Supplication | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	98	13

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	26	3
7d	76	11
30d	560	79

Playback	Listens	Hours
48h	240	32
7d	410	53
30d	2.1k	273

Playback	Listens	Hours
48h	5.9k	590
7d	16.7k	1.7k
30d	90.5k	9.1k

Playback	Listens	Hours
48h	118	9
7d	374	25
30d	1.7k	120

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	1	7m
7d	1	11m
30d	54	6

Playback	Listens	Hours
48h	218	22
7d	461	53
30d	2.4k	257

1,225 shows

1,772 tapes

Bob Weir

Playback	Listens	Hours
48h	308	42
7d	902	117
30d	6k	758

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	93	16
7d	273	46
30d	928	154

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	13	2
7d	1	21m
30d	28	3

Playback	Listens	Hours
48h	112	11
7d	350	34
30d	1.4k	140

Playback	Listens	Hours
48h	60	6
7d	147	17
30d	705	76

Playback	Listens	Hours
48h	6	23m
7d	91	5
30d	511	31

Playback	Listens	Hours
48h	0	0m
7d	64	9
30d	296	41

Playback	Listens	Hours
48h	30	2
7d	53	3
30d	237	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	3	47m
7d	0	0m
30d	1	19m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	22	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	25	3
7d	0	0m
30d	48	5

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	76	15
7d	217	44
30d	1.7k	341

Playback	Listens	Hours
48h	27	6
7d	108	21
30d	489	92

Playback	Listens	Hours
48h	50	4
7d	39	4
30d	415	35

Playback	Listens	Hours
48h	35	5
7d	121	18
30d	572	87

Playback	Listens	Hours
48h	307	44
7d	781	111
30d	4.5k	609

Playback	Listens	Hours
48h	398	60
7d	1.2k	177
30d	5.2k	719

794 shows

1,052 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	4	1
30d	17	4

34 shows

49 tapes

Dawes

Playback	Listens	Hours
48h	32	3
7d	9	1
30d	99	10

Playback	Listens	Hours
48h	2.9k	470
7d	8k	1.3k
30d	42.2k	6.7k

Playback	Listens	Hours
48h	13	1
7d	29	3
30d	149	15

Playback	Listens	Hours
48h	85	6
7d	211	13
30d	1.4k	91

Playback	Listens	Hours
48h	109	15
7d	293	34
30d	1.9k	229

Playback	Listens	Hours
48h	1.1k	224
7d	2.7k	573
30d	13.7k	2.9k

Playback	Listens	Hours
48h	9	46m
7d	38	4
30d	233	24

Playback	Listens	Hours
48h	221	32
7d	553	88
30d	3.3k	536

154 shows

205 tapes

Domocile

Playback	Listens	Hours
48h	8	1
7d	17	5
30d	93	27

Playback	Listens	Hours
48h	203	19
7d	310	31
30d	1.9k	185

Playback	Listens	Hours
48h	23	4
7d	60	10
30d	283	47

Playback	Listens	Hours
48h	163	14
7d	549	49
30d	2.8k	249

Playback	Listens	Hours
48h	45	8
7d	98	17
30d	741	131

Playback	Listens	Hours
48h	23	3
7d	20	3
30d	129	19

Playback	Listens	Hours
48h	167	28
7d	194	32
30d	1.9k	312

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	131	19
7d	396	53
30d	2.7k	382

829 shows

1,048 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	1	30m
30d	60	17

Playback	Listens	Hours
48h	62	4
7d	111	6
30d	686	39

Playback	Listens	Hours
48h	4	53m
7d	3	28m
30d	155	21

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	8	2
7d	23	6
30d	69	16

Playback	Listens	Hours
48h	1	4m
7d	31	4
30d	106	13

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	3	46m
30d	4	57m

Playback	Listens	Hours
48h	11	1
7d	83	9
30d	222	26

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	331	21

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	182	15

Playback	Listens	Hours
48h	0	0m
7d	70	5
30d	201	12

Playback	Listens	Hours
48h	832	132
7d	2k	322
30d	9.7k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

476

Playback	Listens	Hours
48h	106	9
7d	54	5
30d	476	42

Playback	Listens	Hours
48h	38	4
7d	274	33
30d	1.2k	133

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	24	3
7d	22	3
30d	64	9

Playback	Listens	Hours
48h	3	33m
7d	49	11
30d	277	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	33m
30d	6	2

Playback	Listens	Hours
48h	14	2
7d	15	4
30d	135	25

Playback	Listens	Hours
48h	34	4
7d	260	31
30d	913	108

370 shows

499 tapes

Godspeed You Black Emperor!

293

Playback	Listens	Hours
48h	33	9
7d	39	10
30d	293	74

Playback	Listens	Hours
48h	14	2
7d	25	4
30d	278	38

Playback	Listens	Hours
48h	2.8k	595
7d	7.5k	1.6k
30d	37.1k	7.6k

Playback	Listens	Hours
48h	36	3
7d	29	2
30d	343	31

363 shows

589 tapes

Grahame Lesh and Friends

2.8k

Playback	Listens	Hours
48h	141	20
7d	467	66
30d	2.8k	417

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	282	32
7d	1.2k	141
30d	5.4k	617

Playback	Listens	Hours
48h	71	8
7d	179	19
30d	1.1k	119

224 shows

311 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	1

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	6m
7d	8	59m
30d	12	2

Playback	Listens	Hours
48h	15	59m
7d	106	8
30d	1.6k	116

749 shows

1,030 tapes

Hard Working Americans

217

Playback	Listens	Hours
48h	49	5
7d	22	2
30d	217	22

Playback	Listens	Hours
48h	17	3
7d	83	14
30d	400	62

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	56	6
7d	60	6
30d	174	19

674 shows

846 tapes

Infamous Stringdusters

1.6k

Playback	Listens	Hours
48h	262	26
7d	272	26
30d	1.6k	148

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	1	4m
7d	1	4m
30d	89	16

Playback	Listens	Hours
48h	393	26
7d	729	46
30d	5.5k	352

Playback	Listens	Hours
48h	11	1
7d	65	6
30d	335	33

364 shows

491 tapes

Jazz Mandolin Project

211

Playback	Listens	Hours
48h	13	2
7d	26	4
30d	211	32

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	60	5
30d	61	6

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	9	55m
7d	14	1
30d	59	5

Playback	Listens	Hours
48h	80	9
7d	193	22
30d	688	83

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.6k

Playback	Listens	Hours
48h	210	31
7d	454	74
30d	2.6k	422

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.8k

Playback	Listens	Hours
48h	278	35
7d	1k	140
30d	4.8k	688

254 shows

305 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	3	22m
30d	25	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

38.7k

Playback	Listens	Hours
48h	2.9k	539
7d	7.9k	1.5k
30d	38.7k	7.2k

Playback	Listens	Hours
48h	28	2
7d	96	11
30d	590	66

Playback	Listens	Hours
48h	174	15
7d	287	27
30d	2.1k	193

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	44m
30d	30	4

Playback	Listens	Hours
48h	2	11m
7d	3	15m
30d	169	13

Playback	Listens	Hours
48h	16	2
7d	9	45m
30d	229	23

73 shows

108 tapes

187

Playback	Listens	Hours
48h	12	2
7d	22	3
30d	187	24

Playback	Listens	Hours
48h	307	31
7d	712	76
30d	4.4k	445

Playback	Listens	Hours
48h	1	6m
7d	29	4
30d	206	27

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	1.4k	183
7d	2.5k	329
30d	15k	2k

Playback	Listens	Hours
48h	77	10
7d	279	39
30d	1.7k	249

Playback	Listens	Hours
48h	1	10m
7d	17	3
30d	121	18

Playback	Listens	Hours
48h	19	4
7d	112	20
30d	725	137

Playback	Listens	Hours
48h	82	10
7d	102	12
30d	1.1k	131

Playback	Listens	Hours
48h	305	29
7d	582	55
30d	3.9k	370

Playback	Listens	Hours
48h	209	30
7d	719	110
30d	3.2k	534

Playback	Listens	Hours
48h	420	39
7d	1.3k	120
30d	5.8k	540

Playback	Listens	Hours
48h	151	12
7d	296	22
30d	1.3k	102

Playback	Listens	Hours
48h	95	17
7d	106	19
30d	1.1k	195

Playback	Listens	Hours
48h	23	2
7d	6	58m
30d	131	14

Playback	Listens	Hours
48h	156	15
7d	414	39
30d	1.9k	187

Playback	Listens	Hours
48h	12	2
7d	27	4
30d	149	18

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

16 shows

23 tapes

Max Creek

Playback	Listens	Hours
48h	399	67
7d	735	124
30d	5k	823

Playback	Listens	Hours
48h	7	28m
7d	81	4
30d	600	34

239 shows

272 tapes

Mermen

Playback	Listens	Hours
48h	20	2
7d	17	2
30d	85	9

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	2	3m
30d	64	2

Playback	Listens	Hours
48h	54	4
7d	240	16
30d	1.9k	134

Playback	Listens	Hours
48h	538	90
7d	2k	325
30d	10.7k	1.8k

Playback	Listens	Hours
48h	0	0m
7d	31	3
30d	102	11

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	27	2
7d	13	1
30d	34	3

Playback	Listens	Hours
48h	366	37
7d	821	82
30d	4.9k	489

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	2	14m
30d	93	9

Playback	Listens	Hours
48h	41	5
7d	95	13
30d	935	128

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	44	7

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	123	11
7d	378	30
30d	2k	165

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	173	17
7d	222	22
30d	1.4k	141

Playback	Listens	Hours
48h	54	5
7d	165	17
30d	853	89

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

29 shows

30 tapes

Papadosio

Playback	Listens	Hours
48h	13	2
7d	18	3
30d	75	13

Playback	Listens	Hours
48h	3	35m
7d	32	5
30d	117	18

Playback	Listens	Hours
48h	118	22
7d	284	53
30d	1.6k	288

689 shows

920 tapes

Phil Lesh and Friends

17.1k

Playback	Listens	Hours
48h	1.1k	188
7d	3.2k	568
30d	17.1k	3k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.5k

Playback	Listens	Hours
48h	137	24
7d	234	38
30d	1.5k	243

321 shows

461 tapes

Pink Talking Fish

Playback	Listens	Hours
48h	205	28
7d	702	92
30d	4k	512

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	305	41
7d	770	101
30d	3.8k	496

1,234 shows

2,194 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	24	2

Playback	Listens	Hours
48h	47	6
7d	87	11
30d	435	60

Playback	Listens	Hours
48h	549	70
7d	1.4k	196
30d	8.5k	1.1k

Playback	Listens	Hours
48h	69	6
7d	181	15
30d	1.1k	86

Playback	Listens	Hours
48h	76	8
7d	274	25
30d	1.3k	112

Playback	Listens	Hours
48h	207	18
7d	398	34
30d	1.9k	166

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	2

Playback	Listens	Hours
48h	230	22
7d	689	67
30d	3.6k	342

Playback	Listens	Hours
48h	1	5m
7d	22	2
30d	143	17

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	1	11m

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	65	7

Playback	Listens	Hours
48h	107	9
7d	292	25
30d	1.8k	150

Playback	Listens	Hours
48h	225	35
7d	570	94
30d	2.6k	432

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	75	19
7d	232	58
30d	1k	258

Playback	Listens	Hours
48h	32	2
7d	32	2
30d	293	18

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	87	12

Playback	Listens	Hours
48h	48	9
7d	129	19
30d	810	131

Playback	Listens	Hours
48h	123	27
7d	324	69
30d	1.6k	356

Playback	Listens	Hours
48h	152	22
7d	490	67
30d	2.7k	361

667 shows

1,139 tapes

String Cheese Incident

16.2k

Playback	Listens	Hours
48h	1.4k	224
7d	3.2k	538
30d	16.2k	2.6k

1,278 shows

2,068 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	2	18m
7d	28	3
30d	44	4

Playback	Listens	Hours
48h	11	2
7d	55	10
30d	210	37

Playback	Listens	Hours
48h	5	47m
7d	24	3
30d	191	25

Playback	Listens	Hours
48h	35	4
7d	133	12
30d	852	90

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	5	20m

Playback	Listens	Hours
48h	848	100
7d	2.3k	275
30d	14.4k	1.7k

Playback	Listens	Hours
48h	1	6m
7d	13	46m
30d	331	16

Playback	Listens	Hours
48h	128	15
7d	386	45
30d	2.1k	266

Playback	Listens	Hours
48h	24	4
7d	57	8
30d	396	63

473 shows

627 tapes

The California Honeydrops

681

Playback	Listens	Hours
48h	58	7
7d	141	18
30d	681	84

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	223	33
7d	490	70
30d	2.8k	403

Playback	Listens	Hours
48h	27	2
7d	151	12
30d	347	29

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	27	4

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	3	18m
7d	7	24m
30d	14	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	1	3m
7d	0	0m
30d	13	2

Playback	Listens	Hours
48h	45	7
7d	28	5
30d	395	67

Playback	Listens	Hours
48h	7	25m
7d	28	3
30d	112	15

Playback	Listens	Hours
48h	100	5
7d	29	2
30d	580	38

Playback	Listens	Hours
48h	91	7
7d	214	16
30d	1.4k	105

Playback	Listens	Hours
48h	12	4
7d	18	4
30d	490	94

246 shows

327 tapes

The New Mastersounds

Playback	Listens	Hours
48h	51	5
7d	174	19
30d	1k	101

Playback	Listens	Hours
48h	126	21
7d	457	76
30d	1.7k	257

Playback	Listens	Hours
48h	521	51
7d	1.1k	107
30d	6.6k	658

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	40	4

Playback	Listens	Hours
48h	71	8
7d	128	13
30d	1.1k	111

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	36	3
7d	432	43
30d	1.3k	133

219 shows

281 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	79	5
7d	77	5
30d	1k	71

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	1	3m
7d	3	22m
30d	32	3

Playback	Listens	Hours
48h	505	80
7d	1.5k	224
30d	6.9k	997

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	6	33m
7d	5	37m
30d	46	5

Playback	Listens	Hours
48h	120	21
7d	352	58
30d	1.8k	288

Playback	Listens	Hours
48h	341	52
7d	858	128
30d	5.9k	873

Playback	Listens	Hours
48h	8	1
7d	102	9
30d	461	37

Playback	Listens	Hours
48h	91	6
7d	267	21
30d	2.3k	170

Playback	Listens	Hours
48h	1k	80
7d	2.7k	235
30d	14.2k	1.2k

621 shows

1,134 tapes

White Denim

Playback	Listens	Hours
48h	7	27m
7d	30	3
30d	62	5

Playback	Listens	Hours
48h	10.5k	1.3k
7d	24.2k	2.8k
30d	152.4k	17.9k

2,527 shows

4,001 tapes

Yes

Playback	Listens	Hours
48h	44	6
7d	169	31
30d	1k	140

1,416 shows

2,242 tapes

Yonder Mountain String Band

10.2k

Playback	Listens	Hours
48h	907	82
7d	2.3k	214
30d	10.2k	955

Playback	Listens	Hours
48h	28	4
7d	101	15
30d	813	124

16 shows

22 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	104	19
7d	202	38
30d	1.6k	285

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	1m
7d	5	57m
30d	25	4

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	242
7d	10.8k	1.5k
30d	29.2k	4.1k

Playback	Listens	Hours
48h	589	83
7d	1.5k	214
30d	8.4k	1.2k

Playback	Listens	Hours
48h	5.3k	715
7d	2.5k	329
30d	32.1k	4.2k

Playback	Listens	Hours
48h	1.6k	208
7d	8.6k	1.1k
30d	33.2k	4.4k

Playback	Listens	Hours
48h	3.9k	515
7d	8.8k	1.2k
30d	36.6k	5k

Playback	Listens	Hours
48h	2.7k	348
7d	6.4k	838
30d	35.1k	4.6k

Playback	Listens	Hours
48h	3.3k	416
7d	7.7k	972
30d	47.2k	5.9k

Playback	Listens	Hours
48h	1.3k	150
7d	4.8k	523
30d	21.7k	2.5k

Playback	Listens	Hours
48h	2.5k	274
7d	9.8k	955
30d	39.6k	4.3k

Playback	Listens	Hours
48h	766	86
7d	2.3k	262
30d	15k	1.7k

Playback	Listens	Hours
48h	1.9k	228
7d	4.4k	514
30d	20.9k	2.5k

Playback	Listens	Hours
48h	1.4k	189
7d	2.9k	374
30d	21k	2.6k

Playback	Listens	Hours
48h	1.4k	180
7d	4.1k	539
30d	33.1k	4.4k

Playback	Listens	Hours
48h	1.9k	238
7d	4k	501
30d	40.7k	5k

Playback	Listens	Hours
48h	2.1k	273
7d	5.4k	685
30d	57.7k	7.3k

Playback	Listens	Hours
48h	5.8k	681
7d	13.6k	1.6k
30d	68.8k	8.1k

Playback	Listens	Hours
48h	1.2k	176
7d	3.6k	501
30d	28.5k	4k

Playback	Listens	Hours
48h	4.7k	604
7d	11.5k	1.5k
30d	58.9k	8.1k

Playback	Listens	Hours
48h	12.8k	1.8k
7d	34.3k	4.7k
30d	338.5k	47.2k

Playback	Listens	Hours
48h	6.1k	843
7d	24.7k	3.4k
30d	45.3k	6.1k

Playback	Listens	Hours
48h	871	73
7d	980	107
30d	5.4k	574

Playback	Listens	Hours
48h	4.4k	544
7d	12.2k	1.5k
30d	96.4k	12.2k

Playback	Listens	Hours
48h	4.2k	558
7d	11.8k	1.5k
30d	78.7k	10k

Playback	Listens	Hours
48h	3.3k	405
7d	8.1k	992
30d	76.3k	9.2k

Playback	Listens	Hours
48h	2.1k	241
7d	6.5k	724
30d	33.8k	3.9k

Playback	Listens	Hours
48h	8.4k	837
7d	6.2k	638
30d	33.8k	3.7k

Playback	Listens	Hours
48h	3.5k	582
7d	7.5k	1k
30d	23.4k	3.4k

Playback	Listens	Hours
48h	598	73
7d	1.3k	158
30d	6.6k	824

Playback	Listens	Hours
48h	140	21
7d	351	47
30d	1.5k	206

Playback	Listens	Hours
48h	300	22
7d	1.3k	82
30d	7.9k	519

Playback	Listens	Hours
48h	42	3
7d	127	7
30d	572	34

1977

Playback	Listens	Hours
48h	1	2
7d	1	2
30d	10	15

571

Playback	Listens	Hours
48h	51	9
7d	67	11
30d	571	87

412

Playback	Listens	Hours
48h	17	3
7d	79	12
30d	412	64

704

Playback	Listens	Hours
48h	98	13
7d	110	14
30d	704	86

676

Playback	Listens	Hours
48h	36	5
7d	111	13
30d	676	81

Playback	Listens	Hours
48h	45	5
7d	136	17
30d	1.1k	130

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

650

Playback	Listens	Hours
48h	24	2
7d	157	18
30d	650	80

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

825

Playback	Listens	Hours
48h	93	12
7d	146	18
30d	825	103

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

290

Playback	Listens	Hours
48h	25	3
7d	63	8
30d	290	39

Playback	Listens	Hours
48h	13	2
7d	14	2
30d	221	29

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

288

Playback	Listens	Hours
48h	21	3
7d	80	10
30d	288	37

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

915

Playback	Listens	Hours
48h	102	14
7d	182	23
30d	915	124

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

213

Playback	Listens	Hours
48h	25	3
7d	25	3
30d	213	30

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

384

Playback	Listens	Hours
48h	52	7
7d	32	5
30d	384	58

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

149

Playback	Listens	Hours
48h	20	3
7d	30	4
30d	149	20

Playback	Listens	Hours
48h	35	5
7d	38	5
30d	423	59

Playback	Listens	Hours
48h	4	26m
7d	46	5
30d	148	16

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

321

Playback	Listens	Hours
48h	32	4
7d	94	14
30d	321	47

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

444

Playback	Listens	Hours
48h	10	1
7d	129	16
30d	444	58

Playback	Listens	Hours
48h	14	2
7d	40	6
30d	146	23

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

231

Playback	Listens	Hours
48h	29	4
7d	79	11
30d	231	33

Playback	Listens	Hours
48h	69	9
7d	242	32
30d	862	116

Playback	Listens	Hours
48h	60	7
7d	64	7
30d	519	62

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

433

Playback	Listens	Hours
48h	39	6
7d	101	17
30d	433	69

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

205

Playback	Listens	Hours
48h	3	29m
7d	35	5
30d	205	28

Playback	Listens	Hours
48h	193	26
7d	354	48
30d	2k	281

2.6k

Playback	Listens	Hours
48h	260	34
7d	701	91
30d	2.6k	339

1.2k

Playback	Listens	Hours
48h	175	26
7d	479	68
30d	1.2k	174

2.5k

Playback	Listens	Hours
48h	428	58
7d	828	113
30d	2.5k	349

Playback	Listens	Hours
48h	3.8k	456
7d	5.5k	659
30d	6.2k	741

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

16.7k

Playback	Listens	Hours
48h	478	71
7d	2.4k	352
30d	16.7k	2.5k

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

11.9k

Playback	Listens	Hours
48h	265	35
7d	801	111
30d	11.9k	1.6k

Playback	Listens	Hours
48h	340	45
7d	1.6k	214
30d	16.2k	2.1k

Pembroke Pines, FL, USA

30.1k

Playback	Listens	Hours
48h	727	102
7d	3.1k	424
30d	30.1k	4.1k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.1k

Playback	Listens	Hours
48h	183	23
7d	684	87
30d	13.1k	1.7k

Playback	Listens	Hours
48h	141	21
7d	591	85
30d	14.2k	2k

Playback	Listens	Hours
48h	77	11
7d	336	50
30d	15.9k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

21.1k

Playback	Listens	Hours
48h	433	55
7d	1.6k	209
30d	21.1k	2.8k

Playback	Listens	Hours
48h	66	9
7d	236	33
30d	11.6k	1.5k

Playback	Listens	Hours
48h	93	12
7d	233	29
30d	9.5k	1.2k

Playback	Listens	Hours
48h	17	2
7d	96	12
30d	2.3k	291

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

18.6k

Playback	Listens	Hours
48h	343	46
7d	1.4k	179
30d	18.6k	2.5k

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

43.8k

Playback	Listens	Hours
48h	1.1k	161
7d	2.7k	393
30d	43.8k	6.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

38.6k

Playback	Listens	Hours
48h	885	137
7d	2.1k	326
30d	38.6k	5.8k

Playback	Listens	Hours
48h	606	90
7d	1.8k	268
30d	18.9k	2.8k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

4.9k

Playback	Listens	Hours
48h	190	31
7d	623	93
30d	4.9k	734

Playback	Listens	Hours
48h	261	42
7d	711	114
30d	3.9k	639

Playback	Listens	Hours
48h	19	2
7d	98	12
30d	897	109

Playback	Listens	Hours
48h	94	12
7d	107	14
30d	739	95

Playback	Listens	Hours
48h	8	1
7d	96	12
30d	807	98

Playback	Listens	Hours
48h	38	6
7d	60	10
30d	627	93

Playback	Listens	Hours
48h	83	14
7d	195	31
30d	1.3k	190

Playback	Listens	Hours
48h	9	1
7d	19	2
30d	161	22

Playback	Listens	Hours
48h	30	4
7d	178	20
30d	717	81

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

4.7k

Playback	Listens	Hours
48h	215	31
7d	708	101
30d	4.7k	654

Philadelphia, PA, USA

1.3k

Playback	Listens	Hours
48h	57	10
7d	243	40
30d	1.3k	215

1.2k

Playback	Listens	Hours
48h	60	8
7d	211	28
30d	1.2k	170

973

Playback	Listens	Hours
48h	98	15
7d	197	30
30d	973	149

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	152	23
7d	173	26
30d	1.5k	219

Playback	Listens	Hours
48h	15	2
7d	15	3
30d	63	19

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

412

Playback	Listens	Hours
48h	29	3
7d	63	7
30d	412	49

San Bernardino, CA, USA

5.4k

Playback	Listens	Hours
48h	275	39
7d	965	132
30d	5.4k	728

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

133

Playback	Listens	Hours
48h	2	20m
7d	21	3
30d	133	18

Playback	Listens	Hours
48h	34	4
7d	77	9
30d	474	56

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive