Not Fade Away -> | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	6	24m
7d	0	0m
30d	76	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	17	2

Playback	Listens	Hours
48h	51	7
7d	21	4
30d	309	42

Playback	Listens	Hours
48h	82	12
7d	301	38
30d	2.3k	291

Playback	Listens	Hours
48h	6.1k	615
7d	13.3k	1.3k
30d	86.5k	8.6k

Playback	Listens	Hours
48h	38	3
7d	185	14
30d	1.7k	117

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	3m
7d	3	19m
30d	52	6

Playback	Listens	Hours
48h	227	24
7d	272	31
30d	2.2k	242

Playback	Listens	Hours
48h	238	33
7d	921	129
30d	5.8k	756

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	47	9
7d	216	37
30d	933	157

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	41	5

Playback	Listens	Hours
48h	75	7
7d	213	22
30d	1.2k	121

Playback	Listens	Hours
48h	141	15
7d	143	14
30d	855	88

Playback	Listens	Hours
48h	4	8m
7d	19	1
30d	449	27

Playback	Listens	Hours
48h	23	4
7d	22	3
30d	255	34

Playback	Listens	Hours
48h	22	1
7d	31	2
30d	270	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	35	3
30d	96	9

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	130	26
7d	180	38
30d	1.5k	296

Playback	Listens	Hours
48h	3	30m
7d	20	4
30d	355	69

Playback	Listens	Hours
48h	71	6
7d	36	3
30d	384	32

Playback	Listens	Hours
48h	21	3
7d	45	7
30d	500	74

Playback	Listens	Hours
48h	167	22
7d	702	98
30d	4.3k	587

Playback	Listens	Hours
48h	315	42
7d	858	120
30d	5.3k	749

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	32	3
7d	67	6
30d	188	18

Playback	Listens	Hours
48h	3k	486
7d	5.6k	876
30d	38.8k	6.2k

Playback	Listens	Hours
48h	31	4
7d	13	1
30d	109	11

Playback	Listens	Hours
48h	119	7
7d	183	10
30d	1.3k	86

Playback	Listens	Hours
48h	125	14
7d	224	27
30d	1.8k	220

Playback	Listens	Hours
48h	678	149
7d	1.8k	384
30d	13.2k	2.8k

Playback	Listens	Hours
48h	10	1
7d	45	5
30d	223	23

Playback	Listens	Hours
48h	207	31
7d	629	95
30d	3.4k	506

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	89	22

Playback	Listens	Hours
48h	132	15
7d	194	20
30d	1.7k	166

Playback	Listens	Hours
48h	0	0m
7d	53	8
30d	286	46

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	134	11
7d	572	51
30d	3k	267

Playback	Listens	Hours
48h	27	5
7d	36	7
30d	522	92

Playback	Listens	Hours
48h	8	1
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	57	9
7d	245	42
30d	1.8k	286

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	69	8
7d	259	34
30d	2.3k	327

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	2
30d	37	12

Playback	Listens	Hours
48h	43	2
7d	57	3
30d	680	38

Playback	Listens	Hours
48h	4	48m
7d	34	5
30d	112	15

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	5m
7d	4	23m
30d	77	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	2	17m
7d	36	4
30d	257	29

Playback	Listens	Hours
48h	0	0m
7d	10	38m
30d	241	15

Playback	Listens	Hours
48h	0	0m
7d	4	20m
30d	155	12

Playback	Listens	Hours
48h	14	1
7d	25	2
30d	180	11

Playback	Listens	Hours
48h	716	109
7d	1k	164
30d	9.4k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

575

Playback	Listens	Hours
48h	28	3
7d	80	7
30d	575	50

Playback	Listens	Hours
48h	64	7
7d	119	15
30d	944	109

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	0	0m
7d	20	2
30d	97	13

Playback	Listens	Hours
48h	0	0m
7d	24	5
30d	323	68

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	13	4
30d	122	25

Playback	Listens	Hours
48h	77	9
7d	104	12
30d	812	95

370 shows

499 tapes

Godspeed You Black Emperor!

376

Playback	Listens	Hours
48h	25	7
7d	84	24
30d	376	96

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	223	29

Playback	Listens	Hours
48h	2.2k	447
7d	4.8k	976
30d	34.9k	7.1k

Playback	Listens	Hours
48h	25	2
7d	14	1
30d	242	22

363 shows

589 tapes

Grahame Lesh and Friends

2.6k

Playback	Listens	Hours
48h	159	24
7d	266	36
30d	2.6k	367

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	12	2
30d	19	3

Playback	Listens	Hours
48h	383	44
7d	935	110
30d	5.8k	653

Playback	Listens	Hours
48h	76	8
7d	129	15
30d	852	93

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	21	3

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	10	40m
30d	31	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	22	3

Playback	Listens	Hours
48h	10	37m
7d	57	4
30d	378	27

749 shows

1,030 tapes

Hard Working Americans

200

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	200	21

Playback	Listens	Hours
48h	41	6
7d	40	6
30d	395	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	12	1
7d	0	0m
30d	10	48m

Playback	Listens	Hours
48h	27	2
7d	29	3
30d	196	21

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	128	11
7d	194	18
30d	1.8k	169

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	393	25
7d	593	38
30d	5.5k	355

Playback	Listens	Hours
48h	18	1
7d	36	3
30d	280	27

364 shows

491 tapes

Jazz Mandolin Project

139

Playback	Listens	Hours
48h	2	1
7d	6	56m
30d	139	21

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	23	2
7d	26	2
30d	86	8

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	54	6
7d	17	2
30d	90	8

Playback	Listens	Hours
48h	68	9
7d	257	32
30d	937	114

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	166	28
7d	505	82
30d	2.8k	456

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.6k

Playback	Listens	Hours
48h	266	37
7d	595	82
30d	4.6k	657

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	13m
30d	25	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

40.5k

Playback	Listens	Hours
48h	3.6k	691
7d	6.2k	1.1k
30d	40.5k	7.6k

Playback	Listens	Hours
48h	59	6
7d	68	8
30d	459	53

Playback	Listens	Hours
48h	215	19
7d	399	36
30d	2.2k	203

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	36	4

Playback	Listens	Hours
48h	42	3
7d	44	3
30d	161	13

Playback	Listens	Hours
48h	15	1
7d	4	28m
30d	183	18

73 shows

108 tapes

169

Playback	Listens	Hours
48h	0	0m
7d	31	5
30d	169	23

Playback	Listens	Hours
48h	431	40
7d	626	58
30d	4.4k	431

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	112	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	1.1k	137
7d	2.6k	344
30d	15k	2k

Playback	Listens	Hours
48h	141	18
7d	261	35
30d	1.6k	221

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	13	2
7d	10	1
30d	91	13

Playback	Listens	Hours
48h	24	5
7d	108	22
30d	840	160

Playback	Listens	Hours
48h	15	2
7d	101	13
30d	978	117

Playback	Listens	Hours
48h	206	19
7d	581	49
30d	3.7k	333

Playback	Listens	Hours
48h	177	34
7d	380	74
30d	3.1k	548

Playback	Listens	Hours
48h	335	30
7d	859	83
30d	5.8k	543

Playback	Listens	Hours
48h	152	12
7d	130	10
30d	1.3k	103

Playback	Listens	Hours
48h	75	11
7d	123	23
30d	955	175

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	6	38m
30d	98	11

Playback	Listens	Hours
48h	150	14
7d	311	34
30d	2.1k	202

Playback	Listens	Hours
48h	26	3
7d	41	5
30d	179	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	316	45
7d	744	108
30d	4.8k	769

Playback	Listens	Hours
48h	44	2
7d	55	3
30d	357	20

Playback	Listens	Hours
48h	7	34m
7d	33	3
30d	143	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	4	6m
7d	11	16m
30d	43	1

Playback	Listens	Hours
48h	33	2
7d	244	16
30d	1.4k	96

Playback	Listens	Hours
48h	548	86
7d	1.1k	178
30d	9.9k	1.6k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	83	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	25	2
7d	5	25m
30d	50	4

Playback	Listens	Hours
48h	443	44
7d	723	76
30d	4.7k	480

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	9	1
7d	18	2
30d	77	7

Playback	Listens	Hours
48h	13	3
7d	123	16
30d	771	103

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	105	9
7d	217	19
30d	1.8k	153

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	111	11
7d	201	20
30d	1.4k	136

Playback	Listens	Hours
48h	23	3
7d	81	10
30d	792	85

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	18	4
7d	28	5
30d	105	18

Playback	Listens	Hours
48h	4	30m
7d	24	4
30d	139	20

Playback	Listens	Hours
48h	63	14
7d	274	51
30d	1.6k	298

689 shows

920 tapes

Phil Lesh and Friends

16.2k

Playback	Listens	Hours
48h	1.1k	183
7d	2.3k	399
30d	16.2k	2.8k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	206	29
7d	280	45
30d	1.7k	270

Playback	Listens	Hours
48h	343	46
7d	624	85
30d	3.8k	494

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	229	30
7d	594	77
30d	3.7k	476

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	27	2

Playback	Listens	Hours
48h	26	3
7d	52	7
30d	401	53

Playback	Listens	Hours
48h	471	67
7d	878	117
30d	6.8k	892

Playback	Listens	Hours
48h	33	3
7d	385	30
30d	1.2k	102

Playback	Listens	Hours
48h	138	12
7d	260	22
30d	1.3k	119

Playback	Listens	Hours
48h	105	9
7d	243	23
30d	2.3k	199

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	2

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	312	29
7d	712	65
30d	3.7k	343

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	10	1
7d	27	3
30d	44	5

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	4	21m
7d	1	11m
30d	44	5

Playback	Listens	Hours
48h	74	6
7d	240	18
30d	1.6k	136

Playback	Listens	Hours
48h	215	32
7d	308	51
30d	2.5k	414

Playback	Listens	Hours
48h	93	23
7d	219	49
30d	1.1k	257

Playback	Listens	Hours
48h	53	3
7d	44	2
30d	275	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	17	5
7d	81	13
30d	780	119

Playback	Listens	Hours
48h	87	22
7d	293	62
30d	1.7k	371

Playback	Listens	Hours
48h	77	10
7d	140	19
30d	2.2k	299

667 shows

1,139 tapes

String Cheese Incident

17.5k

Playback	Listens	Hours
48h	1.3k	223
7d	3k	489
30d	17.5k	2.9k

1,281 shows

2,073 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	17	3
7d	16	3
30d	201	36

Playback	Listens	Hours
48h	14	2
7d	46	6
30d	182	24

Playback	Listens	Hours
48h	40	4
7d	169	19
30d	798	84

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	862	104
7d	1.8k	223
30d	13.1k	1.6k

Playback	Listens	Hours
48h	12	36m
7d	30	2
30d	196	9

Playback	Listens	Hours
48h	104	13
7d	278	34
30d	2.1k	255

Playback	Listens	Hours
48h	29	3
7d	90	14
30d	376	60

473 shows

627 tapes

The California Honeydrops

610

Playback	Listens	Hours
48h	32	4
7d	46	5
30d	610	75

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	138	20
7d	389	54
30d	2.7k	381

Playback	Listens	Hours
48h	0	0m
7d	26	2
30d	402	34

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	11	57m
30d	21	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	10m
7d	3	4m
30d	21	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	96	15
7d	38	7
30d	374	64

Playback	Listens	Hours
48h	1	1m
7d	38	4
30d	134	16

Playback	Listens	Hours
48h	71	5
7d	311	18
30d	946	53

Playback	Listens	Hours
48h	33	2
7d	99	7
30d	1.3k	98

Playback	Listens	Hours
48h	15	3
7d	20	5
30d	327	66

Playback	Listens	Hours
48h	31	3
7d	148	16
30d	955	98

Playback	Listens	Hours
48h	79	11
7d	278	38
30d	1.7k	262

Playback	Listens	Hours
48h	474	44
7d	863	85
30d	6.4k	639

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	66	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	80	9
7d	72	7
30d	1k	102

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	9m
7d	3	39m
30d	9	2

Playback	Listens	Hours
48h	103	10
7d	153	23
30d	1.3k	132

Playback	Listens	Hours
48h	54	4
7d	120	8
30d	894	61

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	5	36m
30d	44	4

Playback	Listens	Hours
48h	383	53
7d	1.2k	177
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	3	15m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	116	18
7d	217	39
30d	1.7k	279

436 shows

724 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	312	47
7d	625	92
30d	5k	742

Playback	Listens	Hours
48h	11	54m
7d	33	3
30d	362	30

Playback	Listens	Hours
48h	96	7
7d	198	15
30d	1.6k	122

Playback	Listens	Hours
48h	802	70
7d	1.9k	152
30d	13.8k	1.1k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	9	43m
7d	2	8m
30d	63	5

Playback	Listens	Hours
48h	8.2k	978
7d	19.9k	2.4k
30d	135k	15.9k

Playback	Listens	Hours
48h	63	8
7d	110	15
30d	825	114

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	491	47
7d	1.6k	151
30d	11k	1k

Playback	Listens	Hours
48h	103	16
7d	370	52
30d	972	144

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	111	19
7d	348	62
30d	1.6k	291

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	457	62
7d	1.2k	163
30d	29.9k	4.2k

Playback	Listens	Hours
48h	2.3k	372
7d	3k	394
30d	10.5k	1.5k

Playback	Listens	Hours
48h	2.4k	307
7d	6k	786
30d	36.8k	4.9k

Playback	Listens	Hours
48h	2.4k	323
7d	6.5k	850
30d	42.6k	5.6k

Playback	Listens	Hours
48h	2.8k	366
7d	10k	1.3k
30d	40.6k	5.5k

Playback	Listens	Hours
48h	2.8k	378
7d	13.7k	1.7k
30d	46.9k	6k

Playback	Listens	Hours
48h	2.8k	348
7d	5.7k	705
30d	47.5k	5.9k

Playback	Listens	Hours
48h	1.4k	164
7d	2.4k	282
30d	19.6k	2.3k

Playback	Listens	Hours
48h	7.5k	945
7d	6.8k	763
30d	35.7k	3.9k

Playback	Listens	Hours
48h	961	109
7d	1.9k	214
30d	11.9k	1.3k

Playback	Listens	Hours
48h	2.6k	306
7d	3.6k	419
30d	22.4k	2.6k

Playback	Listens	Hours
48h	4.8k	560
7d	9.3k	1.1k
30d	22.5k	2.8k

Playback	Listens	Hours
48h	1.2k	159
7d	2.7k	354
30d	20.5k	2.7k

Playback	Listens	Hours
48h	1.5k	186
7d	2.6k	315
30d	41.6k	5.2k

Playback	Listens	Hours
48h	1.8k	228
7d	4k	501
30d	34.9k	4.4k

Playback	Listens	Hours
48h	8.4k	984
7d	8.1k	947
30d	63.9k	7.4k

Playback	Listens	Hours
48h	1.5k	208
7d	3.3k	463
30d	20.9k	2.9k

Playback	Listens	Hours
48h	1.9k	251
7d	3.9k	536
30d	41.2k	5.5k

Playback	Listens	Hours
48h	9.6k	1.3k
7d	27.3k	3.7k
30d	272.4k	37.6k

Playback	Listens	Hours
48h	10.8k	1.5k
7d	34.3k	4.6k
30d	80.8k	10.9k

Playback	Listens	Hours
48h	476	48
7d	619	66
30d	6.2k	630

Playback	Listens	Hours
48h	3.8k	471
7d	8.1k	1.1k
30d	90.9k	11.5k

Playback	Listens	Hours
48h	4.8k	638
7d	17.5k	2.4k
30d	87.1k	11.2k

Playback	Listens	Hours
48h	2.9k	367
7d	4.7k	601
30d	61.9k	7.5k

Playback	Listens	Hours
48h	1.6k	180
7d	3.5k	390
30d	32.7k	3.8k

Playback	Listens	Hours
48h	1.7k	210
7d	3.4k	388
30d	38.4k	4.1k

Playback	Listens	Hours
48h	1.7k	264
7d	2.6k	366
30d	26.9k	4k

Playback	Listens	Hours
48h	825	101
7d	1.2k	157
30d	7.4k	928

Playback	Listens	Hours
48h	116	17
7d	253	34
30d	1.6k	220

Playback	Listens	Hours
48h	214	17
7d	861	56
30d	7.9k	528

Playback	Listens	Hours
48h	35	2
7d	88	6
30d	608	36

1977

Playback	Listens	Hours
48h	1	2
7d	1	2
30d	9	14

468

Playback	Listens	Hours
48h	21	3
7d	29	5
30d	468	73

376

Playback	Listens	Hours
48h	33	5
7d	72	11
30d	376	59

713

Playback	Listens	Hours
48h	46	6
7d	109	13
30d	713	88

508

Playback	Listens	Hours
48h	14	2
7d	78	10
30d	508	61

Playback	Listens	Hours
48h	121	14
7d	158	19
30d	1k	122

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

650

Playback	Listens	Hours
48h	21	3
7d	91	11
30d	650	77

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

616

Playback	Listens	Hours
48h	77	10
7d	53	7
30d	616	76

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

329

Playback	Listens	Hours
48h	25	3
7d	60	8
30d	329	44

Playback	Listens	Hours
48h	16	2
7d	12	1
30d	199	26

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

319

Playback	Listens	Hours
48h	0	0m
7d	36	5
30d	319	42

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

967

Playback	Listens	Hours
48h	87	13
7d	111	16
30d	967	133

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

147

Playback	Listens	Hours
48h	4	32m
7d	4	28m
30d	147	21

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

445

Playback	Listens	Hours
48h	20	3
7d	106	16
30d	445	66

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

161

Playback	Listens	Hours
48h	3	28m
7d	14	2
30d	161	22

Playback	Listens	Hours
48h	45	6
7d	96	13
30d	487	69

Playback	Listens	Hours
48h	21	2
7d	19	2
30d	137	15

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

319

Playback	Listens	Hours
48h	30	4
7d	71	10
30d	319	46

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

429

Playback	Listens	Hours
48h	5	47m
7d	50	6
30d	429	56

Playback	Listens	Hours
48h	6	1
7d	9	2
30d	131	21

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

448

Playback	Listens	Hours
48h	129	18
7d	203	29
30d	448	64

Playback	Listens	Hours
48h	84	11
7d	265	34
30d	1k	138

Playback	Listens	Hours
48h	26	3
7d	71	9
30d	543	66

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

409

Playback	Listens	Hours
48h	16	3
7d	20	3
30d	409	65

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

233

Playback	Listens	Hours
48h	20	3
7d	20	3
30d	233	32

Playback	Listens	Hours
48h	171	23
7d	262	36
30d	2k	275

13.4k

Playback	Listens	Hours
48h	1.1k	138
7d	10.9k	1.4k
30d	13.4k	1.7k

7.6k

Playback	Listens	Hours
48h	271	43
7d	2.3k	341
30d	7.6k	1.1k

14.6k

Playback	Listens	Hours
48h	816	110
7d	1.7k	235
30d	14.6k	2k

Playback	Listens	Hours
48h	14	2
7d	296	36
30d	9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.4k

Playback	Listens	Hours
48h	184	28
7d	284	44
30d	17.4k	2.6k

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.1k

Playback	Listens	Hours
48h	202	27
7d	170	26
30d	12.1k	1.7k

Playback	Listens	Hours
48h	293	38
7d	328	42
30d	16.7k	2.2k

Pembroke Pines, FL, USA

31.5k

Playback	Listens	Hours
48h	685	94
7d	1.1k	157
30d	31.5k	4.3k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.1k

Playback	Listens	Hours
48h	141	18
7d	200	25
30d	13.1k	1.7k

Playback	Listens	Hours
48h	113	16
7d	364	50
30d	13.9k	1.9k

Playback	Listens	Hours
48h	131	19
7d	110	16
30d	15.8k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

21.6k

Playback	Listens	Hours
48h	290	38
7d	629	83
30d	21.6k	2.8k

Playback	Listens	Hours
48h	46	6
7d	69	8
30d	2.4k	311

Playback	Listens	Hours
48h	127	15
7d	57	8
30d	1.8k	221

Playback	Listens	Hours
48h	13	2
7d	23	3
30d	375	47

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

6.2k

Playback	Listens	Hours
48h	233	31
7d	401	53
30d	6.2k	823

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

16k

Playback	Listens	Hours
48h	998	144
7d	1.6k	230
30d	16k	2.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

12.2k

Playback	Listens	Hours
48h	812	123
7d	1.1k	164
30d	12.2k	1.9k

Playback	Listens	Hours
48h	481	69
7d	970	141
30d	9.3k	1.4k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.9k

Playback	Listens	Hours
48h	241	36
7d	132	20
30d	2.9k	441

Playback	Listens	Hours
48h	191	30
7d	314	49
30d	3.1k	497

Playback	Listens	Hours
48h	14	2
7d	75	9
30d	670	81

Playback	Listens	Hours
48h	46	6
7d	48	6
30d	615	79

Playback	Listens	Hours
48h	24	3
7d	100	12
30d	649	79

Playback	Listens	Hours
48h	41	6
7d	100	15
30d	540	81

Playback	Listens	Hours
48h	27	4
7d	78	12
30d	936	146

Playback	Listens	Hours
48h	23	3
7d	36	5
30d	131	17

Playback	Listens	Hours
48h	40	5
7d	45	5
30d	658	73

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.8k

Playback	Listens	Hours
48h	245	35
7d	411	58
30d	3.8k	541

Philadelphia, PA, USA

1.2k

Playback	Listens	Hours
48h	43	7
7d	177	30
30d	1.2k	192

1.2k

Playback	Listens	Hours
48h	73	10
7d	165	23
30d	1.2k	159

928

Playback	Listens	Hours
48h	106	16
7d	55	9
30d	928	143

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	102	14
7d	224	31
30d	1.5k	209

Playback	Listens	Hours
48h	1	2
7d	6	2
30d	72	18

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

310

Playback	Listens	Hours
48h	60	7
7d	30	4
30d	310	36

San Bernardino, CA, USA

4.9k

Playback	Listens	Hours
48h	500	66
7d	672	91
30d	4.9k	660

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

120

Playback	Listens	Hours
48h	15	2
7d	16	2
30d	120	16

Playback	Listens	Hours
48h	4	44m
7d	57	7
30d	437	52

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive