Fire on The Mountain | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	93	12

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	25	3

Playback	Listens	Hours
48h	8	1
7d	38	5
30d	505	71

Playback	Listens	Hours
48h	134	16
7d	483	63
30d	2.3k	299

Playback	Listens	Hours
48h	6.3k	637
7d	16.3k	1.6k
30d	90.1k	9k

Playback	Listens	Hours
48h	121	10
7d	227	17
30d	1.8k	125

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	1	5m
7d	9	1
30d	58	6

Playback	Listens	Hours
48h	139	15
7d	331	40
30d	2.4k	263

1,226 shows

1,775 tapes

Bob Weir

Playback	Listens	Hours
48h	314	45
7d	1.2k	166
30d	6k	781

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	3

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	2	35m
7d	0	0m
30d	6	1

Playback	Listens	Hours
48h	77	12
7d	243	42
30d	977	164

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	5	42m
7d	11	1
30d	40	5

Playback	Listens	Hours
48h	156	16
7d	184	19
30d	1.3k	127

Playback	Listens	Hours
48h	71	7
7d	183	16
30d	826	85

Playback	Listens	Hours
48h	15	1
7d	23	1
30d	476	29

Playback	Listens	Hours
48h	3	18m
7d	21	3
30d	262	36

Playback	Listens	Hours
48h	10	31m
7d	55	3
30d	279	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	21m
30d	17	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	30	2
7d	1	6m
30d	70	8

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	55	11
7d	264	56
30d	1.6k	331

Playback	Listens	Hours
48h	10	2
7d	43	9
30d	452	85

Playback	Listens	Hours
48h	34	3
7d	55	5
30d	414	35

Playback	Listens	Hours
48h	14	3
7d	115	16
30d	576	86

Playback	Listens	Hours
48h	363	52
7d	582	85
30d	4.4k	606

Playback	Listens	Hours
48h	376	52
7d	1k	146
30d	5.6k	788

794 shows

1,053 tapes

Dave Harrington

Playback	Listens	Hours
48h	1	20m
7d	0	0m
30d	17	4

Playback	Listens	Hours
48h	48	4
7d	73	6
30d	169	16

Playback	Listens	Hours
48h	2.7k	425
7d	7.3k	1.1k
30d	40.8k	6.5k

Playback	Listens	Hours
48h	7	48m
7d	21	2
30d	104	10

Playback	Listens	Hours
48h	117	6
7d	177	10
30d	1.4k	89

397 shows

604 tapes

Derek Trucks Band

Playback	Listens	Hours
48h	96	11
7d	308	39
30d	2k	243

Playback	Listens	Hours
48h	950	195
7d	2.3k	484
30d	13.9k	2.9k

Playback	Listens	Hours
48h	14	1
7d	47	5
30d	231	24

Playback	Listens	Hours
48h	370	56
7d	652	92
30d	3.5k	543

155 shows

208 tapes

Domocile

Playback	Listens	Hours
48h	5	1
7d	13	3
30d	85	21

Playback	Listens	Hours
48h	100	10
7d	242	25
30d	1.7k	171

Playback	Listens	Hours
48h	9	1
7d	48	8
30d	273	44

Playback	Listens	Hours
48h	280	25
7d	736	66
30d	3.1k	272

Playback	Listens	Hours
48h	25	5
7d	57	10
30d	565	98

Playback	Listens	Hours
48h	6	46m
7d	17	2
30d	142	18

44 shows

56 tapes

Eggy

Playback	Listens	Hours
48h	132	21
7d	339	55
30d	2k	319

150 shows

288 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	122	17
7d	317	42
30d	2.5k	353

830 shows

1,049 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	54m
7d	1	1
30d	36	11

Playback	Listens	Hours
48h	17	49m
7d	150	8
30d	778	44

Playback	Listens	Hours
48h	1	12m
7d	26	3
30d	155	20

121 shows

180 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	4	51m
7d	5	1
30d	66	15

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	3m
7d	23	3
30d	75	10

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	6	1

Playback	Listens	Hours
48h	4	22m
7d	66	8
30d	287	33

Playback	Listens	Hours
48h	3	10m
7d	8	32m
30d	257	16

Playback	Listens	Hours
48h	3	15m
7d	23	2
30d	167	13

Playback	Listens	Hours
48h	6	24m
7d	9	30m
30d	171	11

Playback	Listens	Hours
48h	401	65
7d	1.6k	248
30d	10k	1.6k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	11m

14 shows

15 tapes

G. Love and Special Sauce

595

Playback	Listens	Hours
48h	60	5
7d	148	12
30d	595	52

Playback	Listens	Hours
48h	50	6
7d	164	17
30d	1.2k	132

397 shows

476 tapes

Garage A Trois

Playback	Listens	Hours
48h	18	2
7d	36	4
30d	97	13

Playback	Listens	Hours
48h	11	3
7d	98	21
30d	340	72

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	5	28m
30d	10	2

Playback	Listens	Hours
48h	11	4
7d	24	6
30d	146	29

Playback	Listens	Hours
48h	69	8
7d	96	11
30d	840	97

370 shows

499 tapes

Godspeed You Black Emperor!

351

Playback	Listens	Hours
48h	61	16
7d	107	29
30d	351	88

Playback	Listens	Hours
48h	10	32m
7d	13	2
30d	217	29

Playback	Listens	Hours
48h	2.4k	486
7d	6.1k	1.3k
30d	36.6k	7.5k

Playback	Listens	Hours
48h	2	10m
7d	40	4
30d	289	25

363 shows

589 tapes

Grahame Lesh and Friends

2.7k

Playback	Listens	Hours
48h	119	16
7d	350	49
30d	2.7k	392

34 shows

109 tapes

Grampas Grass

Playback	Listens	Hours
48h	12	2
7d	11	1
30d	18	2

Playback	Listens	Hours
48h	398	44
7d	1.3k	150
30d	5.9k	672

Playback	Listens	Hours
48h	63	8
7d	151	17
30d	975	106

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	8	30m
7d	7	36m
30d	25	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	12	2

Playback	Listens	Hours
48h	39	3
7d	121	8
30d	977	72

749 shows

1,030 tapes

Hard Working Americans

267

Playback	Listens	Hours
48h	0	0m
7d	35	4
30d	267	28

Playback	Listens	Hours
48h	9	2
7d	102	17
30d	400	65

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	29	3
7d	17	1
30d	202	21

674 shows

846 tapes

Infamous Stringdusters

1.9k

Playback	Listens	Hours
48h	104	9
7d	325	30
30d	1.9k	173

628 shows

1,015 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	71	13

Playback	Listens	Hours
48h	264	17
7d	863	56
30d	5.8k	375

Playback	Listens	Hours
48h	30	3
7d	19	2
30d	272	27

364 shows

491 tapes

Jazz Mandolin Project

176

Playback	Listens	Hours
48h	3	21m
7d	20	3
30d	176	27

221 shows

278 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	18	2
7d	1	4m
30d	61	6

12 shows

14 tapes

Jeff Austin And Friends

Playback	Listens	Hours
48h	0	0m
7d	32	3
30d	96	9

Playback	Listens	Hours
48h	128	14
7d	246	32
30d	875	106

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.8k

Playback	Listens	Hours
48h	197	32
7d	600	95
30d	2.8k	459

1,124 shows

1,519 tapes

Jerry's Middle Finger

4.7k

Playback	Listens	Hours
48h	268	33
7d	810	119
30d	4.7k	677

255 shows

306 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	2	23m
30d	25	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

40.2k

Playback	Listens	Hours
48h	2.6k	480
7d	6k	1.1k
30d	40.2k	7.6k

Playback	Listens	Hours
48h	23	2
7d	51	6
30d	504	56

Playback	Listens	Hours
48h	183	16
7d	490	44
30d	2.3k	206

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	9	35m
30d	36	4

Playback	Listens	Hours
48h	41	3
7d	0	0m
30d	132	10

Playback	Listens	Hours
48h	0	0m
7d	5	34m
30d	219	21

73 shows

108 tapes

188

Playback	Listens	Hours
48h	27	4
7d	42	6
30d	188	25

Playback	Listens	Hours
48h	287	28
7d	765	71
30d	4.6k	454

Playback	Listens	Hours
48h	3	23m
7d	1	18m
30d	161	22

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.6k

Playback	Listens	Hours
48h	1.3k	162
7d	2.8k	371
30d	15.6k	2.1k

Playback	Listens	Hours
48h	130	17
7d	256	34
30d	1.7k	238

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	8m
7d	12	2
30d	96	14

Playback	Listens	Hours
48h	55	12
7d	225	43
30d	885	169

Playback	Listens	Hours
48h	37	4
7d	264	32
30d	1.3k	155

Playback	Listens	Hours
48h	316	27
7d	689	61
30d	3.7k	345

Playback	Listens	Hours
48h	187	34
7d	444	92
30d	3.3k	579

452 shows

705 tapes

Little Feat

Playback	Listens	Hours
48h	423	40
7d	1.1k	105
30d	6k	557

Playback	Listens	Hours
48h	48	4
7d	248	19
30d	1.5k	111

Playback	Listens	Hours
48h	67	13
7d	127	24
30d	986	180

Playback	Listens	Hours
48h	6	38m
7d	33	3
30d	100	11

210 shows

291 tapes

Marcus King Band

Playback	Listens	Hours
48h	167	20
7d	354	34
30d	2k	198

Playback	Listens	Hours
48h	14	2
7d	50	5
30d	195	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	469	65
7d	742	120
30d	4.8k	793

Playback	Listens	Hours
48h	4	14m
7d	106	6
30d	474	27

Playback	Listens	Hours
48h	4	27m
7d	55	5
30d	139	14

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	9	11m
7d	8	15m
30d	34	1

Playback	Listens	Hours
48h	126	9
7d	183	12
30d	1.5k	103

Playback	Listens	Hours
48h	474	75
7d	1.8k	289
30d	10.7k	1.8k

1,978 shows

4,443 tapes

Mogwai

Playback	Listens	Hours
48h	1	7m
7d	2	15m
30d	87	9

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	4	20m
7d	1	5m
30d	48	4

Playback	Listens	Hours
48h	328	34
7d	1.1k	111
30d	5.1k	516

410 shows

596 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	2

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	10m
7d	18	2
30d	84	8

Playback	Listens	Hours
48h	72	10
7d	105	14
30d	924	125

137 shows

249 tapes

Nels Cline

Playback	Listens	Hours
48h	6	1
7d	2	24m
30d	2	24m

62 shows

73 tapes

New Riders of the Purple Sage

Playback	Listens	Hours
48h	103	9
7d	319	26
30d	2k	168

410 shows

596 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	77	8
7d	185	18
30d	1.4k	142

Playback	Listens	Hours
48h	51	6
7d	158	17
30d	936	99

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	2	12m

Playback	Listens	Hours
48h	8	2
7d	32	6
30d	115	20

Playback	Listens	Hours
48h	16	2
7d	35	4
30d	132	19

Playback	Listens	Hours
48h	137	25
7d	296	55
30d	1.7k	304

689 shows

920 tapes

Phil Lesh and Friends

16.8k

Playback	Listens	Hours
48h	1.2k	198
7d	2.4k	408
30d	16.8k	2.9k

788 shows

2,858 tapes

Pigeons Playing Ping Pong

1.7k

Playback	Listens	Hours
48h	84	14
7d	423	70
30d	1.7k	282

Playback	Listens	Hours
48h	394	52
7d	598	83
30d	3.9k	501

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	12m

Playback	Listens	Hours
48h	293	36
7d	656	86
30d	3.8k	500

1,236 shows

2,196 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	3	13m
30d	27	2

Playback	Listens	Hours
48h	21	2
7d	52	8
30d	471	64

Playback	Listens	Hours
48h	431	58
7d	1.1k	148
30d	7.4k	960

Playback	Listens	Hours
48h	193	12
7d	247	20
30d	1.1k	91

Playback	Listens	Hours
48h	157	14
7d	161	14
30d	1.3k	116

Playback	Listens	Hours
48h	131	12
7d	626	55
30d	2.4k	209

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	2	43m
30d	18	2

Playback	Listens	Hours
48h	291	26
7d	728	67
30d	3.7k	351

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	116	14

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	17	2

28 shows

28 tapes

Sigur Rós

Playback	Listens	Hours
48h	0	0m
7d	2	24m
30d	45	6

Playback	Listens	Hours
48h	95	7
7d	213	18
30d	1.7k	142

Playback	Listens	Hours
48h	175	28
7d	409	63
30d	2.7k	432

561 shows

758 tapes

Spafford

Playback	Listens	Hours
48h	94	22
7d	187	42
30d	1k	259

Playback	Listens	Hours
48h	21	1
7d	66	4
30d	311	19

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	3	27m
30d	21	3

Playback	Listens	Hours
48h	25	4
7d	139	20
30d	830	129

Playback	Listens	Hours
48h	165	34
7d	366	79
30d	1.7k	369

Playback	Listens	Hours
48h	74	11
7d	222	32
30d	2.5k	337

667 shows

1,139 tapes

String Cheese Incident

17.6k

Playback	Listens	Hours
48h	1.3k	219
7d	3.6k	589
30d	17.6k	2.9k

1,281 shows

2,072 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	46	5

Playback	Listens	Hours
48h	10	2
7d	55	10
30d	201	36

Playback	Listens	Hours
48h	10	1
7d	15	2
30d	176	23

Playback	Listens	Hours
48h	90	10
7d	110	12
30d	755	79

727 shows

1,114 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	845	102
7d	2.3k	284
30d	13.8k	1.7k

Playback	Listens	Hours
48h	15	51m
7d	20	1
30d	302	14

Playback	Listens	Hours
48h	127	15
7d	397	49
30d	2.2k	265

Playback	Listens	Hours
48h	51	8
7d	67	12
30d	369	59

473 shows

627 tapes

The California Honeydrops

646

Playback	Listens	Hours
48h	23	3
7d	101	12
30d	646	80

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	4

Playback	Listens	Hours
48h	191	27
7d	447	65
30d	2.7k	398

Playback	Listens	Hours
48h	16	1
7d	96	8
30d	394	33

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	13	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	3	4m
7d	2	19m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	38	7
7d	98	17
30d	389	67

Playback	Listens	Hours
48h	34	4
7d	7	36m
30d	103	13

Playback	Listens	Hours
48h	163	9
7d	228	12
30d	771	48

Playback	Listens	Hours
48h	54	4
7d	97	7
30d	1.4k	101

Playback	Listens	Hours
48h	13	3
7d	10	3
30d	332	66

Playback	Listens	Hours
48h	88	8
7d	148	17
30d	964	99

Playback	Listens	Hours
48h	159	22
7d	369	55
30d	1.8k	281

Playback	Listens	Hours
48h	476	47
7d	1.2k	129
30d	6.9k	695

1,451 shows

1,648 tapes

The Walkmen

Playback	Listens	Hours
48h	3	12m
7d	28	2
30d	67	6

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	48	4
7d	186	19
30d	1k	107

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	3	39m
30d	16	3

Playback	Listens	Hours
48h	61	12
7d	291	26
30d	1.3k	131

Playback	Listens	Hours
48h	60	4
7d	185	12
30d	976	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	44	4

Playback	Listens	Hours
48h	490	76
7d	1.7k	243
30d	7.6k	1.1k

464 shows

464 tapes

Turkuaz

Playback	Listens	Hours
48h	16	2
7d	8	44m
30d	52	5

Playback	Listens	Hours
48h	102	18
7d	328	51
30d	1.8k	288

Playback	Listens	Hours
48h	228	33
7d	890	131
30d	5.4k	809

Playback	Listens	Hours
48h	12	1
7d	47	4
30d	423	35

Playback	Listens	Hours
48h	106	8
7d	318	26
30d	1.9k	138

Playback	Listens	Hours
48h	895	69
7d	2.4k	196
30d	14.4k	1.2k

622 shows

1,136 tapes

White Denim

Playback	Listens	Hours
48h	2	8m
7d	0	0m
30d	61	5

Playback	Listens	Hours
48h	9.5k	1.1k
7d	23.9k	2.9k
30d	146k	17.2k

Playback	Listens	Hours
48h	71	9
7d	140	19
30d	983	134

1,416 shows

2,242 tapes

Yonder Mountain String Band

11k

Playback	Listens	Hours
48h	915	87
7d	2.1k	191
30d	11k	1k

Playback	Listens	Hours
48h	176	25
7d	262	37
30d	890	133

18 shows

24 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	4m

Playback	Listens	Hours
48h	184	33
7d	262	46
30d	1.6k	284

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	18	3

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	553	74
7d	1.7k	235
30d	30.1k	4.2k

Playback	Listens	Hours
48h	1.4k	184
7d	3.6k	457
30d	10.6k	1.5k

Playback	Listens	Hours
48h	3.2k	435
7d	8.4k	1.1k
30d	41.4k	5.4k

Playback	Listens	Hours
48h	2.5k	326
7d	5.9k	756
30d	38.5k	5.1k

Playback	Listens	Hours
48h	5k	627
7d	13.7k	1.9k
30d	36.3k	5k

Playback	Listens	Hours
48h	7.1k	890
7d	17.8k	2.2k
30d	47.4k	6.1k

Playback	Listens	Hours
48h	2.8k	352
7d	7k	875
30d	48.3k	6k

Playback	Listens	Hours
48h	1.1k	134
7d	3.3k	385
30d	21.2k	2.4k

Playback	Listens	Hours
48h	2.7k	309
7d	5.4k	604
30d	34.3k	3.7k

Playback	Listens	Hours
48h	984	111
7d	2.2k	244
30d	12.1k	1.4k

Playback	Listens	Hours
48h	1.8k	213
7d	4.4k	514
30d	22.5k	2.6k

Playback	Listens	Hours
48h	4.1k	490
7d	7.1k	857
30d	20.5k	2.6k

Playback	Listens	Hours
48h	1.3k	176
7d	3.5k	469
30d	29.7k	3.9k

Playback	Listens	Hours
48h	1.2k	147
7d	3.8k	473
30d	42.2k	5.2k

Playback	Listens	Hours
48h	2.4k	297
7d	5.3k	673
30d	44.6k	5.6k

Playback	Listens	Hours
48h	2.5k	282
7d	13.3k	1.5k
30d	70.7k	8.2k

Playback	Listens	Hours
48h	1.5k	214
7d	3.7k	527
30d	22.2k	3.1k

Playback	Listens	Hours
48h	1.9k	266
7d	5.2k	704
30d	51k	7k

Playback	Listens	Hours
48h	10.1k	1.4k
7d	47.4k	6.5k
30d	292.7k	40.4k

Playback	Listens	Hours
48h	20k	2.6k
7d	17.3k	2.4k
30d	61.3k	8.4k

Playback	Listens	Hours
48h	212	23
7d	1.6k	153
30d	6.5k	662

Playback	Listens	Hours
48h	3.8k	505
7d	14.4k	1.9k
30d	100.5k	12.8k

Playback	Listens	Hours
48h	10k	1.4k
7d	17.5k	2.3k
30d	87.2k	11.1k

Playback	Listens	Hours
48h	2k	260
7d	7.1k	888
30d	67.2k	8.2k

Playback	Listens	Hours
48h	1.7k	186
7d	4.7k	527
30d	34.1k	3.9k

Playback	Listens	Hours
48h	1.6k	191
7d	12.9k	1.3k
30d	46.3k	4.9k

Playback	Listens	Hours
48h	1.3k	169
7d	4.9k	785
30d	27.2k	4.1k

Playback	Listens	Hours
48h	577	72
7d	1.7k	222
30d	7.5k	943

Playback	Listens	Hours
48h	97	14
7d	289	41
30d	1.6k	218

Playback	Listens	Hours
48h	489	31
7d	779	49
30d	8.1k	539

Playback	Listens	Hours
48h	44	3
7d	136	8
30d	632	37

1977

Playback	Listens	Hours
48h	1	2
7d	0	0m
30d	9	14

534

Playback	Listens	Hours
48h	21	4
7d	55	8
30d	534	82

416

Playback	Listens	Hours
48h	8	1
7d	95	14
30d	416	65

773

Playback	Listens	Hours
48h	69	8
7d	193	23
30d	773	95

632

Playback	Listens	Hours
48h	11	2
7d	57	7
30d	632	75

Playback	Listens	Hours
48h	91	11
7d	162	20
30d	987	120

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

691

Playback	Listens	Hours
48h	52	6
7d	92	11
30d	691	83

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

708

Playback	Listens	Hours
48h	25	3
7d	81	10
30d	708	88

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

327

Playback	Listens	Hours
48h	39	5
7d	78	10
30d	327	43

Playback	Listens	Hours
48h	1	5m
7d	20	3
30d	218	29

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

319

Playback	Listens	Hours
48h	10	1
7d	74	10
30d	319	42

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

Playback	Listens	Hours
48h	64	8
7d	165	23
30d	1k	144

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

194

Playback	Listens	Hours
48h	2	16m
7d	5	47m
30d	194	27

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

457

Playback	Listens	Hours
48h	31	5
7d	165	24
30d	457	68

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

168

Playback	Listens	Hours
48h	2	20m
7d	16	2
30d	168	22

Playback	Listens	Hours
48h	71	10
7d	76	11
30d	432	61

Playback	Listens	Hours
48h	9	1
7d	21	3
30d	140	16

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

321

Playback	Listens	Hours
48h	34	5
7d	87	13
30d	321	47

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

453

Playback	Listens	Hours
48h	13	2
7d	88	12
30d	453	60

Playback	Listens	Hours
48h	2	28m
7d	14	3
30d	146	23

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

299

Playback	Listens	Hours
48h	71	10
7d	72	10
30d	299	43

Playback	Listens	Hours
48h	140	18
7d	227	30
30d	957	128

Playback	Listens	Hours
48h	28	3
7d	70	10
30d	517	63

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

431

Playback	Listens	Hours
48h	6	1
7d	42	7
30d	431	69

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

224

Playback	Listens	Hours
48h	4	39m
7d	33	5
30d	224	31

Playback	Listens	Hours
48h	104	14
7d	510	69
30d	2.2k	297

11.8k

Playback	Listens	Hours
48h	3.1k	393
7d	9.4k	1.2k
30d	11.8k	1.5k

7.2k

Playback	Listens	Hours
48h	505	77
7d	6k	917
30d	7.2k	1.1k

14.3k

Playback	Listens	Hours
48h	613	85
7d	12k	1.6k
30d	14.3k	2k

Playback	Listens	Hours
48h	119	15
7d	1.1k	135
30d	9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

17.5k

Playback	Listens	Hours
48h	98	16
7d	783	119
30d	17.5k	2.6k

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

12.1k

Playback	Listens	Hours
48h	98	15
7d	313	43
30d	12.1k	1.7k

Playback	Listens	Hours
48h	161	21
7d	638	81
30d	16.7k	2.2k

Pembroke Pines, FL, USA

31.2k

Playback	Listens	Hours
48h	589	80
7d	1.4k	197
30d	31.2k	4.3k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

13.3k

Playback	Listens	Hours
48h	88	12
7d	410	52
30d	13.3k	1.7k

Playback	Listens	Hours
48h	169	23
7d	382	52
30d	13.9k	1.9k

Playback	Listens	Hours
48h	70	10
7d	156	22
30d	15.9k	2.3k

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

22k

Playback	Listens	Hours
48h	267	36
7d	1.2k	155
30d	22k	2.9k

Playback	Listens	Hours
48h	32	4
7d	125	16
30d	11.3k	1.5k

Playback	Listens	Hours
48h	33	4
7d	128	16
30d	4.1k	517

Playback	Listens	Hours
48h	8	57m
7d	32	4
30d	517	66

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

7.8k

Playback	Listens	Hours
48h	243	32
7d	636	85
30d	7.8k	1k

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

18.8k

Playback	Listens	Hours
48h	724	105
7d	2.6k	372
30d	18.8k	2.7k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

14.2k

Playback	Listens	Hours
48h	501	79
7d	1.9k	299
30d	14.2k	2.2k

Playback	Listens	Hours
48h	407	59
7d	1.4k	208
30d	10.6k	1.6k

3:15:28

Veterans Memorial Coliseum

5/05SBD

New Haven, CT, USA

3.5k

Playback	Listens	Hours
48h	36	6
7d	403	62
30d	3.5k	531

Playback	Listens	Hours
48h	132	21
7d	464	75
30d	3.3k	539

Playback	Listens	Hours
48h	43	5
7d	122	15
30d	743	91

Playback	Listens	Hours
48h	16	2
7d	81	11
30d	651	83

Playback	Listens	Hours
48h	55	6
7d	94	11
30d	705	87

Playback	Listens	Hours
48h	34	5
7d	134	19
30d	565	84

Playback	Listens	Hours
48h	26	4
7d	104	17
30d	1k	158

Playback	Listens	Hours
48h	17	2
7d	1	5m
30d	122	16

Playback	Listens	Hours
48h	30	3
7d	125	13
30d	721	80

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

4.2k

Playback	Listens	Hours
48h	235	34
7d	603	88
30d	4.2k	588

Philadelphia, PA, USA

1.3k

Playback	Listens	Hours
48h	110	18
7d	211	35
30d	1.3k	204

1.2k

Playback	Listens	Hours
48h	70	9
7d	258	36
30d	1.2k	171

1.1k

Playback	Listens	Hours
48h	24	4
7d	211	34
30d	1.1k	165

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	119	16
7d	293	43
30d	1.5k	217

Playback	Listens	Hours
48h	0	0m
7d	18	4
30d	81	21

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

328

Playback	Listens	Hours
48h	28	3
7d	31	3
30d	328	38

San Bernardino, CA, USA

5.3k

Playback	Listens	Hours
48h	317	43
7d	981	132
30d	5.3k	713

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

123

Playback	Listens	Hours
48h	3	25m
7d	22	3
30d	123	17

Playback	Listens	Hours
48h	9	1
7d	53	6
30d	486	57

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by [email protected]
- FLAC conversion 08-MAY-2005  
- Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive