Morning Dew | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	76	11

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	22	3

Playback	Listens	Hours
48h	24	4
7d	16	3
30d	327	45

Playback	Listens	Hours
48h	146	18
7d	242	32
30d	2.2k	286

Playback	Listens	Hours
48h	6.4k	638
7d	12.9k	1.3k
30d	86.9k	8.7k

Playback	Listens	Hours
48h	66	5
7d	158	12
30d	1.7k	117

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	2	3m
7d	3	19m
30d	59	7

Playback	Listens	Hours
48h	179	20
7d	243	29
30d	2.2k	241

Playback	Listens	Hours
48h	490	67
7d	860	123
30d	5.7k	743

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	2	35m
30d	8	2

Playback	Listens	Hours
48h	114	20
7d	228	39
30d	895	151

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	4	36m
7d	4	24m
30d	37	4

Playback	Listens	Hours
48h	89	9
7d	224	24
30d	1.2k	122

Playback	Listens	Hours
48h	119	12
7d	195	18
30d	849	87

Playback	Listens	Hours
48h	2	4m
7d	33	2
30d	449	27

Playback	Listens	Hours
48h	24	3
7d	6	45m
30d	245	32

Playback	Listens	Hours
48h	45	3
7d	11	44m
30d	239	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	6	46m
7d	30	2
30d	95	10

79 shows

93 tapes

Circles Around The Sun

1.5k

Playback	Listens	Hours
48h	86	17
7d	213	44
30d	1.5k	300

Playback	Listens	Hours
48h	3	49m
7d	34	7
30d	409	78

Playback	Listens	Hours
48h	37	3
7d	34	3
30d	418	35

Playback	Listens	Hours
48h	21	3
7d	66	10
30d	562	84

Playback	Listens	Hours
48h	278	37
7d	517	74
30d	4.3k	587

Playback	Listens	Hours
48h	331	45
7d	900	127
30d	5.4k	758

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	18	5

Playback	Listens	Hours
48h	23	2
7d	49	4
30d	170	16

Playback	Listens	Hours
48h	3.1k	496
7d	5.4k	836
30d	39k	6.2k

Playback	Listens	Hours
48h	14	2
7d	13	1
30d	107	10

Playback	Listens	Hours
48h	127	7
7d	128	7
30d	1.3k	83

Playback	Listens	Hours
48h	106	12
7d	264	33
30d	1.9k	234

Playback	Listens	Hours
48h	663	145
7d	2k	423
30d	13.4k	2.8k

Playback	Listens	Hours
48h	0	0m
7d	45	5
30d	238	25

Playback	Listens	Hours
48h	208	33
7d	584	86
30d	3.4k	515

155 shows

209 tapes

Domocile

Playback	Listens	Hours
48h	3	39m
7d	14	3
30d	85	21

Playback	Listens	Hours
48h	115	14
7d	190	20
30d	1.7k	168

Playback	Listens	Hours
48h	41	6
7d	30	5
30d	257	42

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	145	12
7d	616	56
30d	3k	269

Playback	Listens	Hours
48h	4	53m
7d	43	8
30d	549	96

Playback	Listens	Hours
48h	6	53m
7d	20	3
30d	148	19

Playback	Listens	Hours
48h	107	16
7d	240	41
30d	1.8k	294

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	126	15
7d	270	37
30d	2.3k	336

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	2
30d	37	12

Playback	Listens	Hours
48h	8	20m
7d	101	6
30d	726	41

Playback	Listens	Hours
48h	7	1
7d	27	3
30d	124	16

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	4	51m
30d	65	14

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	1m
7d	3	22m
30d	76	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	54m

Playback	Listens	Hours
48h	17	2
7d	20	2
30d	284	33

Playback	Listens	Hours
48h	0	0m
7d	10	38m
30d	243	15

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	166	13

Playback	Listens	Hours
48h	16	56m
7d	9	36m
30d	174	11

Playback	Listens	Hours
48h	572	85
7d	1.1k	173
30d	9.7k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

598

Playback	Listens	Hours
48h	25	2
7d	77	6
30d	598	52

203 shows

234 tapes

Galactic

Playback	Listens	Hours
48h	88	10
7d	110	13
30d	1k	119

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	2	22m
7d	35	4
30d	97	13

Playback	Listens	Hours
48h	5	58m
7d	64	14
30d	318	67

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	0	0m
7d	17	5
30d	131	26

Playback	Listens	Hours
48h	35	4
7d	108	12
30d	826	96

370 shows

499 tapes

Godspeed You Black Emperor!

340

Playback	Listens	Hours
48h	47	14
7d	78	21
30d	340	86

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	223	29

Playback	Listens	Hours
48h	2.4k	491
7d	4.7k	961
30d	35.1k	7.2k

Playback	Listens	Hours
48h	10	55m
7d	14	1
30d	237	22

363 shows

589 tapes

Grahame Lesh and Friends

2.6k

Playback	Listens	Hours
48h	172	24
7d	254	36
30d	2.6k	380

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	19	3

Playback	Listens	Hours
48h	363	45
7d	1.1k	124
30d	5.7k	649

Playback	Listens	Hours
48h	38	5
7d	112	13
30d	862	94

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	6	1
7d	0	0m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	14	54m
30d	32	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	8	1
7d	2	22m
30d	14	2

Playback	Listens	Hours
48h	20	1
7d	59	4
30d	366	26

749 shows

1,030 tapes

Hard Working Americans

218

Playback	Listens	Hours
48h	0	0m
7d	18	3
30d	218	22

Playback	Listens	Hours
48h	31	5
7d	86	15
30d	390	64

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	22	2

Playback	Listens	Hours
48h	22	3
7d	27	3
30d	196	21

674 shows

846 tapes

Infamous Stringdusters

1.8k

Playback	Listens	Hours
48h	108	10
7d	247	23
30d	1.8k	170

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	331	21
7d	534	35
30d	5.4k	350

Playback	Listens	Hours
48h	13	1
7d	32	3
30d	276	27

364 shows

491 tapes

Jazz Mandolin Project

151

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	151	22

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	7	34m
7d	19	2
30d	79	7

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	2	11m
7d	15	2
30d	94	9

Playback	Listens	Hours
48h	64	8
7d	271	35
30d	935	114

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.7k

Playback	Listens	Hours
48h	200	35
7d	460	73
30d	2.7k	447

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	246	35
7d	652	89
30d	4.7k	666

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	25	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

39.4k

Playback	Listens	Hours
48h	4k	737
7d	4.8k	883
30d	39.4k	7.4k

Playback	Listens	Hours
48h	35	4
7d	55	6
30d	453	52

Playback	Listens	Hours
48h	174	17
7d	406	36
30d	2.2k	198

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	5m
7d	9	35m
30d	36	4

Playback	Listens	Hours
48h	30	2
7d	21	1
30d	138	11

Playback	Listens	Hours
48h	15	1
7d	4	28m
30d	195	19

73 shows

108 tapes

197

Playback	Listens	Hours
48h	4	43m
7d	26	4
30d	197	26

Playback	Listens	Hours
48h	379	33
7d	515	49
30d	4.3k	427

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	148	20

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15k

Playback	Listens	Hours
48h	1.2k	164
7d	2.4k	317
30d	15k	2k

Playback	Listens	Hours
48h	169	23
7d	219	28
30d	1.6k	220

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	13	2
7d	10	1
30d	93	13

Playback	Listens	Hours
48h	30	7
7d	170	35
30d	895	171

Playback	Listens	Hours
48h	16	2
7d	166	20
30d	1.2k	139

Playback	Listens	Hours
48h	235	18
7d	621	55
30d	3.6k	333

Playback	Listens	Hours
48h	147	24
7d	393	83
30d	3.1k	559

Playback	Listens	Hours
48h	405	41
7d	829	79
30d	5.8k	543

Playback	Listens	Hours
48h	155	12
7d	147	12
30d	1.4k	106

Playback	Listens	Hours
48h	99	16
7d	104	21
30d	945	174

436 shows

618 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	98	11

Playback	Listens	Hours
48h	175	16
7d	244	28
30d	2.1k	203

Playback	Listens	Hours
48h	41	5
7d	30	4
30d	173	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	318	45
7d	711	107
30d	4.8k	774

Playback	Listens	Hours
48h	54	3
7d	54	3
30d	356	20

Playback	Listens	Hours
48h	7	34m
7d	33	3
30d	143	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	11	16m
30d	43	1

Playback	Listens	Hours
48h	92	6
7d	185	13
30d	1.4k	97

Playback	Listens	Hours
48h	571	96
7d	1.2k	194
30d	10k	1.7k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	83	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	25	2
7d	4	20m
30d	50	4

Playback	Listens	Hours
48h	407	41
7d	719	75
30d	4.9k	498

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	83	8

Playback	Listens	Hours
48h	51	8
7d	105	14
30d	807	108

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	8	2

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	164	15
7d	190	16
30d	1.8k	154

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	172	17
7d	136	14
30d	1.4k	136

Playback	Listens	Hours
48h	27	3
7d	120	15
30d	878	95

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	5	1
7d	26	4
30d	107	19

Playback	Listens	Hours
48h	7	1
7d	23	3
30d	132	19

Playback	Listens	Hours
48h	117	22
7d	258	50
30d	1.6k	287

689 shows

920 tapes

Phil Lesh and Friends

16.1k

Playback	Listens	Hours
48h	1.3k	224
7d	2k	343
30d	16.1k	2.8k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.6k

Playback	Listens	Hours
48h	166	23
7d	281	44
30d	1.6k	263

Playback	Listens	Hours
48h	283	40
7d	586	81
30d	3.8k	499

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	229	29
7d	611	79
30d	3.7k	483

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	27	2

Playback	Listens	Hours
48h	31	3
7d	50	7
30d	394	53

Playback	Listens	Hours
48h	411	55
7d	866	116
30d	6.9k	909

Playback	Listens	Hours
48h	140	11
7d	276	21
30d	1.1k	93

Playback	Listens	Hours
48h	167	15
7d	252	21
30d	1.3k	116

Playback	Listens	Hours
48h	69	7
7d	344	31
30d	2.4k	205

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	232	22
7d	680	62
30d	3.7k	343

128 shows

192 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	11

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	37	4
7d	16	2
30d	17	2

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	4	21m
7d	2	24m
30d	44	5

Playback	Listens	Hours
48h	133	10
7d	212	17
30d	1.6k	135

Playback	Listens	Hours
48h	226	35
7d	316	50
30d	2.5k	410

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	110	25
7d	173	39
30d	1k	252

Playback	Listens	Hours
48h	8	29m
7d	40	2
30d	271	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	24	5
7d	74	13
30d	831	128

Playback	Listens	Hours
48h	87	18
7d	290	63
30d	1.7k	368

Playback	Listens	Hours
48h	76	11
7d	158	22
30d	2.3k	310

667 shows

1,139 tapes

String Cheese Incident

17.3k

Playback	Listens	Hours
48h	1.6k	260
7d	2.8k	464
30d	17.3k	2.8k

1,281 shows

2,073 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	47	5

Playback	Listens	Hours
48h	13	2
7d	10	2
30d	195	34

Playback	Listens	Hours
48h	44	5
7d	17	2
30d	184	24

Playback	Listens	Hours
48h	55	6
7d	126	14
30d	762	79

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	900	109
7d	1.8k	224
30d	13.3k	1.6k

Playback	Listens	Hours
48h	0	0m
7d	34	2
30d	221	10

Playback	Listens	Hours
48h	116	14
7d	406	50
30d	2.1k	260

Playback	Listens	Hours
48h	51	7
7d	75	13
30d	383	61

473 shows

627 tapes

The California Honeydrops

624

Playback	Listens	Hours
48h	16	2
7d	74	9
30d	624	77

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	163	23
7d	299	42
30d	2.6k	381

Playback	Listens	Hours
48h	9	1
7d	24	2
30d	393	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	11	57m
7d	0	0m
30d	13	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	2	2m
7d	4	22m
30d	20	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	49	9
7d	32	5
30d	396	68

Playback	Listens	Hours
48h	4	17m
7d	34	4
30d	135	16

Playback	Listens	Hours
48h	127	8
7d	259	14
30d	856	53

Playback	Listens	Hours
48h	36	2
7d	80	6
30d	1.4k	101

Playback	Listens	Hours
48h	16	4
7d	15	3
30d	326	65

Playback	Listens	Hours
48h	44	4
7d	144	16
30d	953	97

Playback	Listens	Hours
48h	103	15
7d	255	37
30d	1.7k	262

Playback	Listens	Hours
48h	438	40
7d	853	85
30d	6.5k	652

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	3	12m
7d	0	0m
30d	63	6

Playback	Listens	Hours
48h	85	9
7d	75	7
30d	996	102

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	3	39m
30d	10	2

Playback	Listens	Hours
48h	94	10
7d	135	20
30d	1.2k	128

Playback	Listens	Hours
48h	24	2
7d	156	10
30d	943	64

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	44	4

Playback	Listens	Hours
48h	342	51
7d	1.3k	200
30d	7.3k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	66	6

Playback	Listens	Hours
48h	113	21
7d	228	38
30d	1.7k	277

Playback	Listens	Hours
48h	278	45
7d	687	97
30d	5.1k	764

Playback	Listens	Hours
48h	14	1
7d	30	3
30d	369	31

Playback	Listens	Hours
48h	56	4
7d	260	20
30d	1.7k	128

Playback	Listens	Hours
48h	973	76
7d	1.7k	149
30d	13.6k	1.1k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	2	8m
7d	0	0m
30d	61	5

Playback	Listens	Hours
48h	9.8k	1.2k
7d	18.6k	2.2k
30d	136.5k	16.1k

Playback	Listens	Hours
48h	18	3
7d	129	17
30d	860	119

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	626	56
7d	1.6k	148
30d	11k	1k

Playback	Listens	Hours
48h	163	24
7d	334	46
30d	892	132

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	184	32
7d	290	51
30d	1.5k	280

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	504	67
7d	1.5k	202
30d	30.2k	4.2k

Playback	Listens	Hours
48h	1.4k	230
7d	3.8k	482
30d	10.8k	1.5k

Playback	Listens	Hours
48h	2.7k	361
7d	7.4k	959
30d	41.3k	5.4k

Playback	Listens	Hours
48h	4.4k	590
7d	5.6k	725
30d	39.9k	5.3k

Playback	Listens	Hours
48h	4.3k	565
7d	13k	1.8k
30d	39.2k	5.3k

Playback	Listens	Hours
48h	2.8k	372
7d	18.6k	2.3k
30d	48.7k	6.3k

Playback	Listens	Hours
48h	2.9k	360
7d	7.1k	883
30d	48.9k	6.1k

Playback	Listens	Hours
48h	1.4k	168
7d	3k	349
30d	21k	2.4k

Playback	Listens	Hours
48h	7.4k	878
7d	5.6k	628
30d	34.8k	3.8k

Playback	Listens	Hours
48h	1.1k	124
7d	2.2k	244
30d	12.2k	1.4k

Playback	Listens	Hours
48h	1.8k	205
7d	4.2k	488
30d	22.9k	2.7k

Playback	Listens	Hours
48h	5.3k	610
7d	7.8k	937
30d	21.2k	2.7k

Playback	Listens	Hours
48h	1.4k	180
7d	3.5k	469
30d	26k	3.4k

Playback	Listens	Hours
48h	1.5k	188
7d	3.6k	436
30d	42.1k	5.2k

Playback	Listens	Hours
48h	1.8k	223
7d	5.1k	645
30d	44.1k	5.5k

Playback	Listens	Hours
48h	9.4k	1.1k
7d	12.6k	1.4k
30d	69.1k	8k

Playback	Listens	Hours
48h	1.8k	247
7d	3.9k	557
30d	21.7k	3k

Playback	Listens	Hours
48h	2k	268
7d	4.8k	652
30d	46.1k	6.3k

Playback	Listens	Hours
48h	9.3k	1.3k
7d	45.9k	6.3k
30d	290.3k	40k

Playback	Listens	Hours
48h	15.7k	2.1k
7d	26.4k	3.5k
30d	71.6k	9.7k

Playback	Listens	Hours
48h	378	39
7d	1.4k	136
30d	6.4k	659

Playback	Listens	Hours
48h	3.9k	502
7d	13.7k	1.8k
30d	95.3k	12.1k

Playback	Listens	Hours
48h	5.3k	710
7d	18.9k	2.5k
30d	88.8k	11.4k

Playback	Listens	Hours
48h	2.9k	375
7d	6.1k	765
30d	66.4k	8.1k

Playback	Listens	Hours
48h	1.9k	208
7d	4.3k	487
30d	34k	3.9k

Playback	Listens	Hours
48h	1.7k	197
7d	7.8k	819
30d	45k	4.8k

Playback	Listens	Hours
48h	1.4k	198
7d	4.5k	677
30d	27.4k	4.1k

Playback	Listens	Hours
48h	495	62
7d	1.7k	224
30d	7.6k	954

Playback	Listens	Hours
48h	146	20
7d	285	40
30d	1.6k	220

Playback	Listens	Hours
48h	306	23
7d	905	58
30d	8.1k	539

Playback	Listens	Hours
48h	24	2
7d	126	8
30d	632	37

1977

Playback	Listens	Hours
48h	1	2
7d	1	2
30d	10	15

520

Playback	Listens	Hours
48h	17	3
7d	38	6
30d	520	80

412

Playback	Listens	Hours
48h	10	1
7d	76	11
30d	412	64

769

Playback	Listens	Hours
48h	28	3
7d	152	18
30d	769	95

596

Playback	Listens	Hours
48h	28	3
7d	57	7
30d	596	71

Playback	Listens	Hours
48h	82	9
7d	209	25
30d	1k	125

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

693

Playback	Listens	Hours
48h	48	6
7d	105	13
30d	693	84

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

716

Playback	Listens	Hours
48h	44	6
7d	63	8
30d	716	89

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

345

Playback	Listens	Hours
48h	12	2
7d	95	12
30d	345	45

Playback	Listens	Hours
48h	10	1
7d	21	3
30d	217	29

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

324

Playback	Listens	Hours
48h	0	0m
7d	75	10
30d	324	42

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

Playback	Listens	Hours
48h	66	10
7d	166	23
30d	1k	141

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

182

Playback	Listens	Hours
48h	3	24m
7d	7	1
30d	182	26

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

472

Playback	Listens	Hours
48h	38	5
7d	145	21
30d	472	70

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

170

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	170	23

Playback	Listens	Hours
48h	40	5
7d	133	19
30d	488	69

Playback	Listens	Hours
48h	24	2
7d	20	3
30d	133	15

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

317

Playback	Listens	Hours
48h	40	5
7d	87	13
30d	317	46

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

464

Playback	Listens	Hours
48h	33	4
7d	70	9
30d	464	62

Playback	Listens	Hours
48h	7	1
7d	12	2
30d	143	23

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

314

Playback	Listens	Hours
48h	218	30
7d	87	13
30d	314	45

Playback	Listens	Hours
48h	95	12
7d	296	38
30d	1k	138

Playback	Listens	Hours
48h	44	5
7d	72	10
30d	544	66

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

418

Playback	Listens	Hours
48h	25	4
7d	42	7
30d	418	67

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

222

Playback	Listens	Hours
48h	33	4
7d	34	5
30d	222	31

Playback	Listens	Hours
48h	186	24
7d	363	49
30d	2.1k	294

12.8k

Playback	Listens	Hours
48h	1.4k	182
7d	10.4k	1.3k
30d	12.8k	1.6k

7.4k

Playback	Listens	Hours
48h	333	52
7d	6.2k	937
30d	7.4k	1.1k

14.5k

Playback	Listens	Hours
48h	465	63
7d	11.9k	1.6k
30d	14.5k	2k

Playback	Listens	Hours
48h	54	7
7d	667	82
30d	9.1k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.5k

Playback	Listens	Hours
48h	203	31
7d	597	93
30d	17.5k	2.6k

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.1k

Playback	Listens	Hours
48h	138	19
7d	260	37
30d	12.1k	1.7k

Playback	Listens	Hours
48h	138	19
7d	467	59
30d	16.7k	2.2k

Pembroke Pines, FL, USA

31.4k

Playback	Listens	Hours
48h	651	92
7d	1.4k	191
30d	31.4k	4.3k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.3k

Playback	Listens	Hours
48h	65	8
7d	283	35
30d	13.3k	1.7k

Playback	Listens	Hours
48h	157	23
7d	360	48
30d	13.9k	1.9k

Playback	Listens	Hours
48h	81	12
7d	150	22
30d	16k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

22k

Playback	Listens	Hours
48h	421	55
7d	932	121
30d	22k	2.9k

Playback	Listens	Hours
48h	5	35m
7d	118	15
30d	11.1k	1.5k

Playback	Listens	Hours
48h	36	4
7d	105	13
30d	2.5k	308

Playback	Listens	Hours
48h	15	2
7d	35	5
30d	449	56

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

7.2k

Playback	Listens	Hours
48h	180	24
7d	623	83
30d	7.2k	957

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

18.1k

Playback	Listens	Hours
48h	939	135
7d	2.2k	317
30d	18.1k	2.6k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

13.7k

Playback	Listens	Hours
48h	619	97
7d	1.6k	243
30d	13.7k	2.1k

Playback	Listens	Hours
48h	457	67
7d	1.3k	189
30d	10.2k	1.5k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

3.4k

Playback	Listens	Hours
48h	106	16
7d	241	38
30d	3.4k	508

Playback	Listens	Hours
48h	169	27
7d	408	66
30d	3.3k	535

Playback	Listens	Hours
48h	13	2
7d	93	11
30d	761	93

Playback	Listens	Hours
48h	47	6
7d	82	11
30d	636	82

Playback	Listens	Hours
48h	29	3
7d	130	15
30d	714	87

Playback	Listens	Hours
48h	68	10
7d	136	20
30d	560	84

Playback	Listens	Hours
48h	45	6
7d	63	10
30d	985	154

Playback	Listens	Hours
48h	21	3
7d	18	2
30d	132	17

Playback	Listens	Hours
48h	26	3
7d	109	11
30d	723	80

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

4.2k

Playback	Listens	Hours
48h	218	30
7d	580	84
30d	4.2k	592

Philadelphia, PA, USA

1.3k

Playback	Listens	Hours
48h	55	10
7d	208	34
30d	1.3k	205

1.2k

Playback	Listens	Hours
48h	59	8
7d	250	34
30d	1.2k	170

Playback	Listens	Hours
48h	16	2
7d	164	27
30d	1k	157

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	84	13
7d	278	39
30d	1.5k	216

Playback	Listens	Hours
48h	1	2
7d	14	3
30d	81	21

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

322

Playback	Listens	Hours
48h	8	51m
7d	52	7
30d	322	37

San Bernardino, CA, USA

5.2k

Playback	Listens	Hours
48h	378	51
7d	1k	135
30d	5.2k	706

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

125

Playback	Listens	Hours
48h	12	1
7d	20	3
30d	125	17

Playback	Listens	Hours
48h	14	2
7d	49	6
30d	489	58

5/8/77

FIN

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive