4
7d	132	9
30d	906	61

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	5	36m
30d	44	4

Playback	Listens	Hours
48h	411	58
7d	1.4k	206
30d	7.5k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	3	15m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	119	18
7d	281	49
30d	1.8k	289

Playback	Listens	Hours
48h	321	47
7d	799	120
30d	5.1k	770

Playback	Listens	Hours
48h	11	54m
7d	33	3
30d	362	30

Playback	Listens	Hours
48h	104	8
7d	221	17
30d	1.7k	123

Playback	Listens	Hours
48h	802	71
7d	2.3k	189
30d	14.3k	1.2k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	12	55m
7d	2	8m
30d	63	5

Playback	Listens	Hours
48h	8.3k	990
7d	24.9k	3k
30d	140k	16.5k

Playback	Listens	Hours
48h	71	8
7d	128	17
30d	843	117

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.4k

Playback	Listens	Hours
48h	503	48
7d	2k	183
30d	11.4k	1.1k

1,402 shows

2,177 tapes

Young & Dead

Playback	Listens	Hours
48h	100	15
7d	439	62
30d	1k	155

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	111	19
7d	434	77
30d	1.7k	306

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	505	69
7d	1.4k	193
30d	30.1k	4.2k

Playback	Listens	Hours
48h	2.5k	405
7d	4.2k	594
30d	11.7k	1.7k

Playback	Listens	Hours
48h	2.4k	310
7d	7.7k	1k
30d	38.6k	5.1k

Playback	Listens	Hours
48h	2.3k	307
7d	7.7k	1k
30d	43.8k	5.8k

Playback	Listens	Hours
48h	3k	390
7d	11.2k	1.5k
30d	41.9k	5.6k

Playback	Listens	Hours
48h	3k	401
7d	15.4k	1.9k
30d	48.6k	6.3k

Playback	Listens	Hours
48h	2.9k	365
7d	7.4k	913
30d	49.2k	6.1k

Playback	Listens	Hours
48h	1.4k	163
7d	3.2k	376
30d	20.4k	2.4k

Playback	Listens	Hours
48h	7.7k	981
7d	11.5k	1.4k
30d	40.5k	4.5k

Playback	Listens	Hours
48h	951	108
7d	2.5k	279
30d	12.5k	1.4k

Playback	Listens	Hours
48h	3.1k	372
7d	4.5k	525
30d	23.3k	2.7k

Playback	Listens	Hours
48h	4.8k	568
7d	12.5k	1.5k
30d	25.7k	3.2k

Playback	Listens	Hours
48h	1.3k	161
7d	3.5k	460
30d	21.3k	2.8k

Playback	Listens	Hours
48h	1.5k	191
7d	3.4k	425
30d	42.5k	5.3k

Playback	Listens	Hours
48h	1.8k	232
7d	5k	630
30d	35.9k	4.5k

Playback	Listens	Hours
48h	8.3k	968
7d	14k	1.6k
30d	69.8k	8.1k

Playback	Listens	Hours
48h	1.4k	198
7d	4.2k	593
30d	21.8k	3.1k

Playback	Listens	Hours
48h	1.8k	240
7d	5.1k	689
30d	42.3k	5.7k

Playback	Listens	Hours
48h	9.8k	1.4k
7d	32.8k	4.5k
30d	278k	38.4k

Playback	Listens	Hours
48h	11.2k	1.5k
7d	39.4k	5.3k
30d	85.9k	11.6k

Playback	Listens	Hours
48h	480	48
7d	858	90
30d	6.4k	654

Playback	Listens	Hours
48h	3.8k	472
7d	10.4k	1.4k
30d	93.1k	11.8k

Playback	Listens	Hours
48h	4.9k	650
7d	20.5k	2.8k
30d	90k	11.6k

Playback	Listens	Hours
48h	3k	378
7d	6.3k	805
30d	63.5k	7.8k

Playback	Listens	Hours
48h	1.5k	165
7d	4.7k	518
30d	33.9k	3.9k

Playback	Listens	Hours
48h	1.8k	217
7d	4.5k	522
30d	39.5k	4.2k

Playback	Listens	Hours
48h	1.8k	278
7d	3.5k	490
30d	27.8k	4.1k

Playback	Listens	Hours
48h	837	103
7d	1.6k	199
30d	7.7k	970

Playback	Listens	Hours
48h	124	18
7d	298	42
30d	1.7k	228

23 shows

55 tapes

1966

Playback	Listens	Hours
48h	213	16
7d	997	67
30d	8k	539

Playback	Listens	Hours
48h	35	2
7d	112	8
30d	632	37

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

288

Playback	Listens	Hours
48h	0	0m
7d	41	5
30d	288	33

4:59:06

19 tapes

12/30SBD

233

Playback	Listens	Hours
48h	0	0m
7d	34	4
30d	233	24

4:28:26

17 tapes

11/22SBD

141

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	141	18

2:15:35

11 tapes

11/21SBD

207

Playback	Listens	Hours
48h	22	2
7d	51	5
30d	207	23

2:15:55

11/20SBD

Community War Memorial Auditorium

415

Playback	Listens	Hours
48h	18	2
7d	82	9
30d	415	47

Playback	Listens	Hours
48h	50	6
7d	44	5
30d	121	14

Playback	Listens	Hours
48h	42	5
7d	6	43m
30d	88	10

East Rutherford, NJ, USA

238

Playback	Listens	Hours
48h	33	4
7d	68	8
30d	238	29

East Rutherford, NJ, USA

167

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	167	19

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

204

Playback	Listens	Hours
48h	25	3
7d	36	4
30d	204	23

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

136

Playback	Listens	Hours
48h	20	2
7d	72	8
30d	136	15

Playback	Listens	Hours
48h	1	5m
7d	58	7
30d	271	31

Playback	Listens	Hours
48h	14	1
7d	32	4
30d	479	52

Playback	Listens	Hours
48h	18	2
7d	57	7
30d	232	29

Playback	Listens	Hours
48h	7	54m
7d	45	5
30d	296	33

2:40:08

17 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

282

Playback	Listens	Hours
48h	41	4
7d	73	7
30d	282	26

Playback	Listens	Hours
48h	19	2
7d	86	10
30d	379	46

Playback	Listens	Hours
48h	0	0m
7d	36	4
30d	176	21

Playback	Listens	Hours
48h	9	53m
7d	56	5
30d	365	36

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	8	49m
7d	19	2
30d	87	11

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

326

Playback	Listens	Hours
48h	1	1m
7d	41	5
30d	326	37

2:21:39

12 tapes

9/12SBD

116

Playback	Listens	Hours
48h	0	0m
7d	5	49m
30d	116	15

2:30:28

9/11SBD

108

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	108	12

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	8	43m
30d	76	8

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

480

Playback	Listens	Hours
48h	46	5
7d	115	13
30d	480	54

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	79	9

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

235

Playback	Listens	Hours
48h	0	0m
7d	40	5
30d	235	30

Playback	Listens	Hours
48h	32	3
7d	75	7
30d	402	41

Oklahoma City, OK, USA

473

Playback	Listens	Hours
48h	15	2
7d	311	33
30d	473	51

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	147	19

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

152

Playback	Listens	Hours
48h	0	0m
7d	50	6
30d	152	19

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

147

Playback	Listens	Hours
48h	2	19m
7d	25	3
30d	147	17

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

439

Playback	Listens	Hours
48h	4	33m
7d	46	5
30d	439	49

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

391

Playback	Listens	Hours
48h	14	2
7d	84	12
30d	391	54

Playback	Listens	Hours
48h	21	3
7d	27	3
30d	156	19

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

404

Playback	Listens	Hours
48h	71	10
7d	66	10
30d	404	57

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

1.6k

Playback	Listens	Hours
48h	157	19
7d	299	38
30d	1.6k	199

Playback	Listens	Hours
48h	23	3
7d	176	21
30d	969	118

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

821

Playback	Listens	Hours
48h	62	6
7d	262	28
30d	821	84

Cuyahoga Falls, OH, USA

496

Playback	Listens	Hours
48h	24	2
7d	99	10
30d	496	53

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

575

Playback	Listens	Hours
48h	35	4
7d	113	13
30d	575	65

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

319

Playback	Listens	Hours
48h	4	33m
7d	62	7
30d	319	36

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

294

Playback	Listens	Hours
48h	0	0m
7d	78	9
30d	294	34

Playback	Listens	Hours
48h	48	7
7d	66	9
30d	637	83

Playback	Listens	Hours
48h	47	5
7d	74	9
30d	528	59

Playback	Listens	Hours
48h	1.7k	196
7d	88	11
30d	602	72

Playback	Listens	Hours
48h	22	3
7d	96	11
30d	672	77

Playback	Listens	Hours
48h	35	4
7d	95	11
30d	770	92

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	8	38m
30d	20	2

Playback	Listens	Hours
48h	3	19m
7d	78	9
30d	237	27

Playback	Listens	Hours
48h	54	6
7d	231	28
30d	808	100

Philadelphia, PA, USA

315

Playback	Listens	Hours
48h	55	6
7d	47	5
30d	315	33

Philadelphia, PA, USA

210

Playback	Listens	Hours
48h	36	5
7d	44	5
30d	210	27

Philadelphia, PA, USA

250

Playback	Listens	Hours
48h	30	4
7d	66	8
30d	250	31

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

364

Playback	Listens	Hours
48h	6	47m
7d	51	5
30d	364	39

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

152

Playback	Listens	Hours
48h	21	3
7d	5	40m
30d	152	22

2:51:34

26 tapes

4/01

Portland, ME, USA

168

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	168	20

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

242

Playback	Listens	Hours
48h	16	2
7d	24	3
30d	242	30

Playback	Listens	Hours
48h	13	1
7d	18	2
30d	153	17

Playback	Listens	Hours
48h	18	2
7d	52	7
30d	285	36

Playback	Listens	Hours
48h	6	53m
7d	20	3
30d	171	21

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

361

Playback	Listens	Hours
48h	15	2
7d	80	10
30d	361	47

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

149

Playback	Listens	Hours
48h	8	59m
7d	11	1
30d	149	18

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	199	26

Playback	Listens	Hours
48h	19	2
7d	45	4
30d	273	28

2:21:56

17 tapes

3/13SBD

305

Playback	Listens	Hours
48h	32	4
7d	42	5
30d	305	39

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	12	1
7d	23	3
30d	92	11

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	1	8m
7d	12	1
30d	72	10

2:18:50

3/09SBD

476

Playback	Listens	Hours
48h	67	9
7d	104	14
30d	476	63

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	4	4m
7d	10	15m
30d	64	2

13:28

1 tape

2/20SBD

257

Playback	Listens	Hours
48h	8	51m
7d	4	33m
30d	257	32

2:16:03

2/19SBD

252

Playback	Listens	Hours
48h	34	4
7d	24	3
30d	252	28

1:58:18

5 tapes

2/18SBD

258

Playback	Listens	Hours
48h	40	5
7d	62	7
30d	258	29

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- [email protected]

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
[email protected]

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by [email protected]
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by [email protected]
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.